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Marion G Müller

Biographic Data

ID143642
NAMEMarion G Müller
GIVEN NAMESMarion G
FAMILY NAMEMüller
SIGNATUREMÜLLER M G
AFFILIATIONSResearch Center Visual Communication and Expertise (VisComX), Jacobs University Bremen, Germany
ORCID0000-0002-3568-2270
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS14
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Olhar Feminino Sobre Os Filmes Amadores De Viagem

    Open Access•Marion G Müller•ARTICLE•Alceu•2024

    O presente artigo estrutura-se em torno do processo de criação e montagem do ensaio audiovisual Tabu, propriedade privada, que realizei em 2018 a partir de registros amadores de viagem datados dos anos 1960 e rodados na Polinésia Francesa. Além de um estudo sobre as imagens amadoras e as operações de montagem possibilitadas pelos arquivos, este texto centra-se nas especificidades de um certo cinema amador de cariz privado: o filme de viagem

  • Towards next-generation visual archives

    John A Bateman, John Bateman et al.•ARTICLE•Visual Studies•2016

    The digital turn in visual studies has played a major role in the terminological overlap between ‘archive’, ‘database’ and ‘corpus’, and it has brought about a number of positive developments such as improved accessibility and availability. At the same time, it has also raised important questions pertaining to the materiality, searchability, annotation and analysis of the data at hand. Through a series of theoretical constructs and empirical exam…

  • Visual archives in the digital age

    Marion G Müller, Marion Müller et al.•ARTICLE•Visual Studies•2016

    This special issue is the outcome of an international symposium on the topic ‘Visual Archives in the Digital Age’, which took place at the Jacobs University in Bremen and was funded by the German F

  • Visual emotions – emotional visuals

    Marion G Müller, Marion Müller et al.•CHAPTER•Routledge Handbook of Emotions…•2015

  • Perceiving press photography

    Open Access•Marion G Müller, Marion Müller et al.•ARTICLE•Visual Communication•2012

    Any analysis of how mass-mediated visuals are perceived and interpreted in multimodal contexts should be informed by a scientific understanding of the biological constraints on visual processing, as well as a solid culturally aware visual communication approach. This article focuses on the interdisciplinary combination of three methods – iconology, a qualitative method of visual analysis targeted at the meanings of visuals and based in the humani…

  • Mapping Text-Visual Frames of Sub-Saharan Africa in the News

    Open Access•Mastewal Adane Mellese, Marion G Müller et al.•ARTICLE•Communication Culture and Critique•2012•Cited by: 5•References: 17

    This study presents a comparative analysis of 311 online news stories collected for 3 months from Al Jazeera and British Broadcasting Corporation (BBC) African news front pages with respect to both their text–visual valence and the overall portrayal of sub-Saharan Africa. Results showed that text–visual complementarities in news reporting were primarily consonant, though a considerable portion of news reporting was dissonant implying that what is…

  • Iconography and Iconology as a Visual Method and Approach

    Marion G Müller, Marion Müller•CHAPTER•The SAGE Handbook of Visual…•2011

  • Visual competence

    Marion G Müller, Marion Müller•ARTICLE•Visual Studies•2008

    This introductory article provides an overview and theoretical anchor for the following contributions in this special issue. The article discusses, first, the necessity for introducing a new research paradigm – 'visual competence' – in the social sciences (anthropology, communication science, media and social psychology, political science, sociology), arguing that the actual transformations of reality triggered by processes of globalisation and d…

  • The Political Iconography of Muhammad Cartoons

    Open Access•Marion G Müller, Marion Müller et al.•ARTICLE•PS Political Science & Politics•2007•Cited by: 9•References: 2

    The controversy over the depiction of the Prophet Muhammad in cartoons that swept the globe at the beginning of 2006 was arguably the second major event after the September 11, 2001, terrorist attacks that brought “Muslims” as a group of political actors to the forefront of international politics. The crisis was sparked in late September 2005, by the publication of political cartoons, depicting Islamic prophet Muhammad, in the Danish newspaper Jy…

  • Politische Bildstrategien im amerikanischen Prasidentschaftswahlkampf, 1828-1996 (Political Image Strategies in American Presidential Elections, 1828-1996)

    Mel Van Elteren, Marion G Müller et al.•ARTICLE•Journal of American History•2000

    Journal Article Politische Bildstrategien im amerikanischen Präsidentschaftswahlkampf, 1828–1996 (Political image strategies in American presidential elections, 1828–1996). By Marion G. Müller. (Berlin: Akademie, 1997. 443 pp. DM 124, ISBN 3-05-002989-7.) In German Get access Mel van Eiteren Mel van Eiteren Tilburg University, Tilburg, The Netherlands Search for other works by this author on: Oxford Academic Google Scholar Journal of American His…

  • Visuelle Wahlkampfkommunikation

    Open Access•Marion G Müller, Marion Müller•ARTICLE•Publizistik•1997

  • The Political Iconography of Muhammad Cartoons

    Open Access•Marion G Müller, Marion Müller et al.•ARTICLE•PS Political Science & Politics•2007•Cited by: 9•References: 2

    The controversy over the depiction of the Prophet Muhammad in cartoons that swept the globe at the beginning of 2006 was arguably the second major event after the September 11, 2001, terrorist attacks that brought “Muslims” as a group of political actors to the forefront of international politics. The crisis was sparked in late September 2005, by the publication of political cartoons, depicting Islamic prophet Muhammad, in the Danish newspaper Jy…

  • Mapping Text-Visual Frames of Sub-Saharan Africa in the News

    Open Access•Mastewal Adane Mellese, Marion G Müller et al.•ARTICLE•Communication Culture and Critique•2012•Cited by: 5•References: 17

    This study presents a comparative analysis of 311 online news stories collected for 3 months from Al Jazeera and British Broadcasting Corporation (BBC) African news front pages with respect to both their text–visual valence and the overall portrayal of sub-Saharan Africa. Results showed that text–visual complementarities in news reporting were primarily consonant, though a considerable portion of news reporting was dissonant implying that what is…

  • Visuelle Wahlkampfkommunikation

    Open Access•Marion G Müller, Marion Müller•ARTICLE•Publizistik•1997

  • Politische Bildstrategien im amerikanischen Prasidentschaftswahlkampf, 1828-1996 (Political Image Strategies in American Presidential Elections, 1828-1996)

    Mel Van Elteren, Marion G Müller et al.•ARTICLE•Journal of American History•2000

    Journal Article Politische Bildstrategien im amerikanischen Präsidentschaftswahlkampf, 1828–1996 (Political image strategies in American presidential elections, 1828–1996). By Marion G. Müller. (Berlin: Akademie, 1997. 443 pp. DM 124, ISBN 3-05-002989-7.) In German Get access Mel van Eiteren Mel van Eiteren Tilburg University, Tilburg, The Netherlands Search for other works by this author on: Oxford Academic Google Scholar Journal of American His…

  • The Political Iconography of Muhammad Cartoons

    Open Access•Marion G Müller, Marion Müller et al.•ARTICLE•PS Political Science & Politics•2007•Cited by: 9•References: 2

    The controversy over the depiction of the Prophet Muhammad in cartoons that swept the globe at the beginning of 2006 was arguably the second major event after the September 11, 2001, terrorist attacks that brought “Muslims” as a group of political actors to the forefront of international politics. The crisis was sparked in late September 2005, by the publication of political cartoons, depicting Islamic prophet Muhammad, in the Danish newspaper Jy…

  • Visual competence

    Marion G Müller, Marion Müller•ARTICLE•Visual Studies•2008

    This introductory article provides an overview and theoretical anchor for the following contributions in this special issue. The article discusses, first, the necessity for introducing a new research paradigm – 'visual competence' – in the social sciences (anthropology, communication science, media and social psychology, political science, sociology), arguing that the actual transformations of reality triggered by processes of globalisation and d…

  • Iconography and Iconology as a Visual Method and Approach

    Marion G Müller, Marion Müller•CHAPTER•The SAGE Handbook of Visual…•2011

  • Perceiving press photography

    Open Access•Marion G Müller, Marion Müller et al.•ARTICLE•Visual Communication•2012

    Any analysis of how mass-mediated visuals are perceived and interpreted in multimodal contexts should be informed by a scientific understanding of the biological constraints on visual processing, as well as a solid culturally aware visual communication approach. This article focuses on the interdisciplinary combination of three methods – iconology, a qualitative method of visual analysis targeted at the meanings of visuals and based in the humani…

  • Mapping Text-Visual Frames of Sub-Saharan Africa in the News

    Open Access•Mastewal Adane Mellese, Marion G Müller et al.•ARTICLE•Communication Culture and Critique•2012•Cited by: 5•References: 17

    This study presents a comparative analysis of 311 online news stories collected for 3 months from Al Jazeera and British Broadcasting Corporation (BBC) African news front pages with respect to both their text–visual valence and the overall portrayal of sub-Saharan Africa. Results showed that text–visual complementarities in news reporting were primarily consonant, though a considerable portion of news reporting was dissonant implying that what is…

  • Visual emotions – emotional visuals

    Marion G Müller, Marion Müller et al.•CHAPTER•Routledge Handbook of Emotions…•2015

  • Towards next-generation visual archives

    John A Bateman, John Bateman et al.•ARTICLE•Visual Studies•2016

    The digital turn in visual studies has played a major role in the terminological overlap between ‘archive’, ‘database’ and ‘corpus’, and it has brought about a number of positive developments such as improved accessibility and availability. At the same time, it has also raised important questions pertaining to the materiality, searchability, annotation and analysis of the data at hand. Through a series of theoretical constructs and empirical exam…

  • Visual archives in the digital age

    Marion G Müller, Marion Müller et al.•ARTICLE•Visual Studies•2016

    This special issue is the outcome of an international symposium on the topic ‘Visual Archives in the Digital Age’, which took place at the Jacobs University in Bremen and was funded by the German F

  • Olhar Feminino Sobre Os Filmes Amadores De Viagem

    Open Access•Marion G Müller•ARTICLE•Alceu•2024

    O presente artigo estrutura-se em torno do processo de criação e montagem do ensaio audiovisual Tabu, propriedade privada, que realizei em 2018 a partir de registros amadores de viagem datados dos anos 1960 e rodados na Polinésia Francesa. Além de um estudo sobre as imagens amadoras e as operações de montagem possibilitadas pelos arquivos, este texto centra-se nas especificidades de um certo cinema amador de cariz privado: o filme de viagem

Art (8 works) · Sociology (6 works) · Political science (5 works) · Visual arts (5 works) · Law (4 works) · Media studies (4 works) · Computer Science (3 works) · History (3 works) · Politics (3 works) · Psychology (3 works)

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