Olawole Famule
Biographic Data
| ID | 1425581 |
|---|---|
| NAME | Olawole Famule |
| GIVEN NAMES | Olawole |
| FAMILY NAME | Famule |
| SIGNATURE | FAMULE O |
| AFFILIATIONS | University of Wisconsin–Superior |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Èdè Àyàn: The Language of Drum in Yorùbá Religious and Cultural Practices, Particularly in Egúngún Performances in Òkè-Igbó
In Yorùbá traditional religious beliefs and practices, the role of Àyàn (Drummers) cannot be overstated. For that reason, as scholars of Yoruba art studies, to deny the relevance of Ìlù (Drums) as an indispensable component of Yoruba art and religion is to threaten its deeper understanding. Language is also a vital approach to a deeper understanding of African art. Yoruba art, for instance, is the primary medium through which the Yorùbá philosoph…
A Tribute to Chief Raphael Ige Ibigbami (1939-2020): The Father of Modern Nigerian Ceramic Art
Awo kìí kú, Awo kìí rùn Awo ńpa’pòódà ni B’Áwo bá p’èhìnd ̣ à tán K’éni máse s ̣ è’dárò Awo The knowledgeable ones do not die and do not become rotten They only transition to the spiritual realm of ancestors Therefore, when a knowledgeable one transitioned Let no one mourn but rather celebrate the transition Ìyè ̣rè ̣ Ifá dirge for a deceased Babaláwo, Ifá diviner (‘Father of ancient wisdom’). We celebrate the life of our knowledgeable and well a…
Èdè Àyàn: The Language of Àyàn in Yorùbá Art and Ritual of Egúngún
Kò séní m’èdè Àyàn Bí ení mú kò ̣ ̣ǹgó ̣ è ̣ lówọ́ No one understands the language of Àyàn Better than the drummer who holds the gong in his hand Yorùbá maxim From the Yorùbá oral historical, mythological, and ontological, abstract lines of reasoning, Àyàn is believed to be the first Yorùbá drum maker and drummer, who, after his death, was deified as the god of Drumming (Òrìsà ̣ Àyàn, or simply Àyàn). Hence, when an experienced Yorùbá drummer pla…
No prominent works on this page.
Èdè Àyàn: The Language of Àyàn in Yorùbá Art and Ritual of Egúngún
Kò séní m’èdè Àyàn Bí ení mú kò ̣ ̣ǹgó ̣ è ̣ lówọ́ No one understands the language of Àyàn Better than the drummer who holds the gong in his hand Yorùbá maxim From the Yorùbá oral historical, mythological, and ontological, abstract lines of reasoning, Àyàn is believed to be the first Yorùbá drum maker and drummer, who, after his death, was deified as the god of Drumming (Òrìsà ̣ Àyàn, or simply Àyàn). Hence, when an experienced Yorùbá drummer pla…
A Tribute to Chief Raphael Ige Ibigbami (1939-2020): The Father of Modern Nigerian Ceramic Art
Awo kìí kú, Awo kìí rùn Awo ńpa’pòódà ni B’Áwo bá p’èhìnd ̣ à tán K’éni máse s ̣ è’dárò Awo The knowledgeable ones do not die and do not become rotten They only transition to the spiritual realm of ancestors Therefore, when a knowledgeable one transitioned Let no one mourn but rather celebrate the transition Ìyè ̣rè ̣ Ifá dirge for a deceased Babaláwo, Ifá diviner (‘Father of ancient wisdom’). We celebrate the life of our knowledgeable and well a…
Èdè Àyàn: The Language of Drum in Yorùbá Religious and Cultural Practices, Particularly in Egúngún Performances in Òkè-Igbó
In Yorùbá traditional religious beliefs and practices, the role of Àyàn (Drummers) cannot be overstated. For that reason, as scholars of Yoruba art studies, to deny the relevance of Ìlù (Drums) as an indispensable component of Yoruba art and religion is to threaten its deeper understanding. Language is also a vital approach to a deeper understanding of African art. Yoruba art, for instance, is the primary medium through which the Yorùbá philosoph…
Art (3 works) · Philosophy (3 works) · History (2 works) · Linguistics (2 works) · Realm (2 works) · Theology (2 works) · Visual arts (2 works) · Yoruba (2 works) · Aesthetics (1 works) · African art (1 works)