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Sabine Jell‐bahlsen

Biographic Data

ID144426
NAMESabine Jell‐bahlsen
GIVEN NAMESSabine
FAMILY NAMEJell‐bahlsen
SIGNATUREBAHLSEN S J
AFFILIATIONSNew York Proton Center
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS15
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2016
H-INDEX2
  • Commentary: Reflections on 40 years of Dialectical Anthropology, a personal journey

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2016•References: 14

  • The trans-national gold curse of Papua New Guinea

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•Dialectical Anthropology•2012

  • Flora Nwapa and Oguta’s Lake Goddess: Artistic Liberty and Ethnography

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2007

  • Prologue: Igbo Proverbs and Adages

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2007

  • From "Haus Tambaran" to Church: Continuity and Change in Contemporary Papua New Guinean Architecture

    George Jell, Sabine Jell‐bahlsen et al.•ARTICLE•Visual Anthropology•2005•References: 2

    This article examines contemporary Papua New Guinean architecture created in the oscillation between Melanesian culture and Western impact. Some of the country's indigenous buildings are truly remarkable, especially the prestigious structures known as “Haus Tambaran” in the Sepik River area which have lent inspiration to many outstanding samples of contemporary Papua New Guinean design. We have studied both the indigenous and contemporary archite…

  • Continuing the Quest of Dialectical Anthropology in the 21st Century: Reflections on the Igbo of Nigeria

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2004

  • Losing Ground: Place-Making, Alienation, and (Sub)-Urbanization in Rural Bavaria

    Open Access•Georg Jell, Sabine Jell‐bahlsen et al.•ARTICLE•Dialectical Anthropology•2003

  • African Cinemas: Decolonizing the Gaze

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•2001•Cited by: 7

  • Todliche Rituale: Die Indische Witwenverbrennung Und Andere Formen Der Totenfolge (Deadly Rituals: The Burning of Widows in India and Other Forms of Funerary Rites Involving Followers in Death)

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•2001

  • Civilization, wilderness and secrecy: Making two Nigerian films

    Sabine Jell‐bahlsen•ARTICLE•Visual Anthropology•2000•Cited by: 1•References: 13

    This paper draws on fieldwork and filmmaking experiences and explores the interpretive process shared between the object, filmmaker, and audience. Mammy Water: In Search of the Water Spirits in Nigeria [1989] is the result of extensive field research and close collaboration between the local community, the researcher/filmmaker and team. Mammy Water priviledges local views on the subject over the academic discourse taking place elsewhere. This has…

  • African Experiences of Cinema

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1999

    Manifestos, declarations and resolutions African cinema and society - some voices histories and political economies issues of representation critical perspectives

  • Tubali: Hausa Architecture of Northern Nigeria

    Ikem Stanley Okoye, Sabine Jell‐bahlsen et al.•ARTICLE•The International Journal of…•1999

  • Nigerian Video Films

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1999

  • The Art of Benin

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1997

  • Die Igbo-Sprechenden Volker Sudostnigerias: Fragmentation und Fundamentale Einheit in Ihrer Geschichte

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1997

  • Wantok, Payback and Compensation: A Letter from Papua, New Guinea

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1997•Cited by: 1

  • Owu: Chidi Joins the Okoroshi Secret Society

    Rory P B Turner, Sabine Jell‐bahlsen et al.•ARTICLE•African Arts•1996•Cited by: 1

  • This native something?: Understanding and acknowledging the African experience

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1994

  • Mammy Water: In Search of the Water Spirits in Nigeria

    Sidney Littlefield Kasfir, Sabine Jell‐bahlsen et al.•ARTICLE•African Arts•1994•Cited by: 1

  • Mammy Water: In Search of the Water Spirits of Nigeria

    Ysamur M Flores, Sabine Jell‐bahlsen et al.•ARTICLE•Western Folklore•1994

  • Funding anthropological film and video production: Practical points, funding politics, ethnocentrism and the direction of communication: Where does visual anthropology fit into existing funding struct…

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1988

  • Names and naming: Instances from the ORU-Igbo

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1988•Cited by: 4

  • Ethnology and fascism in Germany

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1985

  • African Cinemas: Decolonizing the Gaze

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•2001•Cited by: 7

  • Names and naming: Instances from the ORU-Igbo

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1988•Cited by: 4

  • Civilization, wilderness and secrecy: Making two Nigerian films

    Sabine Jell‐bahlsen•ARTICLE•Visual Anthropology•2000•Cited by: 1•References: 13

    This paper draws on fieldwork and filmmaking experiences and explores the interpretive process shared between the object, filmmaker, and audience. Mammy Water: In Search of the Water Spirits in Nigeria [1989] is the result of extensive field research and close collaboration between the local community, the researcher/filmmaker and team. Mammy Water priviledges local views on the subject over the academic discourse taking place elsewhere. This has…

  • Wantok, Payback and Compensation: A Letter from Papua, New Guinea

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1997•Cited by: 1

  • Owu: Chidi Joins the Okoroshi Secret Society

    Rory P B Turner, Sabine Jell‐bahlsen et al.•ARTICLE•African Arts•1996•Cited by: 1

  • Mammy Water: In Search of the Water Spirits in Nigeria

    Sidney Littlefield Kasfir, Sabine Jell‐bahlsen et al.•ARTICLE•African Arts•1994•Cited by: 1

  • Ethnology and fascism in Germany

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1985

  • Funding anthropological film and video production: Practical points, funding politics, ethnocentrism and the direction of communication: Where does visual anthropology fit into existing funding struct…

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1988

  • Names and naming: Instances from the ORU-Igbo

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1988•Cited by: 4

  • This native something?: Understanding and acknowledging the African experience

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1994

  • Mammy Water: In Search of the Water Spirits in Nigeria

    Sidney Littlefield Kasfir, Sabine Jell‐bahlsen et al.•ARTICLE•African Arts•1994•Cited by: 1

  • Mammy Water: In Search of the Water Spirits of Nigeria

    Ysamur M Flores, Sabine Jell‐bahlsen et al.•ARTICLE•Western Folklore•1994

  • Owu: Chidi Joins the Okoroshi Secret Society

    Rory P B Turner, Sabine Jell‐bahlsen et al.•ARTICLE•African Arts•1996•Cited by: 1

  • The Art of Benin

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1997

  • Die Igbo-Sprechenden Volker Sudostnigerias: Fragmentation und Fundamentale Einheit in Ihrer Geschichte

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1997

  • Wantok, Payback and Compensation: A Letter from Papua, New Guinea

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•1997•Cited by: 1

  • African Experiences of Cinema

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1999

    Manifestos, declarations and resolutions African cinema and society - some voices histories and political economies issues of representation critical perspectives

  • Tubali: Hausa Architecture of Northern Nigeria

    Ikem Stanley Okoye, Sabine Jell‐bahlsen et al.•ARTICLE•The International Journal of…•1999

  • Nigerian Video Films

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•1999

  • Civilization, wilderness and secrecy: Making two Nigerian films

    Sabine Jell‐bahlsen•ARTICLE•Visual Anthropology•2000•Cited by: 1•References: 13

    This paper draws on fieldwork and filmmaking experiences and explores the interpretive process shared between the object, filmmaker, and audience. Mammy Water: In Search of the Water Spirits in Nigeria [1989] is the result of extensive field research and close collaboration between the local community, the researcher/filmmaker and team. Mammy Water priviledges local views on the subject over the academic discourse taking place elsewhere. This has…

  • African Cinemas: Decolonizing the Gaze

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•2001•Cited by: 7

  • Todliche Rituale: Die Indische Witwenverbrennung Und Andere Formen Der Totenfolge (Deadly Rituals: The Burning of Widows in India and Other Forms of Funerary Rites Involving Followers in Death)

    Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•The International Journal of…•2001

  • Losing Ground: Place-Making, Alienation, and (Sub)-Urbanization in Rural Bavaria

    Open Access•Georg Jell, Sabine Jell‐bahlsen et al.•ARTICLE•Dialectical Anthropology•2003

  • Continuing the Quest of Dialectical Anthropology in the 21st Century: Reflections on the Igbo of Nigeria

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2004

  • From "Haus Tambaran" to Church: Continuity and Change in Contemporary Papua New Guinean Architecture

    George Jell, Sabine Jell‐bahlsen et al.•ARTICLE•Visual Anthropology•2005•References: 2

    This article examines contemporary Papua New Guinean architecture created in the oscillation between Melanesian culture and Western impact. Some of the country's indigenous buildings are truly remarkable, especially the prestigious structures known as “Haus Tambaran” in the Sepik River area which have lent inspiration to many outstanding samples of contemporary Papua New Guinean design. We have studied both the indigenous and contemporary archite…

  • Flora Nwapa and Oguta’s Lake Goddess: Artistic Liberty and Ethnography

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2007

  • Prologue: Igbo Proverbs and Adages

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2007

  • The trans-national gold curse of Papua New Guinea

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen et al.•ARTICLE•Dialectical Anthropology•2012

  • Commentary: Reflections on 40 years of Dialectical Anthropology, a personal journey

    Open Access•Sabine Jell‐bahlsen, Sabine Jell-Bahlsen•ARTICLE•Dialectical Anthropology•2016•References: 14

Political science (15 works) · History (13 works) · Sociology (11 works) · Philosophy (9 works) · African history and culture studies (7 works) · Art (6 works) · Law (6 works) · Anthropology (5 works) · Archaeology (5 works) · Geography (4 works)

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