Natalia Lidova
Biographic Data
| ID | 1439897 |
|---|---|
| NAME | Natalia Lidova |
| GIVEN NAMES | Natalia |
| FAMILY NAME | Lidova |
| SIGNATURE | LIDOVA N |
| AFFILIATIONS | Ontario County Historical Society |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
The Ritual Boundaries of Ancient Indian Theatre
Ritual Boundaries of Ancient Indian Theatre The paper focuses on the question of the genesis of ancient Indian theatre and argues that it was introduced in the early post-Vedic period as an inalienable part of the pūjā cult. The definition of theatre as Nāṭyaveda and Pañcama Veda (the ‘Fifth Veda’), presented in the Nāṭyaśāstra, should not be taken merely as a kind of eulogy but as a reflection of the ancient tradition, which treated the early ce…
Drama and Ritual of Early Hinduism
These relations are analysed in the context of Yajna dominated Vedism and Puja dominated Hinduism of the author discovers the semantics and structure of the Natyasastra's rites, reconstructs the logic and symbolic meaning of the ritual events. He gives a detailed review of the ancient dramatic forms described in the Natyasastra. He traces the original links between theatrical tradition and the cult of Puja. The book proposes a new conception of t…
Drama and Ritual in Early Hinduism
Drama and Ritual in Early Hinduism
Drama and Ritual of Early Hinduism
These relations are analysed in the context of Yajna dominated Vedism and Puja dominated Hinduism of the author discovers the semantics and structure of the Natyasastra's rites, reconstructs the logic and symbolic meaning of the ritual events. He gives a detailed review of the ancient dramatic forms described in the Natyasastra. He traces the original links between theatrical tradition and the cult of Puja. The book proposes a new conception of t…
The Ritual Boundaries of Ancient Indian Theatre
Ritual Boundaries of Ancient Indian Theatre The paper focuses on the question of the genesis of ancient Indian theatre and argues that it was introduced in the early post-Vedic period as an inalienable part of the pūjā cult. The definition of theatre as Nāṭyaveda and Pañcama Veda (the ‘Fifth Veda’), presented in the Nāṭyaśāstra, should not be taken merely as a kind of eulogy but as a reflection of the ancient tradition, which treated the early ce…
Art (3 works) · History (3 works) · Indian and Buddhist Studies (3 works) · Drama (2 works) · Hinduism (2 works) · History (2 works) · Indian History and Philosophy (2 works) · Literature (2 works) · Philosophy (2 works) · Religious studies (2 works)