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Margaret Sarkissian

Biographic Data

ID144363
NAMEMargaret Sarkissian
GIVEN NAMESMargaret
FAMILY NAMESarkissian
SIGNATURESARKISSIAN M
AFFILIATIONSSmith College
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS46
AUTHOR COUNT22
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2019
H-INDEX4
  • Living Ethnomusicology: Paths and Practices

    Margaret Sarkissian, Ted Solís•BOOK•Living Ethnomusicology•2019

  • Living Ethnomusicology: Paths and Practices

    Margaret Sarkissian, Ted Solís•BOOK•Living Ethnomusicology•2019

  • Living Ethnomusicology: Paths and Practices

    Margaret Sarkissian, Ted Solís•BOOK•Living Ethnomusicology•2019

  • Punks, Monks and Politics: Authenticity in Thailand, Indonesia and Malaysia, edited by Julian C. H. Lee and Marco Ferrarese

    Margaret Sarkissian•ARTICLE•Anthropological Forum•2018

    Early in the introduction, Julian C. H. Lee and Marco Ferrarese twice ask, ‘Why is authenticity sought after?’ (ix and xi). They promise to address (rather than answer) this question ‘by examining

  • The CM is On The Way: Reflections on Malacca-Portuguese Identity as Malaysia Turns 50

    Open Access•Margaret Sarkissian•ARTICLE•Portuguese Literary and Cultural…•2017

    An ethnographic account of one day in the life of the Portuguese Settlement in Malacca, Malaysia, as the community prepares for a visit from the Chief Minister of the state of Malacca. The essay describes the day of the Chief Minister's visit (August 14, 2007) as it unfolded in the Portuguese Settlement and reflects on what the event tells us about the village, its residents, and their place in Malaysian society at a landmark moment, the 50th ann…

  • Negotiating the Personal and Professional: Ethnomusicologistsl and Uncomfortable Truths

    Open Access•Rebecca S Miller, Svanibor Pettan et al.•ARTICLE•Yearbook for Traditional Music•2016•References: 6

    The panel, "Negotiating the Personal and Professional: Ethnomusicologists and Uncomfortable Truths," presented at the Forty-third ICTM World Conference in Astana, Kazakhstan, grew out of informal conversations common among ethnomusicologists. As practitioners in our discipline, we are involved in complex webs of experience, relationships, and representations focused around music, broadly defined. Our work is inherently social and, when in the fie…

  • Margaret Sarkissian

    Open Access•Margaret Sarkissian•ARTICLE•Etnografica•2006

  • Religion Never Had it so good: Contemporary Nasyid and the Growth of Islamic Popular Music in Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Yearbook for Traditional Music•2005•Cited by: 2•References: 1

    The Taliban in Afghanistan and the hardline clergy in Iran might regard them as blasphemous, but in Malaysia Islamic pop groups are a hit, even with fundamentalist politicians. Nasyid groups, as they are known, are winning awards for using their talents to bring people closer to Islam. (MGW 13 June 1999

  • Being Portuguese in Malacca: The politics of folk culture in Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Etnografica•2005•Cited by: 4•References: 6

    This paper explores what it means to be “Portuguese” in Malacca today and illustrates ways in which the journey has been complicated by issues of class tension, colonial positioning, post-colonial nation building, and modern economic development. The focal point of the analysis is a gala dinner organized by the Malacca Portuguese Eurasian Association in 2002. This constituted a rare moment in which community members made a public political statem…

  • D'Albuquerque's Children: Performing Tradition in Malaysia's Portuguese Settlement

    Mohd Anis Md Nor, Margaret Sarkissian•ARTICLE•Yearbook for Traditional Music•2003

    When the Portuguese seafarer Afonso de Albuquerque conquered the bustling port of Malacca in 1511, he effectively gained control of the entire South China Sea spice trade. Although Portuguese dominance lasted only 130 years, its legacy lies at the heart of a burgeoning tourist attraction on the outskirts of the city, in which performers who believe they are the descendants of swashbuckling Portuguese conquerors encapsulate their history in a cult…

  • A Viagem des Sons/The Journey of Sounds

    Frederick Lau, Susanna Sardo et al.•ARTICLE•Ethnomusicology•2003

  • Playing Portuguese: Constructing Identity in Malaysia's Portuguese Community

    Margaret Sarkissian•ARTICLE•Diaspora A Journal of Transnational…•2002•Cited by: 1

    This paper is concerned with one of the less familiar outposts of the Portuguese diaspora-Malaysia. Almost five centuries after the great Portuguese seafarer Afonso de Albuquerque sailed into Malacca, there is still a small village on the outskirts of the city known as the "Portuguese Settlement" (Kampung Portugis or Kampung Serani2 in Malay). Its residents are described variously as Malaysian Portuguese, Portuguese Eurasians, Luso-Malays, Orang …

  • Trumpet

    Margaret Sarkissian, Edward H Tarr•CHAPTER•The new Grove dictionary of music…•2001

  • Music, Modernity, and the Global Imagination: South Africa and the West

    Margaret Sarkissian, Veit Erlmann•ARTICLE•Ethnomusicology•2001

  • Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience

    Margaret Sarkissian, Adelaida Reyes•ARTICLE•Yearbook for Traditional Music•2000

  • A Viagem dos Sons [The Journey of Sounds]

    Lee Tong Soon, Susanna Sardo et al.•ARTICLE•Yearbook for Traditional Music•2000

  • Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings

    Margaret Sarkissian, Jane C Sugarman•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 13•References: 6

    For Prespa Albanians, both at home in Macedonia and in the diaspora, the most significant events of any year are wedding ceremonies. During days and weeks of festivities, wedding celebrants interact largely through singing, defining and renegotiating the structure of their social world and establishing a profound cultural touchstone for Prespa communities around the world. This account of Prespa weddings combines photographs, song texts and recor…

  • Tradition, tourism, and the cultural show: Malaysia's diversity on display

    Margaret Sarkissian•ARTICLE•Journal of Musicological Research•1998•Cited by: 7•References: 3

    This article explores the cultural show as a site of creative cultural production. It focuses on cultural shows performed at national, state, and grassroots levels in Malaysia (with an emphasis on the city of Malacca). No longer performed strictly for tourists, the cultural show has become both a primary icon of national multiculturalism and a forum in which meaning is contested and identity negotiated. On the one hand, the government uses cultur…

  • Cultural Chameleons: Portuguese Eurasian Strategies for Survival in Post-colonial Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Journal of Southeast Asian Studies•1997•Cited by: 4•References: 3

    This article documents the shifting identity over time of a single Malaysian ethnic minority, the Portuguese Eurasian community of Malacca. Through a close examination of three pivotal historical moments (1952, 1969, and 1995), it shows how cultural phenomena (in this case, music and dance) play key roles in the projection of new public images

  • Victorian bands and their dissemination in the colonies

    Open Access•Trevor Herbert, Margaret Sarkissian•ARTICLE•Popular Music•1997•Cited by: 7•References: 5

    This morning I unintentionally stumbled across the annual Cherry Blossom Parade in Washington, DC. It was probaly little different than any other American public parade, full of decorated floats and oversized balloons interspersed between uniformed marching bands from high schools all over the country. What caught my attention was the 'foreign' element in the parade - three groups that represented Japan, land of the cherry blossom. Two of these g…

  • Sinhalese Girl" Meets "Aunty Annie: Competing Expressions of Ethnic Identity in the Portuguese Settlement, Melaka, Malaysia

    Margaret Sarkissian•ARTICLE•Asian Music•1995•Cited by: 3

    La population portugaise de Melaka en Malaisie a construit une identite ethnique positive autour de la musique et de la danse. Deux chansons sont tres populaires, « Jinkly Nona » et « Ti'Anika ». La premiere reprend le rythme « branyo » (« joget » en malaisien) et le son « dondang sayang » (« mata kantiga » pour les Portugais). Trois categories de quatrains ont ete degagees : « cantigas de amigo », « cantigas de mal-dizer », et « cantigas indifer…

  • Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine

    Margaret Sarkissian, Marina Roseman•ARTICLE•Asian Music•1992•Cited by: 5

  • Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings

    Margaret Sarkissian, Jane C Sugarman•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 13•References: 6

    For Prespa Albanians, both at home in Macedonia and in the diaspora, the most significant events of any year are wedding ceremonies. During days and weeks of festivities, wedding celebrants interact largely through singing, defining and renegotiating the structure of their social world and establishing a profound cultural touchstone for Prespa communities around the world. This account of Prespa weddings combines photographs, song texts and recor…

  • Tradition, tourism, and the cultural show: Malaysia's diversity on display

    Margaret Sarkissian•ARTICLE•Journal of Musicological Research•1998•Cited by: 7•References: 3

    This article explores the cultural show as a site of creative cultural production. It focuses on cultural shows performed at national, state, and grassroots levels in Malaysia (with an emphasis on the city of Malacca). No longer performed strictly for tourists, the cultural show has become both a primary icon of national multiculturalism and a forum in which meaning is contested and identity negotiated. On the one hand, the government uses cultur…

  • Victorian bands and their dissemination in the colonies

    Open Access•Trevor Herbert, Margaret Sarkissian•ARTICLE•Popular Music•1997•Cited by: 7•References: 5

    This morning I unintentionally stumbled across the annual Cherry Blossom Parade in Washington, DC. It was probaly little different than any other American public parade, full of decorated floats and oversized balloons interspersed between uniformed marching bands from high schools all over the country. What caught my attention was the 'foreign' element in the parade - three groups that represented Japan, land of the cherry blossom. Two of these g…

  • Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine

    Margaret Sarkissian, Marina Roseman•ARTICLE•Asian Music•1992•Cited by: 5

  • Being Portuguese in Malacca: The politics of folk culture in Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Etnografica•2005•Cited by: 4•References: 6

    This paper explores what it means to be “Portuguese” in Malacca today and illustrates ways in which the journey has been complicated by issues of class tension, colonial positioning, post-colonial nation building, and modern economic development. The focal point of the analysis is a gala dinner organized by the Malacca Portuguese Eurasian Association in 2002. This constituted a rare moment in which community members made a public political statem…

  • Cultural Chameleons: Portuguese Eurasian Strategies for Survival in Post-colonial Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Journal of Southeast Asian Studies•1997•Cited by: 4•References: 3

    This article documents the shifting identity over time of a single Malaysian ethnic minority, the Portuguese Eurasian community of Malacca. Through a close examination of three pivotal historical moments (1952, 1969, and 1995), it shows how cultural phenomena (in this case, music and dance) play key roles in the projection of new public images

  • Sinhalese Girl" Meets "Aunty Annie: Competing Expressions of Ethnic Identity in the Portuguese Settlement, Melaka, Malaysia

    Margaret Sarkissian•ARTICLE•Asian Music•1995•Cited by: 3

    La population portugaise de Melaka en Malaisie a construit une identite ethnique positive autour de la musique et de la danse. Deux chansons sont tres populaires, « Jinkly Nona » et « Ti'Anika ». La premiere reprend le rythme « branyo » (« joget » en malaisien) et le son « dondang sayang » (« mata kantiga » pour les Portugais). Trois categories de quatrains ont ete degagees : « cantigas de amigo », « cantigas de mal-dizer », et « cantigas indifer…

  • Religion Never Had it so good: Contemporary Nasyid and the Growth of Islamic Popular Music in Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Yearbook for Traditional Music•2005•Cited by: 2•References: 1

    The Taliban in Afghanistan and the hardline clergy in Iran might regard them as blasphemous, but in Malaysia Islamic pop groups are a hit, even with fundamentalist politicians. Nasyid groups, as they are known, are winning awards for using their talents to bring people closer to Islam. (MGW 13 June 1999

  • Playing Portuguese: Constructing Identity in Malaysia's Portuguese Community

    Margaret Sarkissian•ARTICLE•Diaspora A Journal of Transnational…•2002•Cited by: 1

    This paper is concerned with one of the less familiar outposts of the Portuguese diaspora-Malaysia. Almost five centuries after the great Portuguese seafarer Afonso de Albuquerque sailed into Malacca, there is still a small village on the outskirts of the city known as the "Portuguese Settlement" (Kampung Portugis or Kampung Serani2 in Malay). Its residents are described variously as Malaysian Portuguese, Portuguese Eurasians, Luso-Malays, Orang …

  • Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine

    Margaret Sarkissian, Marina Roseman•ARTICLE•Asian Music•1992•Cited by: 5

  • Sinhalese Girl" Meets "Aunty Annie: Competing Expressions of Ethnic Identity in the Portuguese Settlement, Melaka, Malaysia

    Margaret Sarkissian•ARTICLE•Asian Music•1995•Cited by: 3

    La population portugaise de Melaka en Malaisie a construit une identite ethnique positive autour de la musique et de la danse. Deux chansons sont tres populaires, « Jinkly Nona » et « Ti'Anika ». La premiere reprend le rythme « branyo » (« joget » en malaisien) et le son « dondang sayang » (« mata kantiga » pour les Portugais). Trois categories de quatrains ont ete degagees : « cantigas de amigo », « cantigas de mal-dizer », et « cantigas indifer…

  • Cultural Chameleons: Portuguese Eurasian Strategies for Survival in Post-colonial Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Journal of Southeast Asian Studies•1997•Cited by: 4•References: 3

    This article documents the shifting identity over time of a single Malaysian ethnic minority, the Portuguese Eurasian community of Malacca. Through a close examination of three pivotal historical moments (1952, 1969, and 1995), it shows how cultural phenomena (in this case, music and dance) play key roles in the projection of new public images

  • Victorian bands and their dissemination in the colonies

    Open Access•Trevor Herbert, Margaret Sarkissian•ARTICLE•Popular Music•1997•Cited by: 7•References: 5

    This morning I unintentionally stumbled across the annual Cherry Blossom Parade in Washington, DC. It was probaly little different than any other American public parade, full of decorated floats and oversized balloons interspersed between uniformed marching bands from high schools all over the country. What caught my attention was the 'foreign' element in the parade - three groups that represented Japan, land of the cherry blossom. Two of these g…

  • Tradition, tourism, and the cultural show: Malaysia's diversity on display

    Margaret Sarkissian•ARTICLE•Journal of Musicological Research•1998•Cited by: 7•References: 3

    This article explores the cultural show as a site of creative cultural production. It focuses on cultural shows performed at national, state, and grassroots levels in Malaysia (with an emphasis on the city of Malacca). No longer performed strictly for tourists, the cultural show has become both a primary icon of national multiculturalism and a forum in which meaning is contested and identity negotiated. On the one hand, the government uses cultur…

  • Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings

    Margaret Sarkissian, Jane C Sugarman•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 13•References: 6

    For Prespa Albanians, both at home in Macedonia and in the diaspora, the most significant events of any year are wedding ceremonies. During days and weeks of festivities, wedding celebrants interact largely through singing, defining and renegotiating the structure of their social world and establishing a profound cultural touchstone for Prespa communities around the world. This account of Prespa weddings combines photographs, song texts and recor…

  • Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience

    Margaret Sarkissian, Adelaida Reyes•ARTICLE•Yearbook for Traditional Music•2000

  • A Viagem dos Sons [The Journey of Sounds]

    Lee Tong Soon, Susanna Sardo et al.•ARTICLE•Yearbook for Traditional Music•2000

  • Trumpet

    Margaret Sarkissian, Edward H Tarr•CHAPTER•The new Grove dictionary of music…•2001

  • Music, Modernity, and the Global Imagination: South Africa and the West

    Margaret Sarkissian, Veit Erlmann•ARTICLE•Ethnomusicology•2001

  • Playing Portuguese: Constructing Identity in Malaysia's Portuguese Community

    Margaret Sarkissian•ARTICLE•Diaspora A Journal of Transnational…•2002•Cited by: 1

    This paper is concerned with one of the less familiar outposts of the Portuguese diaspora-Malaysia. Almost five centuries after the great Portuguese seafarer Afonso de Albuquerque sailed into Malacca, there is still a small village on the outskirts of the city known as the "Portuguese Settlement" (Kampung Portugis or Kampung Serani2 in Malay). Its residents are described variously as Malaysian Portuguese, Portuguese Eurasians, Luso-Malays, Orang …

  • D'Albuquerque's Children: Performing Tradition in Malaysia's Portuguese Settlement

    Mohd Anis Md Nor, Margaret Sarkissian•ARTICLE•Yearbook for Traditional Music•2003

    When the Portuguese seafarer Afonso de Albuquerque conquered the bustling port of Malacca in 1511, he effectively gained control of the entire South China Sea spice trade. Although Portuguese dominance lasted only 130 years, its legacy lies at the heart of a burgeoning tourist attraction on the outskirts of the city, in which performers who believe they are the descendants of swashbuckling Portuguese conquerors encapsulate their history in a cult…

  • A Viagem des Sons/The Journey of Sounds

    Frederick Lau, Susanna Sardo et al.•ARTICLE•Ethnomusicology•2003

  • Religion Never Had it so good: Contemporary Nasyid and the Growth of Islamic Popular Music in Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Yearbook for Traditional Music•2005•Cited by: 2•References: 1

    The Taliban in Afghanistan and the hardline clergy in Iran might regard them as blasphemous, but in Malaysia Islamic pop groups are a hit, even with fundamentalist politicians. Nasyid groups, as they are known, are winning awards for using their talents to bring people closer to Islam. (MGW 13 June 1999

  • Being Portuguese in Malacca: The politics of folk culture in Malaysia

    Open Access•Margaret Sarkissian•ARTICLE•Etnografica•2005•Cited by: 4•References: 6

    This paper explores what it means to be “Portuguese” in Malacca today and illustrates ways in which the journey has been complicated by issues of class tension, colonial positioning, post-colonial nation building, and modern economic development. The focal point of the analysis is a gala dinner organized by the Malacca Portuguese Eurasian Association in 2002. This constituted a rare moment in which community members made a public political statem…

  • Margaret Sarkissian

    Open Access•Margaret Sarkissian•ARTICLE•Etnografica•2006

  • Negotiating the Personal and Professional: Ethnomusicologistsl and Uncomfortable Truths

    Open Access•Rebecca S Miller, Svanibor Pettan et al.•ARTICLE•Yearbook for Traditional Music•2016•References: 6

    The panel, "Negotiating the Personal and Professional: Ethnomusicologists and Uncomfortable Truths," presented at the Forty-third ICTM World Conference in Astana, Kazakhstan, grew out of informal conversations common among ethnomusicologists. As practitioners in our discipline, we are involved in complex webs of experience, relationships, and representations focused around music, broadly defined. Our work is inherently social and, when in the fie…

  • The CM is On The Way: Reflections on Malacca-Portuguese Identity as Malaysia Turns 50

    Open Access•Margaret Sarkissian•ARTICLE•Portuguese Literary and Cultural…•2017

    An ethnographic account of one day in the life of the Portuguese Settlement in Malacca, Malaysia, as the community prepares for a visit from the Chief Minister of the state of Malacca. The essay describes the day of the Chief Minister's visit (August 14, 2007) as it unfolded in the Portuguese Settlement and reflects on what the event tells us about the village, its residents, and their place in Malaysian society at a landmark moment, the 50th ann…

  • Punks, Monks and Politics: Authenticity in Thailand, Indonesia and Malaysia, edited by Julian C. H. Lee and Marco Ferrarese

    Margaret Sarkissian•ARTICLE•Anthropological Forum•2018

    Early in the introduction, Julian C. H. Lee and Marco Ferrarese twice ask, ‘Why is authenticity sought after?’ (ix and xi). They promise to address (rather than answer) this question ‘by examining

  • Living Ethnomusicology: Paths and Practices

    Margaret Sarkissian, Ted Solís•BOOK•Living Ethnomusicology•2019

  • Living Ethnomusicology: Paths and Practices

    Margaret Sarkissian, Ted Solís•BOOK•Living Ethnomusicology•2019

  • Living Ethnomusicology: Paths and Practices

    Margaret Sarkissian, Ted Solís•BOOK•Living Ethnomusicology•2019

Art (15 works) · History (11 works) · Sociology (10 works) · Aesthetics (9 works) · Asian Studies and History (9 works) · Philosophy (8 works) · Linguistics (7 works) · Anthropology (6 works) · Gender Studies (6 works) · Philippine History and Culture (6 works)

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