James D Reich
Biographic Data
| ID | 1444332 |
|---|---|
| NAME | James D Reich |
| GIVEN NAMES | James D |
| FAMILY NAME | Reich |
| SIGNATURE | REICH J D |
| AFFILIATIONS | Pace University |
| ORCID | 0000-0003-4137-8416 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Transmitting Awareness (saṅkrānti): A Point of Contact in Abhinavagupta’s Śaiva Aesthetics
On the basis of a parallel passage in Abhinavagupta’s commentaries on the Nāṭyaśāstra and the Īśvarapratyabhijñākārikā , this article considers the ways in which Abhinavagupta theorized “transmission” ( saṅkrānti ) in his descriptions of aesthetic experience and the reception of knowledge in non-dual Śaiva philosophy. We argue that this notion of transmission, in which the lines between author and qualified audience are blurred, is indebted to a …
Bhaṭṭanāyaka and the Vedānta Influence on Sanskrit Literary Theory
In the history of Sanskrit literary theory Bhaṭṭanāyaka occupies an influential yet mysterious position. Abhinavagupta clearly owes a great debt to him, but since Bhaṭṭanāyaka's works themselves have been lost, it has proven difficult to understand exactly what that debt is. The common understanding is that Bhaṭṭanāyaka was a Mīmāṃsaka and that he applied the principles of Vedic hermeneutics to literature. But this actually doesn't fit well with …
Poetry and the Play of the Goddess: Theology in Jayaratha’s Alaṃkāravimarśinī
Bhaṭṭanāyaka and the Vedānta Influence on Sanskrit Literary Theory
In the history of Sanskrit literary theory Bhaṭṭanāyaka occupies an influential yet mysterious position. Abhinavagupta clearly owes a great debt to him, but since Bhaṭṭanāyaka's works themselves have been lost, it has proven difficult to understand exactly what that debt is. The common understanding is that Bhaṭṭanāyaka was a Mīmāṃsaka and that he applied the principles of Vedic hermeneutics to literature. But this actually doesn't fit well with …
Poetry and the Play of the Goddess: Theology in Jayaratha’s Alaṃkāravimarśinī
Poetry and the Play of the Goddess: Theology in Jayaratha’s Alaṃkāravimarśinī
Bhaṭṭanāyaka and the Vedānta Influence on Sanskrit Literary Theory
In the history of Sanskrit literary theory Bhaṭṭanāyaka occupies an influential yet mysterious position. Abhinavagupta clearly owes a great debt to him, but since Bhaṭṭanāyaka's works themselves have been lost, it has proven difficult to understand exactly what that debt is. The common understanding is that Bhaṭṭanāyaka was a Mīmāṃsaka and that he applied the principles of Vedic hermeneutics to literature. But this actually doesn't fit well with …
Transmitting Awareness (saṅkrānti): A Point of Contact in Abhinavagupta’s Śaiva Aesthetics
On the basis of a parallel passage in Abhinavagupta’s commentaries on the Nāṭyaśāstra and the Īśvarapratyabhijñākārikā , this article considers the ways in which Abhinavagupta theorized “transmission” ( saṅkrānti ) in his descriptions of aesthetic experience and the reception of knowledge in non-dual Śaiva philosophy. We argue that this notion of transmission, in which the lines between author and qualified audience are blurred, is indebted to a …
Art (3 works) · History (3 works) · History (3 works) · Indian and Buddhist Studies (3 works) · Linguistics (3 works) · Literature (3 works) · Philosophy (3 works) · Philosophy (3 works) · Context (archaeology (2 works) · Epistemology (2 works)