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Gilbert Norwood

Biographic Data

ID1428591
NAMEGilbert Norwood
GIVEN NAMESGilbert
FAMILY NAMENorwood
SIGNATURENORWOOD G
AFFILIATIONSCardiff University
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS1
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1915
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Pindar

    Gilbert Norwood•BOOK•Pindar•2023

  • Essays on Euripidean Drama

    Gilbert Norwood•BOOK•Essays on Euripidean Drama•2016

  • Essays on Euripidean Drama

    D J Conacher, Gilbert Norwood•ARTICLE•Phoenix•1956

  • Aspects of Euripidean Tragedy

    Gilbert Norwood, L H G Greenwood•ARTICLE•Phoenix•1954

  • From Homer to Menander

    Gilbert Norwood, L A Post•ARTICLE•Phoenix•1953

  • The Classical Tradition: Greek and Roman Influences on Western Literature

    Gilbert Norwood, Gilbert Highet•ARTICLE•Phoenix•1950

    Foreword Preface Abbreviations Chapter 1: Introduction Chapter 2: The Dark Ages: English Literature Chapter 3: The Middle Ages: French Literature Chapter 4: Dante and Pagan Antiquity Chapter 5: Towards the Renaissance: Petrarch, Boccaccio, Chaucer Chapter 6: The Renaissance: Translation Chapter 7: The Renaissance: Drama Chapter 8: The Renaissance: Epic Chapter 9: The Renaissance: Pastoral and Romance Chapter 10: Rabelais and Montaigne Chapter 11:…

  • Rutilius Claudius Namatianus

    Gilbert Norwood•ARTICLE•Phoenix•1947

  • Pindar

    Gilbert Norwood•CHAPTER•Pindar•1945

  • Vergiliana

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1918

    Georg. I. 36 sq.: quidquid eris,—nam te nec sperant Tartara regem, nec tibi regnandi ueniat tam dira cupido;— Mr. Page's note puts well what seems the customary view of this famous parenthesis: ‘The force of nam deserves attention. Having used the phrase quidquid eris , which sums up the whole passage from line 24, as though there were no other form of deity left which Augustus could assume, Vergil adds this explanatory sentence to show why he ha…

  • A Greek Inscription from Gallipoli

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1917•Cited by: 1

    During the British occupation of the western extremity of the Gallipoli Peninsula, a brief Greek inscription was discovered by Sergt.-Major R. S. Jones, 136 Company, Royal Engineers. A copy of this he sent to his relatives in Cardiff, and it was by them put before the Western Mail for explanation. Ultimately it came into my hands. I at once wrote asking what had become of the stone, and what was its position—whether above or below ground—when dis…

  • Notes on the Agamemnon

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1915

    θήσμαιis not.is not‘I shall regard,’ as has often been supposed, for the reason that the two lines thus become tautological:‘I shall account my master's fortune prosperous; this beacon is a stroke of good luck.’ Verrall (quoting the Scholiast's oίkειώσoμαι, which does indeed strongly support his view) writes:'"My lord's good fortune I shall score to my game," i.e. regard it as my own.' The weakness of this seems to be that it gets too much out of…

  • Pindarica

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1915

    Ol . III. 43-5

  • A Greek Inscription from Gallipoli

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1917•Cited by: 1

    During the British occupation of the western extremity of the Gallipoli Peninsula, a brief Greek inscription was discovered by Sergt.-Major R. S. Jones, 136 Company, Royal Engineers. A copy of this he sent to his relatives in Cardiff, and it was by them put before the Western Mail for explanation. Ultimately it came into my hands. I at once wrote asking what had become of the stone, and what was its position—whether above or below ground—when dis…

  • Notes on the Agamemnon

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1915

    θήσμαιis not.is not‘I shall regard,’ as has often been supposed, for the reason that the two lines thus become tautological:‘I shall account my master's fortune prosperous; this beacon is a stroke of good luck.’ Verrall (quoting the Scholiast's oίkειώσoμαι, which does indeed strongly support his view) writes:'"My lord's good fortune I shall score to my game," i.e. regard it as my own.' The weakness of this seems to be that it gets too much out of…

  • Pindarica

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1915

    Ol . III. 43-5

  • A Greek Inscription from Gallipoli

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1917•Cited by: 1

    During the British occupation of the western extremity of the Gallipoli Peninsula, a brief Greek inscription was discovered by Sergt.-Major R. S. Jones, 136 Company, Royal Engineers. A copy of this he sent to his relatives in Cardiff, and it was by them put before the Western Mail for explanation. Ultimately it came into my hands. I at once wrote asking what had become of the stone, and what was its position—whether above or below ground—when dis…

  • Vergiliana

    Open Access•Gilbert Norwood•ARTICLE•The Classical Quarterly•1918

    Georg. I. 36 sq.: quidquid eris,—nam te nec sperant Tartara regem, nec tibi regnandi ueniat tam dira cupido;— Mr. Page's note puts well what seems the customary view of this famous parenthesis: ‘The force of nam deserves attention. Having used the phrase quidquid eris , which sums up the whole passage from line 24, as though there were no other form of deity left which Augustus could assume, Vergil adds this explanatory sentence to show why he ha…

  • Pindar

    Gilbert Norwood•CHAPTER•Pindar•1945

  • Rutilius Claudius Namatianus

    Gilbert Norwood•ARTICLE•Phoenix•1947

  • The Classical Tradition: Greek and Roman Influences on Western Literature

    Gilbert Norwood, Gilbert Highet•ARTICLE•Phoenix•1950

    Foreword Preface Abbreviations Chapter 1: Introduction Chapter 2: The Dark Ages: English Literature Chapter 3: The Middle Ages: French Literature Chapter 4: Dante and Pagan Antiquity Chapter 5: Towards the Renaissance: Petrarch, Boccaccio, Chaucer Chapter 6: The Renaissance: Translation Chapter 7: The Renaissance: Drama Chapter 8: The Renaissance: Epic Chapter 9: The Renaissance: Pastoral and Romance Chapter 10: Rabelais and Montaigne Chapter 11:…

  • From Homer to Menander

    Gilbert Norwood, L A Post•ARTICLE•Phoenix•1953

  • Aspects of Euripidean Tragedy

    Gilbert Norwood, L H G Greenwood•ARTICLE•Phoenix•1954

  • Essays on Euripidean Drama

    D J Conacher, Gilbert Norwood•ARTICLE•Phoenix•1956

  • Essays on Euripidean Drama

    Gilbert Norwood•BOOK•Essays on Euripidean Drama•2016

  • Pindar

    Gilbert Norwood•BOOK•Pindar•2023

Art (7 works) · History (6 works) · Literature (6 works) · Classical Antiquity Studies (5 works) · Philosophy (4 works) · Ancient history (2 works) · Classics (2 works) · Drama (2 works) · Eurasian Exchange Networks (2 works) · Families in Therapy and Culture (2 works)

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