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Robert Belton

Biographic Data

ID1444383
NAMERobert Belton
GIVEN NAMESRobert
FAMILY NAMEBelton
SIGNATUREBELTON R
AFFILIATIONSThe University of British Columbia, Canada
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Notes on Picasso’s Guernica in Context

    Michael Young, Nathalie Hager et al.•ARTICLE•The European Legacy•2024

    Contrary to the received opinion that Pablo Picasso conceived of Guernica only after learning of the bombing of the Basque town on 26 April 1937, and in direct response to it, in this article we demonstrate that the mural was visualized much earlier, as part of Picasso’s larger artistic and intellectual response to war. In February 1937 Picasso met with José Luis Sert, the architect of the Spanish Pavilion planned for the Paris World Fair that wa…

  • Our Kind of Movie

    Robert Belton, Robert J Belton•ARTICLE•The European Legacy•2017

    Given the way Andy Warhol is portrayed in popular culture—a fetishistic weirdo, packrat, and master of the detached non-sequitur—perhaps it’s not surprising that relatively few people know he is co

  • Ruins

    Robert Belton, Robert J Belton•ARTICLE•The European Legacy•2016

  • The Oxford Handbook of New Audiovisual Aesthetics; The Routledge Companion to Music and Visual Culture; Representation in Western Music

    Robert Belton, Robert J Belton•ARTICLE•Popular Music & Society•2014

  • Please Touch

    Robert Belton•ARTICLE•The European Legacy•2013

  • Automatic Woman

    Robert Belton, Robert J Belton et al.•ARTICLE•Woman s Art Journal•1998

    Contemporary feminist critics have often described Surrealism as a misogynist movement. In Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surr…

No prominent works on this page.

  • Automatic Woman

    Robert Belton, Robert J Belton et al.•ARTICLE•Woman s Art Journal•1998

    Contemporary feminist critics have often described Surrealism as a misogynist movement. In Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surr…

  • Please Touch

    Robert Belton•ARTICLE•The European Legacy•2013

  • The Oxford Handbook of New Audiovisual Aesthetics; The Routledge Companion to Music and Visual Culture; Representation in Western Music

    Robert Belton, Robert J Belton•ARTICLE•Popular Music & Society•2014

  • Ruins

    Robert Belton, Robert J Belton•ARTICLE•The European Legacy•2016

  • Our Kind of Movie

    Robert Belton, Robert J Belton•ARTICLE•The European Legacy•2017

    Given the way Andy Warhol is portrayed in popular culture—a fetishistic weirdo, packrat, and master of the detached non-sequitur—perhaps it’s not surprising that relatively few people know he is co

  • Notes on Picasso’s Guernica in Context

    Michael Young, Nathalie Hager et al.•ARTICLE•The European Legacy•2024

    Contrary to the received opinion that Pablo Picasso conceived of Guernica only after learning of the bombing of the Basque town on 26 April 1937, and in direct response to it, in this article we demonstrate that the mural was visualized much earlier, as part of Picasso’s larger artistic and intellectual response to war. In February 1937 Picasso met with José Luis Sert, the architect of the Spanish Pavilion planned for the Paris World Fair that wa…

Art (4 works) · Aesthetics (2 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Political science (2 works) · Visual Culture and Art Theory (2 works) · Archaeology (1 works) · Cinema and Media Studies (1 works) · Cinema History and Criticism (1 works) · Historical Art and Architecture Studies (1 works)

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