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Rudolph Smits

Biographic Data

ID1435832
NAMERudolph Smits
GIVEN NAMESRudolph
FAMILY NAMESmits
SIGNATURESMITS R
AFFILIATIONSUniversity of York
ORCID0000-0002-7613-4465
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS10
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Disruption in times of Covid-19? The hybrid film festival format

    Open Access•Rudolph Smits•ARTICLE•Cultural Trends•2023•Cited by: 1•References: 1

    The first waves of the COVID-19 pandemic had unprecedented implications for cultural sectors. With film festivals, music concerts and other cultural events being postponed or even cancelled, there was an urgency to respond to changing circumstances. Cultural events increasingly relied on hybrid or online formats to remain accessible for audiences. Because such formats caused controversy about programming and release strategies, they were easily c…

  • Circulation Patterns, Abundance and Scarcity

    Open Access•Rudolph Smits, Roderik Smits•ARTICLE•Media Industries•2022

    Online circulation, diversity of content in video-on-demand (VOD) catalogs, and access to markets are increasingly relevant research subjects. Netflix, Amazon, and many other VOD platforms have an important role to play in making content available, but little is known about circulation patterns that have developed in the online market. This paper draws on an empirically rich analysis of online film availability on nineteen VOD platforms in German…

  • Gatekeeping in the Evolving Business of Independent Film Distribution

    Open Access•Rudolph Smits, Roderik Smits•BOOK•Gatekeeping in the Evolving…•2019

  • Using mixed-methods, a data model and a computational ontology in film audience research

    Open Access•Peter Merrington, Matthew S Hanchard et al.•ARTICLE•Cultural Trends•2019•Cited by: 2•References: 1

    This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach u…

  • Gatekeeping and networking arrangements

    Open Access•Rudolph Smits•ARTICLE•Poetics•2016•Cited by: 6•References: 14

  • Half a Century of Soviet Serials, 1917-1968

    Witold S Sworakowski, Rudolph Smits•ARTICLE•The Russian Review•1970•Cited by: 1

  • Gatekeeping and networking arrangements

    Open Access•Rudolph Smits•ARTICLE•Poetics•2016•Cited by: 6•References: 14

  • Using mixed-methods, a data model and a computational ontology in film audience research

    Open Access•Peter Merrington, Matthew S Hanchard et al.•ARTICLE•Cultural Trends•2019•Cited by: 2•References: 1

    This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach u…

  • Disruption in times of Covid-19? The hybrid film festival format

    Open Access•Rudolph Smits•ARTICLE•Cultural Trends•2023•Cited by: 1•References: 1

    The first waves of the COVID-19 pandemic had unprecedented implications for cultural sectors. With film festivals, music concerts and other cultural events being postponed or even cancelled, there was an urgency to respond to changing circumstances. Cultural events increasingly relied on hybrid or online formats to remain accessible for audiences. Because such formats caused controversy about programming and release strategies, they were easily c…

  • Half a Century of Soviet Serials, 1917-1968

    Witold S Sworakowski, Rudolph Smits•ARTICLE•The Russian Review•1970•Cited by: 1

  • Half a Century of Soviet Serials, 1917-1968

    Witold S Sworakowski, Rudolph Smits•ARTICLE•The Russian Review•1970•Cited by: 1

  • Gatekeeping and networking arrangements

    Open Access•Rudolph Smits•ARTICLE•Poetics•2016•Cited by: 6•References: 14

  • Gatekeeping in the Evolving Business of Independent Film Distribution

    Open Access•Rudolph Smits, Roderik Smits•BOOK•Gatekeeping in the Evolving…•2019

  • Using mixed-methods, a data model and a computational ontology in film audience research

    Open Access•Peter Merrington, Matthew S Hanchard et al.•ARTICLE•Cultural Trends•2019•Cited by: 2•References: 1

    This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach u…

  • Circulation Patterns, Abundance and Scarcity

    Open Access•Rudolph Smits, Roderik Smits•ARTICLE•Media Industries•2022

    Online circulation, diversity of content in video-on-demand (VOD) catalogs, and access to markets are increasingly relevant research subjects. Netflix, Amazon, and many other VOD platforms have an important role to play in making content available, but little is known about circulation patterns that have developed in the online market. This paper draws on an empirically rich analysis of online film availability on nineteen VOD platforms in German…

  • Disruption in times of Covid-19? The hybrid film festival format

    Open Access•Rudolph Smits•ARTICLE•Cultural Trends•2023•Cited by: 1•References: 1

    The first waves of the COVID-19 pandemic had unprecedented implications for cultural sectors. With film festivals, music concerts and other cultural events being postponed or even cancelled, there was an urgency to respond to changing circumstances. Cultural events increasingly relied on hybrid or online formats to remain accessible for audiences. Because such formats caused controversy about programming and release strategies, they were easily c…

Business (4 works) · Computer Science (4 works) · Political science (4 works) · Advertising (3 works) · Cultural Industries and Urban Development (3 works) · Sociology (3 works) · Economics (2 works) · Gatekeeping (2 works) · Law (2 works) · Law (2 works)

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