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Christina Maranci

Biographic Data

ID142318
NAMEChristina Maranci
GIVEN NAMESChristina
FAMILY NAMEMaranci
SIGNATUREMARANCI C
AFFILIATIONSTufts University
ORCID0000-0002-2513-1555
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2025
H-INDEX0
  • How to Paint Destruction

    Open Access•Christina Maranci•ARTICLE•Études arméniennes contemporaines•2025

    Vardges Sureniants’ Trampled Sanctuary is among his most celebrated works of the 1890s. As a contemporary representation of the Hamidian Massacres, the painting draws attention to the fate of material objects, and to acts of desecration and material destruction. Inspired by Sureniants’engagement with material culture, this essay offers a close formal reading of Trampled Sanctuary, which draws out the ways he confronts the destruction of Armenian …

  • Worlds of Byzantium

    Open Access•Columba Stewart, Jack Boulos Victor Tannous et al.•BOOK•Worlds of Byzantium•2024

    Worlds of Byzantium offers a new understanding of what it means to study the history and visual culture of the Byzantine empire during late antiquity and the Middle Ages. Arguing that linguistic and cultural frontiers do not always coincide with political ones, it suggests that Byzantine studies should look not only within but also beyond the borders of the Byzantine empire and include the history of Christian populations in the Muslim-ruled Midd…

  • Armenian Ecclesiastical Sites in the Kars Province (Turkey)

    Open Access•Vendi Jukić Buča, Kristina Gwirtzman et al.•ARTICLE•Heritage & Society•2020

    The article discusses selected Armenian ecclesiastical sites from the Kars Province in eastern Turkey, once a part of ancient Armenia, which are rapidly deteriorating. The authors focus on analyzing their present state in the context of their immediate environment, the measures taken by the local authorities to make them recognizable and accessible, as well as the possibilities of their re-evaluation and tourist potential

  • Armenia

    Christina Maranci•CHAPTER•Oxford Handbook of Early…•2019

    The fourth to seventh centuries were formative in the art and culture of Armenia. This era witnessed the conversion of the land to Christianity, the invention of the Armenian alphabet and the consequent development of a literary tradition, the formulation of a specific understanding of the nature of Christ, and the emergence of a striking and robust visual tradition. The architecture, stone sculpture, and mosaic pavements produced during this era…

  • Armenia

    Christina Maranci•ARTICLE•Religion and the Arts•2016

  • Locating Armenia

    Christina Maranci•ARTICLE•Medieval Encounters•2011

  • The Humble Heraclius

    Christina Maranci•ARTICLE•Revue des Études Arméniennes•2009

  • Les Arméniens entre Grecs, musulmans et croisés

    Christina Maranci•ARTICLE•Speculum•2009

No prominent works on this page.

  • The Humble Heraclius

    Christina Maranci•ARTICLE•Revue des Études Arméniennes•2009

  • Les Arméniens entre Grecs, musulmans et croisés

    Christina Maranci•ARTICLE•Speculum•2009

  • Locating Armenia

    Christina Maranci•ARTICLE•Medieval Encounters•2011

  • Armenia

    Christina Maranci•ARTICLE•Religion and the Arts•2016

  • Armenia

    Christina Maranci•CHAPTER•Oxford Handbook of Early…•2019

    The fourth to seventh centuries were formative in the art and culture of Armenia. This era witnessed the conversion of the land to Christianity, the invention of the Armenian alphabet and the consequent development of a literary tradition, the formulation of a specific understanding of the nature of Christ, and the emergence of a striking and robust visual tradition. The architecture, stone sculpture, and mosaic pavements produced during this era…

  • Armenian Ecclesiastical Sites in the Kars Province (Turkey)

    Open Access•Vendi Jukić Buča, Kristina Gwirtzman et al.•ARTICLE•Heritage & Society•2020

    The article discusses selected Armenian ecclesiastical sites from the Kars Province in eastern Turkey, once a part of ancient Armenia, which are rapidly deteriorating. The authors focus on analyzing their present state in the context of their immediate environment, the measures taken by the local authorities to make them recognizable and accessible, as well as the possibilities of their re-evaluation and tourist potential

  • Worlds of Byzantium

    Open Access•Columba Stewart, Jack Boulos Victor Tannous et al.•BOOK•Worlds of Byzantium•2024

    Worlds of Byzantium offers a new understanding of what it means to study the history and visual culture of the Byzantine empire during late antiquity and the Middle Ages. Arguing that linguistic and cultural frontiers do not always coincide with political ones, it suggests that Byzantine studies should look not only within but also beyond the borders of the Byzantine empire and include the history of Christian populations in the Muslim-ruled Midd…

  • How to Paint Destruction

    Open Access•Christina Maranci•ARTICLE•Études arméniennes contemporaines•2025

    Vardges Sureniants’ Trampled Sanctuary is among his most celebrated works of the 1890s. As a contemporary representation of the Hamidian Massacres, the painting draws attention to the fate of material objects, and to acts of desecration and material destruction. Inspired by Sureniants’engagement with material culture, this essay offers a close formal reading of Trampled Sanctuary, which draws out the ways he confronts the destruction of Armenian …

Byzantine Studies and History (5 works) · Art (4 works) · History (4 works) · Ancient history (3 works) · Armenian (3 works) · Archaeology (2 works) · Art history (2 works) · Eurasian Exchange Networks (2 works) · Geography (2 works) · Turkey's Politics and Society (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae