Bettina Bäumer
Biographic Data
| ID | 1439458 |
|---|---|
| NAME | Bettina Bäumer |
| GIVEN NAMES | Bettina |
| FAMILY NAME | Bäumer |
| SIGNATURE | BÄUMER B |
| AFFILIATIONS | 1Indian Institute of Advanced Study, Shimla, India |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
The Lord of the Heart: Abhinavagupta's Aesthetics and Kashmir Śaivism
Indian aesthetics owes much to the genius of Abhinavagupta (fl. c. 950–1025), whose aesthetic theory combined elements of Tantric exegesis, philosophy, poetics, musicology, and mysticism. His aesthetics is also based on the cosmology of the Śaivagamas, as shown in the benedictory verses to his commentary on the Nātyaśāstra, Abhinava Bhāratī, where he invokes Śiva in the form of the cosmic and human elements (tattva). Abhinavagupta also uses the s…
Kalātattvakośa: A Lexicon of Fundamental Concepts of the Indian Arts, Vol. 3: Primal Elements-Mahābhūta
The Religious Imagery of Khajuraho
1- introduction 2- temple twon and patrons 3- religious currents and undercurrents 4- The Yogini shrine and cult 5- the Lakshmana temple, pantheon and icons 6- The MKandariya Mahadeva temple, pantheon and icons 7- Puns ans enigmatic language in sculpture 8- epilogue
Kalātattvakośa: A Lexicon of Fundamental Concepts of the Indian Arts, Vol. I: Eight Selected Terms, Vol. II: Concepts of Space and Time
Present at the Creation: Documenting the Arts of India
Reviewed Work: Kalātattvakośa: A Lexicon of Fundamental Concepts of the Indian Arts by Bettina Bäumer
Vāstusūtra Upaniṣad; The Essence of Form in Sacred Art
The Vedic Experience--Mantramaniari: An Anthology of the Vedas for Modern Man and for Contemporary Celebration
The Lord of the Heart: Abhinavagupta's Aesthetics and Kashmir Śaivism
Indian aesthetics owes much to the genius of Abhinavagupta (fl. c. 950–1025), whose aesthetic theory combined elements of Tantric exegesis, philosophy, poetics, musicology, and mysticism. His aesthetics is also based on the cosmology of the Śaivagamas, as shown in the benedictory verses to his commentary on the Nātyaśāstra, Abhinava Bhāratī, where he invokes Śiva in the form of the cosmic and human elements (tattva). Abhinavagupta also uses the s…
The Vedic Experience--Mantramaniari: An Anthology of the Vedas for Modern Man and for Contemporary Celebration
Vāstusūtra Upaniṣad; The Essence of Form in Sacred Art
Present at the Creation: Documenting the Arts of India
Reviewed Work: Kalātattvakośa: A Lexicon of Fundamental Concepts of the Indian Arts by Bettina Bäumer
Kalātattvakośa: A Lexicon of Fundamental Concepts of the Indian Arts, Vol. I: Eight Selected Terms, Vol. II: Concepts of Space and Time
The Religious Imagery of Khajuraho
1- introduction 2- temple twon and patrons 3- religious currents and undercurrents 4- The Yogini shrine and cult 5- the Lakshmana temple, pantheon and icons 6- The MKandariya Mahadeva temple, pantheon and icons 7- Puns ans enigmatic language in sculpture 8- epilogue
Kalātattvakośa: A Lexicon of Fundamental Concepts of the Indian Arts, Vol. 3: Primal Elements-Mahābhūta
The Lord of the Heart: Abhinavagupta's Aesthetics and Kashmir Śaivism
Indian aesthetics owes much to the genius of Abhinavagupta (fl. c. 950–1025), whose aesthetic theory combined elements of Tantric exegesis, philosophy, poetics, musicology, and mysticism. His aesthetics is also based on the cosmology of the Śaivagamas, as shown in the benedictory verses to his commentary on the Nātyaśāstra, Abhinava Bhāratī, where he invokes Śiva in the form of the cosmic and human elements (tattva). Abhinavagupta also uses the s…
Art (7 works) · Indian and Buddhist Studies (6 works) · Philosophy (5 works) · History (4 works) · The arts (4 works) · Visual arts (4 works) · Literature (3 works) · Historical and Architectural Studies (2 works) · Indian History and Philosophy (2 works) · Lexicon (2 works)