Jonathan Baldo
Biographic Data
| ID | 1444371 |
|---|---|
| NAME | Jonathan Baldo |
| GIVEN NAMES | Jonathan |
| FAMILY NAME | Baldo |
| SIGNATURE | BALDO J |
| AFFILIATIONS | University of Rochester |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Entertaining Uncertainty in the Early Modern Theater
Memory and Affect in Shakespeare's England
“Must I Remember?”
Memory Traces in The Reign of King Edward III
Indirectly addressing the authorship question in the anonymous The Reign of King Edward III, this paper focuses on a signature of Shakespeare’s treatment of English history, a concern with the political implications of remembering and forgetting. Multiple ironies attend the unstable relation of remembering and forgetting in the play. The opening of Edward III gives the impression that England’s forgetful enemies, Scotland and France, require scho…
Sounding Otherness in Early Modern Drama and Travel
Sounding Otherness in Early Modern Drama and Travel: Uncanny Vibrations in the English Archive. Jennifer Linhart Wood. New Transculturalisms, 1400–1800. London: Palgrave Macmillan, 2019. xxii + 374 pp. €67.82. - Volume 74 Issue 3
Staging Harmony
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Spectacular Performances
The Unimagined in the English Renaissance
Andrew Mattison. The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis. Madison: Fairleigh Dickinson University Press, 2013. vii + 174 pp. $65. ISBN: 978–1–61147–597–5. - Volume 66 Issue 3
Memory in Shakespeare's Histories
A distinguishing feature of Shakespeare’s later histories is the prominent role he assigns to the need to forget. This book explore the ways in which Shakespeare expanded the role of forgetting in histories from King John to Henry V, as England contended with what were perceived to be traumatic breaks in its history and in the fashioning of a sense of nationhood. For plays ostensibly designed to recover the past and make it available to the prese…
A semiotic approach to prospection in Shelley
"Narrative Foiled in Bergman's "The Seventh Seal
In spite of the long strides narrative theory has taken in the past twenty-five years, for the most part it has advanced without casting so much as a backwards glance at its straggling companion, theory of the drama. But unlike contemporary theory, early literary theory often defined or characterized narrative in opposition to drama. G&rard Genette, who has sketched the early history of the opposition in Frontibres du recit,1 points out that of t…
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A semiotic approach to prospection in Shelley
"Narrative Foiled in Bergman's "The Seventh Seal
In spite of the long strides narrative theory has taken in the past twenty-five years, for the most part it has advanced without casting so much as a backwards glance at its straggling companion, theory of the drama. But unlike contemporary theory, early literary theory often defined or characterized narrative in opposition to drama. G&rard Genette, who has sketched the early history of the opposition in Frontibres du recit,1 points out that of t…
Memory in Shakespeare's Histories
A distinguishing feature of Shakespeare’s later histories is the prominent role he assigns to the need to forget. This book explore the ways in which Shakespeare expanded the role of forgetting in histories from King John to Henry V, as England contended with what were perceived to be traumatic breaks in its history and in the fashioning of a sense of nationhood. For plays ostensibly designed to recover the past and make it available to the prese…
The Unimagined in the English Renaissance
Andrew Mattison. The Unimagined in the English Renaissance: Poetry and the Limits of Mimesis. Madison: Fairleigh Dickinson University Press, 2013. vii + 174 pp. $65. ISBN: 978–1–61147–597–5. - Volume 66 Issue 3
Spectacular Performances
Staging Harmony
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Sounding Otherness in Early Modern Drama and Travel
Sounding Otherness in Early Modern Drama and Travel: Uncanny Vibrations in the English Archive. Jennifer Linhart Wood. New Transculturalisms, 1400–1800. London: Palgrave Macmillan, 2019. xxii + 374 pp. €67.82. - Volume 74 Issue 3
“Must I Remember?”
Memory Traces in The Reign of King Edward III
Indirectly addressing the authorship question in the anonymous The Reign of King Edward III, this paper focuses on a signature of Shakespeare’s treatment of English history, a concern with the political implications of remembering and forgetting. Multiple ironies attend the unstable relation of remembering and forgetting in the play. The opening of Edward III gives the impression that England’s forgetful enemies, Scotland and France, require scho…
Memory and Affect in Shakespeare's England
Entertaining Uncertainty in the Early Modern Theater
Art (8 works) · Literature (8 works) · History (7 works) · Art history (5 works) · Philosophy (5 works) · Aesthetics (4 works) · Historical Art and Culture Studies (3 works) · Linguistics (3 works) · Psychology (3 works) · Reformation and Early Modern Christianity (3 works)