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Harriet Tarlo

Biographic Data

ID1431798
NAMEHarriet Tarlo
GIVEN NAMESHarriet
FAMILY NAMETarlo
SIGNATURETARLO H
AFFILIATIONSSheffield Hallam University
ORCID0000-0002-6626-8099
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS3
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Hideaway

    Harriet Tarlo, Judith Tucker•ARTICLE•Landscape Research•2025•References: 20

    Here the authors reflect on Hideaway, an Arts Council England funded transdisciplinary project, and culmination of ten years’ work on the east coast of the U.K. They stress the importance of prolonged engagement with people and place for meaningful socio-environmentally engaged practice and the creation of original, significant artwork. Originality lies in their blended approach, drawing from a range of influences cited here, underpinned by conte…

  • Poetry, Painting and Change on the Edge of England

    Open Access•Harriet Tarlo, Judith Tucker•ARTICLE•Sociologia Ruralis•2019•Cited by: 3•References: 9

    In this article we discuss our creative research on and with a contested coastal community on one of the UK's last existing plotlands, the humberston Fitties. Plotlands can be briefly defined as places where individuals have historically self-built holiday houses. This 56-acre strip of land with 319 chalets is on the Humber estuary and lies close to Cleethorpes, a seaside resort, and Grimsby, a seaport now facing post-industrial decline. Our cros…

  • New Maps for Old

    Harriet Tarlo•ARTICLE•Women a Cultural Review•2002

  • Provisional Pleasures

    Open Access•Harriet Tarlo•ARTICLE•Feminist Review•1999•References: 2

    This article is an introduction to contemporary experimental poetry by women. It considers the reasons for the resistance to such work in this country. It refutes arguments made against it, for example that avant-garde writing is elitist or not related to women's experience. It further suggests why this writing, in particular in its complex engagement with issues of language, subjectivity and gender, should in fact be of great interest to the wom…

  • Poetry, Painting and Change on the Edge of England

    Open Access•Harriet Tarlo, Judith Tucker•ARTICLE•Sociologia Ruralis•2019•Cited by: 3•References: 9

    In this article we discuss our creative research on and with a contested coastal community on one of the UK's last existing plotlands, the humberston Fitties. Plotlands can be briefly defined as places where individuals have historically self-built holiday houses. This 56-acre strip of land with 319 chalets is on the Humber estuary and lies close to Cleethorpes, a seaside resort, and Grimsby, a seaport now facing post-industrial decline. Our cros…

  • Provisional Pleasures

    Open Access•Harriet Tarlo•ARTICLE•Feminist Review•1999•References: 2

    This article is an introduction to contemporary experimental poetry by women. It considers the reasons for the resistance to such work in this country. It refutes arguments made against it, for example that avant-garde writing is elitist or not related to women's experience. It further suggests why this writing, in particular in its complex engagement with issues of language, subjectivity and gender, should in fact be of great interest to the wom…

  • New Maps for Old

    Harriet Tarlo•ARTICLE•Women a Cultural Review•2002

  • Poetry, Painting and Change on the Edge of England

    Open Access•Harriet Tarlo, Judith Tucker•ARTICLE•Sociologia Ruralis•2019•Cited by: 3•References: 9

    In this article we discuss our creative research on and with a contested coastal community on one of the UK's last existing plotlands, the humberston Fitties. Plotlands can be briefly defined as places where individuals have historically self-built holiday houses. This 56-acre strip of land with 319 chalets is on the Humber estuary and lies close to Cleethorpes, a seaside resort, and Grimsby, a seaport now facing post-industrial decline. Our cros…

  • Hideaway

    Harriet Tarlo, Judith Tucker•ARTICLE•Landscape Research•2025•References: 20

    Here the authors reflect on Hideaway, an Arts Council England funded transdisciplinary project, and culmination of ten years’ work on the east coast of the U.K. They stress the importance of prolonged engagement with people and place for meaningful socio-environmentally engaged practice and the creation of original, significant artwork. Originality lies in their blended approach, drawing from a range of influences cited here, underpinned by conte…

Sociology (3 works) · Art (2 works) · Geographies of human-animal interactions (2 works) · Geography (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Political science (2 works) · Aesthetics (1 work)

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