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Marc Delrez

Biographic Data

ID143737
NAMEMarc Delrez
GIVEN NAMESMarc
FAMILY NAMEDelrez
SIGNATUREDELREZ M
AFFILIATIONSUniversity of Liège
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS9
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2018
H-INDEX2
  • From Jay to Bee to Daughter Buffalo

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2018•Cited by: 1•References: 4

    peer reviewed

  • Embarrassment in the posthumous fiction of Janet Frame

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2015•Cited by: 1•References: 5

    peer reviewed

  • Fossil capacities in the work of Janet Frame

    Marc Delrez•ARTICLE•Journal of New Zealand & Pacific…•2014

    The Guyanese novelist and critic Wilson Harris defines the word ‘fossil’ in an idiosyncratic sense, to invoke ‘a rhythmic capacity to re-sense contrasting spaces and to suggest that a curious rapport exists between ruin and origin as latent to arts of genesis’ (Harris 1974: 1) – prior to hinting that such a ‘heterogeneous scale’ (Harris 1981: 111) of temporality can be seen to exist within the fictional universe fashioned by Janet Frame. This, in…

  • Fearful Symmetries

    Open Access•Marc Delrez•ARTICLE•Miscelánea: A Journal of English…•2010•Cited by: 4•References: 2

    It is tempting to consider that trauma studies, in view of its insistence that “the history of a trauma, in its inherent belatedness, can only take place through the listening of another” —with the result that “we are implicated in each other’s traumas” (Caruth)— may offer a reclamatory purchase on the flip side of Australian history. Yet my impression is that trauma theory does not travel easily to the settler colonies, where there is a risk tha…

  • The legacy of invention

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2009•Cited by: 1

    peer reviewed

  • Nationalism, Reconciliation, and the Cultural Genealogy of Magic in Richard Flanagan’s Death of a River Guide

    Open Access•Marc Delrez•ARTICLE•The Journal of Commonwealth…•2007•Cited by: 2

    This article offers an attempt to redeem Death of a River Guide, the first novel by Richard Flanagan, from readings which see it mainly as an instance of appropriation of Aboriginal culture and spirituality on the part of a white settler writer living in Australia. Indeed, next to its gesturing towards a sense of indigenous belonging in Tasmania, the book displays its affiliation with a more European cultural inheritance, notably through the refe…

  • Manifold Utopia

    Marc Delrez•BOOK•Manifold Utopia•2002

    This study of Janet Frame's fiction addresses with unusual directness the Utopian momentum that underpins her concern with fundamental social issues, traditionally highlighted in existing criticism of her work. The idea behind this book is that Frame's critique of society, while it is offered for its own sake on one level, should not lead us to neglect the author's more speculative interest in an alternative conception of the human person. Her en…

  • Taming Distance”

    Open Access•Marc Delrez•ARTICLE•The Journal of Commonwealth…•2001•References: 1

    peer reviewed

  • Fearful Symmetries

    Open Access•Marc Delrez•ARTICLE•Miscelánea: A Journal of English…•2010•Cited by: 4•References: 2

    It is tempting to consider that trauma studies, in view of its insistence that “the history of a trauma, in its inherent belatedness, can only take place through the listening of another” —with the result that “we are implicated in each other’s traumas” (Caruth)— may offer a reclamatory purchase on the flip side of Australian history. Yet my impression is that trauma theory does not travel easily to the settler colonies, where there is a risk tha…

  • Nationalism, Reconciliation, and the Cultural Genealogy of Magic in Richard Flanagan’s Death of a River Guide

    Open Access•Marc Delrez•ARTICLE•The Journal of Commonwealth…•2007•Cited by: 2

    This article offers an attempt to redeem Death of a River Guide, the first novel by Richard Flanagan, from readings which see it mainly as an instance of appropriation of Aboriginal culture and spirituality on the part of a white settler writer living in Australia. Indeed, next to its gesturing towards a sense of indigenous belonging in Tasmania, the book displays its affiliation with a more European cultural inheritance, notably through the refe…

  • From Jay to Bee to Daughter Buffalo

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2018•Cited by: 1•References: 4

    peer reviewed

  • Embarrassment in the posthumous fiction of Janet Frame

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2015•Cited by: 1•References: 5

    peer reviewed

  • The legacy of invention

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2009•Cited by: 1

    peer reviewed

  • Taming Distance”

    Open Access•Marc Delrez•ARTICLE•The Journal of Commonwealth…•2001•References: 1

    peer reviewed

  • Manifold Utopia

    Marc Delrez•BOOK•Manifold Utopia•2002

    This study of Janet Frame's fiction addresses with unusual directness the Utopian momentum that underpins her concern with fundamental social issues, traditionally highlighted in existing criticism of her work. The idea behind this book is that Frame's critique of society, while it is offered for its own sake on one level, should not lead us to neglect the author's more speculative interest in an alternative conception of the human person. Her en…

  • Nationalism, Reconciliation, and the Cultural Genealogy of Magic in Richard Flanagan’s Death of a River Guide

    Open Access•Marc Delrez•ARTICLE•The Journal of Commonwealth…•2007•Cited by: 2

    This article offers an attempt to redeem Death of a River Guide, the first novel by Richard Flanagan, from readings which see it mainly as an instance of appropriation of Aboriginal culture and spirituality on the part of a white settler writer living in Australia. Indeed, next to its gesturing towards a sense of indigenous belonging in Tasmania, the book displays its affiliation with a more European cultural inheritance, notably through the refe…

  • The legacy of invention

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2009•Cited by: 1

    peer reviewed

  • Fearful Symmetries

    Open Access•Marc Delrez•ARTICLE•Miscelánea: A Journal of English…•2010•Cited by: 4•References: 2

    It is tempting to consider that trauma studies, in view of its insistence that “the history of a trauma, in its inherent belatedness, can only take place through the listening of another” —with the result that “we are implicated in each other’s traumas” (Caruth)— may offer a reclamatory purchase on the flip side of Australian history. Yet my impression is that trauma theory does not travel easily to the settler colonies, where there is a risk tha…

  • Fossil capacities in the work of Janet Frame

    Marc Delrez•ARTICLE•Journal of New Zealand & Pacific…•2014

    The Guyanese novelist and critic Wilson Harris defines the word ‘fossil’ in an idiosyncratic sense, to invoke ‘a rhythmic capacity to re-sense contrasting spaces and to suggest that a curious rapport exists between ruin and origin as latent to arts of genesis’ (Harris 1974: 1) – prior to hinting that such a ‘heterogeneous scale’ (Harris 1981: 111) of temporality can be seen to exist within the fictional universe fashioned by Janet Frame. This, in…

  • Embarrassment in the posthumous fiction of Janet Frame

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2015•Cited by: 1•References: 5

    peer reviewed

  • From Jay to Bee to Daughter Buffalo

    Marc Delrez•ARTICLE•Journal of Postcolonial Writing•2018•Cited by: 1•References: 4

    peer reviewed

Aesthetics (7 works) · Art (7 works) · Sociology (7 works) · Literature (6 works) · Epistemology (5 works) · History (4 works) · History (4 works) · Philosophy (4 works) · Philosophy (4 works) · Psychoanalysis (4 works)

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