Tobias Wendl
Biographic Data
| ID | 143327 |
|---|---|
| NAME | Tobias Wendl |
| GIVEN NAMES | Tobias |
| FAMILY NAME | Wendl |
| SIGNATURE | WENDL T |
| AFFILIATIONS | Feminist Press |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 26 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Image Testimonies: Witnessing in Times of Social Media
Image Testimonies: Witnessing in the Social Media Age
Art/Histories in Transcultural Dynamics: Narratives, Concepts, and Practices at work, 20th and 21st Centuries
Cape 07 – de l'art contemporain dans un environnement urbain dissonant
Entangled Traditions: Photography and the History of Media in Southern Ghana
Visions of modernity in Ghana: Mami Wata shrines, photo studios and horror films
This paper contends that modernity is not a monolithic historical phenomenon but rather has many different representations and its own internal contradictions. Visions of modernity as shaped and staged in studio photography differ from those evoked in the Mami Wata shrines of Nigeria, as well as from those in the more recent horror films. In the Mami Wata cult, modernity appears as an allegory. It afflicts people, and their diffuse fascination wi…
Future Remembrance: Photography and Image Arts in Ghana
Mammy Water: In Search of the Water Spirits in Nigeria
Entangled Traditions: Photography and the History of Media in Southern Ghana
Visions of modernity in Ghana: Mami Wata shrines, photo studios and horror films
This paper contends that modernity is not a monolithic historical phenomenon but rather has many different representations and its own internal contradictions. Visions of modernity as shaped and staged in studio photography differ from those evoked in the Mami Wata shrines of Nigeria, as well as from those in the more recent horror films. In the Mami Wata cult, modernity appears as an allegory. It afflicts people, and their diffuse fascination wi…
Future Remembrance: Photography and Image Arts in Ghana
Mammy Water: In Search of the Water Spirits in Nigeria
Mammy Water: In Search of the Water Spirits in Nigeria
Future Remembrance: Photography and Image Arts in Ghana
Entangled Traditions: Photography and the History of Media in Southern Ghana
Visions of modernity in Ghana: Mami Wata shrines, photo studios and horror films
This paper contends that modernity is not a monolithic historical phenomenon but rather has many different representations and its own internal contradictions. Visions of modernity as shaped and staged in studio photography differ from those evoked in the Mami Wata shrines of Nigeria, as well as from those in the more recent horror films. In the Mami Wata cult, modernity appears as an allegory. It afflicts people, and their diffuse fascination wi…
Cape 07 – de l'art contemporain dans un environnement urbain dissonant
Art/Histories in Transcultural Dynamics: Narratives, Concepts, and Practices at work, 20th and 21st Centuries
Image Testimonies: Witnessing in Times of Social Media
Image Testimonies: Witnessing in the Social Media Age
Art (6 works) · Visual arts (3 works) · African history and culture studies (2 works) · Anthropology (2 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Photography (2 works) · Sociology (2 works) · Witnesses (2 works) · Aesthetics (1 works)