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Jessica A Grahn

Biographic Data

ID142707
NAMEJessica A Grahn
GIVEN NAMESJessica A
FAMILY NAMEGrahn
SIGNATUREGRAHN J A
AFFILIATIONSWestern University
ORCID0000-0001-7270-2114
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS1
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Tap, Move, or Dance? How Groove Ratings Differ Across Movement Descriptors

    Riya K Sidhu, Jessica A Grahn•ARTICLE•Music Perception An Interdisciplina…•2026

    Groove, defined as the pleasurable urge to move to music, is affected by properties of the music as well as factors that differ among individuals, such as music training. Ratings of the desire to produce movement (e.g., tapping and dancing) have been used to quantify groove, but we do not know whether the specific type of movement that is rated affects scores. Further, few studies have considered the effect of dance training on groove perception.…

  • Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries

    Open Access•Nori Jacoby, Rainer Polak et al.•ARTICLE•Nature Human Behaviour•2024•Cited by: 1•References: 105

    Music is present in every known society but varies from place to place. What, if anything, is universal to music cognition? We measured a signature of mental representations of rhythm in 39 participant groups in 15 countries, spanning urban societies and Indigenous populations. Listeners reproduced random ‘seed’ rhythms; their reproductions were fed back as the stimulus (as in the game of ‘telephone’), such that their biases (the prior) could be …

  • Synchronization during Improvised Active Music Therapy in clients with Parkinson's disease

    Demian Kogutek, Emily Ready et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2023•References: 52

  • Beat Perception and Production in Musicians and Dancers

    Open Access•Tram Nguyen, Riya K Sidhu et al.•ARTICLE•Music Perception An Interdisciplina…•2022

    The ability to perceive and produce a beat is believed to be universal in humans, but individual ability varies. The current study examined four factors that may influence beat perception and production capacity: 1) expertise: music or dance, 2) training style: percussive or nonpercussive, 3) stimulus modality: auditory or visual, and 4) movement type: finger-tap or whole-body bounce. Experiment 1 examined how expertise and training style influen…

  • Embracing Anti-Racist Practices in the Music Perception and Cognition Community

    David John Baker, Amy M Belfi et al.•ARTICLE•Music Perception An Interdisciplina…•2020

    This past summer, the police killings of George Floyd, Breonna Taylor, and Ahmaud Arbery in the United States led to public outcry and international protests in support of the Black Lives Matter movement, and broader awareness of the effects of systemic racism. Following these events, many organizations have reflected critically on how they participate in practices that marginalize underrepresented members of their community. The Society for Musi…

  • Tuning the brain to musical delight

    Open Access•Jessica A Grahn•ARTICLE•Nature Human Behaviour•2017•References: 6

  • Neuroscientific Investigations of Musical Rhythm

    Jessica A Grahn•ARTICLE•Contemporary Music Review•2009

    Neuroscientific research into music has increased noticeably over the last two decades, but how (or if) the findings have improved our understanding of music is debatable. This question is considered in this article, which first describes advances in neuroimaging techniques, and then reviews findings from research in the neuroscience of music (with a focus on rhythm and meter). Some of the difficulties encountered by researchers are highlighted, …

  • Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries

    Open Access•Nori Jacoby, Rainer Polak et al.•ARTICLE•Nature Human Behaviour•2024•Cited by: 1•References: 105

    Music is present in every known society but varies from place to place. What, if anything, is universal to music cognition? We measured a signature of mental representations of rhythm in 39 participant groups in 15 countries, spanning urban societies and Indigenous populations. Listeners reproduced random ‘seed’ rhythms; their reproductions were fed back as the stimulus (as in the game of ‘telephone’), such that their biases (the prior) could be …

  • Neuroscientific Investigations of Musical Rhythm

    Jessica A Grahn•ARTICLE•Contemporary Music Review•2009

    Neuroscientific research into music has increased noticeably over the last two decades, but how (or if) the findings have improved our understanding of music is debatable. This question is considered in this article, which first describes advances in neuroimaging techniques, and then reviews findings from research in the neuroscience of music (with a focus on rhythm and meter). Some of the difficulties encountered by researchers are highlighted, …

  • Tuning the brain to musical delight

    Open Access•Jessica A Grahn•ARTICLE•Nature Human Behaviour•2017•References: 6

  • Embracing Anti-Racist Practices in the Music Perception and Cognition Community

    David John Baker, Amy M Belfi et al.•ARTICLE•Music Perception An Interdisciplina…•2020

    This past summer, the police killings of George Floyd, Breonna Taylor, and Ahmaud Arbery in the United States led to public outcry and international protests in support of the Black Lives Matter movement, and broader awareness of the effects of systemic racism. Following these events, many organizations have reflected critically on how they participate in practices that marginalize underrepresented members of their community. The Society for Musi…

  • Beat Perception and Production in Musicians and Dancers

    Open Access•Tram Nguyen, Riya K Sidhu et al.•ARTICLE•Music Perception An Interdisciplina…•2022

    The ability to perceive and produce a beat is believed to be universal in humans, but individual ability varies. The current study examined four factors that may influence beat perception and production capacity: 1) expertise: music or dance, 2) training style: percussive or nonpercussive, 3) stimulus modality: auditory or visual, and 4) movement type: finger-tap or whole-body bounce. Experiment 1 examined how expertise and training style influen…

  • Synchronization during Improvised Active Music Therapy in clients with Parkinson's disease

    Demian Kogutek, Emily Ready et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2023•References: 52

  • Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries

    Open Access•Nori Jacoby, Rainer Polak et al.•ARTICLE•Nature Human Behaviour•2024•Cited by: 1•References: 105

    Music is present in every known society but varies from place to place. What, if anything, is universal to music cognition? We measured a signature of mental representations of rhythm in 39 participant groups in 15 countries, spanning urban societies and Indigenous populations. Listeners reproduced random ‘seed’ rhythms; their reproductions were fed back as the stimulus (as in the game of ‘telephone’), such that their biases (the prior) could be …

  • Tap, Move, or Dance? How Groove Ratings Differ Across Movement Descriptors

    Riya K Sidhu, Jessica A Grahn•ARTICLE•Music Perception An Interdisciplina…•2026

    Groove, defined as the pleasurable urge to move to music, is affected by properties of the music as well as factors that differ among individuals, such as music training. Ratings of the desire to produce movement (e.g., tapping and dancing) have been used to quantify groove, but we do not know whether the specific type of movement that is rated affects scores. Further, few studies have considered the effect of dance training on groove perception.…

Neuroscience and Music Perception (6 works) · Psychology (6 works) · Cognitive psychology (5 works) · Art (4 works) · Neuroscience (4 works) · Cognitive science (3 works) · Music Therapy and Health (3 works) · Musical (3 works) · Visual arts (3 works) · Aesthetics (2 works)

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