Leo Zonn
Biographic Data
| ID | 1433489 |
|---|---|
| NAME | Leo Zonn |
| GIVEN NAMES | Leo |
| FAMILY NAME | Zonn |
| SIGNATURE | ZONN L |
| AFFILIATIONS | Professor of geography at the University of Texas‐Austin, Austin, Texas 78712; []. |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
A Place Belongs Forever”: Telling Stories for the Personal Place Project
Stories people tell about places reflect identities of both, and it is suggested here that any understanding of their constitutive links should begin with personal accounts. The purpose of this article is to describe a format (the Personal Place Project) within which personal place-based stories are formulated and told, to provide illustrative vignettes that address these engagements, to direct attention to themes that arise in these descriptions…
Remember the Alamo: A Place of Cinematic Experience
Taking Place: Location and the Moving Image
Urban Spaces of American Indians in the Exiles
Released in 1961, The Exiles is a low‐budget docudrama that chronicles the lives of three American Indians over a period of twelve hours in a downtown Los Angeles neighborhood in the late 1950s. Contemporary neorealist filmmaking appears to have influenced the film, whereas itsg narrative is ethnographic in form. An examination of the film and its dialogue reveals the ways in which American Indians who recently migrated from their reservation to …
Confronting the Geopolitical Aesthetic: Fredric Jameson,The Perfumed Nightmareand the Perilous Place of Third Cinema
This essay explores the conceptual limitations within Fredric Jameson's notion of the geopolitical aesthetic through an analysis of Jameson's now classic reading of The Perfumed Nightmare; this film is central to his concept of the utopic character of film more generally and, moreover, to his argument on the embeddedness of Third World representations within a global, capitalist system. We suggest that, although Jameson acknowledges the underlyin…
Placing man in the New West: Masculinities of The Last Picture Show
Cinema and the City: Film and Urban Societies in a Global Context
Additional informationNotes on contributorsLeo Zonn Reviewed by
Placing man in the New West: Masculinities of The Last Picture Show
Confronting the Geopolitical Aesthetic: Fredric Jameson,The Perfumed Nightmareand the Perilous Place of Third Cinema
This essay explores the conceptual limitations within Fredric Jameson's notion of the geopolitical aesthetic through an analysis of Jameson's now classic reading of The Perfumed Nightmare; this film is central to his concept of the utopic character of film more generally and, moreover, to his argument on the embeddedness of Third World representations within a global, capitalist system. We suggest that, although Jameson acknowledges the underlyin…
Cinema and the City: Film and Urban Societies in a Global Context
Additional informationNotes on contributorsLeo Zonn Reviewed by
Placing man in the New West: Masculinities of The Last Picture Show
Confronting the Geopolitical Aesthetic: Fredric Jameson,The Perfumed Nightmareand the Perilous Place of Third Cinema
This essay explores the conceptual limitations within Fredric Jameson's notion of the geopolitical aesthetic through an analysis of Jameson's now classic reading of The Perfumed Nightmare; this film is central to his concept of the utopic character of film more generally and, moreover, to his argument on the embeddedness of Third World representations within a global, capitalist system. We suggest that, although Jameson acknowledges the underlyin…
Urban Spaces of American Indians in the Exiles
Released in 1961, The Exiles is a low‐budget docudrama that chronicles the lives of three American Indians over a period of twelve hours in a downtown Los Angeles neighborhood in the late 1950s. Contemporary neorealist filmmaking appears to have influenced the film, whereas itsg narrative is ethnographic in form. An examination of the film and its dialogue reveals the ways in which American Indians who recently migrated from their reservation to …
Taking Place: Location and the Moving Image
Remember the Alamo: A Place of Cinematic Experience
A Place Belongs Forever”: Telling Stories for the Personal Place Project
Stories people tell about places reflect identities of both, and it is suggested here that any understanding of their constitutive links should begin with personal accounts. The purpose of this article is to describe a format (the Personal Place Project) within which personal place-based stories are formulated and told, to provide illustrative vignettes that address these engagements, to direct attention to themes that arise in these descriptions…
Art (6 works) · Aesthetics (5 works) · Sociology (5 works) · Cinema and Media Studies (4 works) · Visual arts (3 works) · Archaeology (2 works) · Essentialism (2 works) · Gender Studies (2 works) · History (2 works) · History (2 works)