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Cristelle Baskins

Biographic Data

ID1444386
NAMECristelle Baskins
GIVEN NAMESCristelle
FAMILY NAMEBaskins
SIGNATUREBASKINS C
AFFILIATIONSTufts University
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS4
WORKS AS AUTHOR18
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Conflict and Sexual Violence in Early Modern Europe

    Open Access•Peter Bokody, Cristelle Baskins•ARTICLE•Renaissance and Reformation•2025

    Conflict and Sexual Violence in Early Modern Europe: An Introduction. Un article de la revue Renaissance and Reformation / Renaissance et Réforme (Special issue: Rethinking Conflict and Sexual Violence in Early Modern Europe) diffusée par la plateforme Érudit

  • Rape or Rapaciousness in Jan Cornelisz Vermeyen’s Tunis Tapestries

    Open Access•Cristelle Baskins•ARTICLE•Renaissance and Reformation•2025

    Court artist Jan Cornelisz Vermeyen produced a set of cartoons for the Tunis tapestries commissioned by Mary of Hungary and woven in Brussels in c. 1546–54. Throughout the ten extant cartoons, women are subjected to violence, but they are also presented as economically valuable captives and slaves. In the sole surviving preparatory drawing, Vermeyen recorded more extreme physical depredation, with the corpse of a young, obese woman lying on her s…

  • The Ethics of Ornament in Early Modern Naples

    Cristelle Baskins•ARTICLE•Sixteenth Century Journal•2018

  • Writing the Dead

    Cristelle Baskins•ARTICLE•Muqarnas Online•2017

    This essay explores the impact of the Shirazi poets Saʿdi and Hafiz on the famous Baroque traveler, Pietro della Valle. Hitherto unexplained features of the magnificent funeral he designed for his Syrian Christian wife, Sitti Maʿani Gioerida, in Rome (1627) can be related to the poets’ tombs he had seen in Shiraz immediately following her untimely demise. In Safavid Iran, Della Valle was impressed by the production of commemorative poetry as well…

  • Popes, patriarchs, and print

    Open Access•Cristelle Baskins•ARTICLE•Renaissance Studies•2014•Cited by: 1

    During the late Middle Ages and the Renaissance, representatives of the Chaldean community visited R ome seeking contact with the mother church. Abdisho IV of Gazarta, newly elected Patriarch of Mosul, made the journey in 1562. According to Pietro Strozzi, De dogmatibus chaldaeorum ( R oma: Zanetti, 1617), Abdisho's portrait was included in G iuseppe P orta's depiction of the Peace of Venice in 1177 in the Sala Regia of the V atican Palace, circa…

  • The Bride of Trebizond

    Cristelle Baskins•ARTICLE•Muqarnas Online•2012

    A Florentine cassone (wedding chest) painted circa 1460 by Apollonio di Giovanni and Marco del Buono shows a battle taking place in the vicinity of the Byzantine empire of Trebizond located on the Black Sea. In 1458, the Trapezuntine princess Theodora Komnena married the Turkmen leader Uzun Hasan. I argue that the imagery of the wedding chest refers to Uzun Hasan’s early military success against the Ottoman Turks in 1459–60. He appears on a trium…

  • Lost in Translation

    Cristelle Baskins•ARTICLE•Early Modern Women An Interdiscipli…•2012•Cited by: 1

  • A storm of images

    Cristelle Baskins•ARTICLE•The Italianist•2011•References: 5

  • Cassone Painting, Humanism, and Gender in Early Modern Italy

    Lilian H Zirpolo, Cristelle L Baskins et al.•ARTICLE•Woman s Art Journal•2000

    Introduction Object lessons: a cassone in the Della Famiglia 1. Le Nozze di Emilia: Amazons, armed and beautiful 2. Dido: taking the gold out of Carthage 3. Camilla: Filialogy and the family romance 4. Hersilia and the sabine women: Piece-making 5. Lucretia: dangerous familiars 6. Virginia/Virginius: her body, himself

  • On Seventeenth-Century Dutch Art

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•The European Legacy•2000

  • Gesta Dipinte

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1995

  • The Portrayal of Love

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1994

  • Sofonisba Anguissola

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1993

  • Echoing Narcissus in Alberti's Della Pittura

    Cristelle Baskins, C L BASKINS•ARTICLE•Oxford Art Journal•1993•Cited by: 2

    Journal Article Echoing Narcissus in Alberti's Della Pittura Get access CRISTELLE L. BASKINS CRISTELLE L. BASKINS Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 16, Issue 1, 1993, Pages 25–33, https://doi.org/10.1093/oxartj/16.1.25 Published: 01 March 1993

  • The Royal Horse and Rider

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1991

  • La Festa Di Susanna’

    Open Access•Cristelle L Baskins, Cristelle Baskins•ARTICLE•Art History•1991

  • Power and Display in the Seventeenth Century

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1990

  • Festum Voluptatis

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1990

  • Echoing Narcissus in Alberti's Della Pittura

    Cristelle Baskins, C L BASKINS•ARTICLE•Oxford Art Journal•1993•Cited by: 2

    Journal Article Echoing Narcissus in Alberti's Della Pittura Get access CRISTELLE L. BASKINS CRISTELLE L. BASKINS Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 16, Issue 1, 1993, Pages 25–33, https://doi.org/10.1093/oxartj/16.1.25 Published: 01 March 1993

  • Popes, patriarchs, and print

    Open Access•Cristelle Baskins•ARTICLE•Renaissance Studies•2014•Cited by: 1

    During the late Middle Ages and the Renaissance, representatives of the Chaldean community visited R ome seeking contact with the mother church. Abdisho IV of Gazarta, newly elected Patriarch of Mosul, made the journey in 1562. According to Pietro Strozzi, De dogmatibus chaldaeorum ( R oma: Zanetti, 1617), Abdisho's portrait was included in G iuseppe P orta's depiction of the Peace of Venice in 1177 in the Sala Regia of the V atican Palace, circa…

  • Lost in Translation

    Cristelle Baskins•ARTICLE•Early Modern Women An Interdiscipli…•2012•Cited by: 1

  • Power and Display in the Seventeenth Century

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1990

  • Festum Voluptatis

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1990

  • The Royal Horse and Rider

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1991

  • La Festa Di Susanna’

    Open Access•Cristelle L Baskins, Cristelle Baskins•ARTICLE•Art History•1991

  • Sofonisba Anguissola

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1993

  • Echoing Narcissus in Alberti's Della Pittura

    Cristelle Baskins, C L BASKINS•ARTICLE•Oxford Art Journal•1993•Cited by: 2

    Journal Article Echoing Narcissus in Alberti's Della Pittura Get access CRISTELLE L. BASKINS CRISTELLE L. BASKINS Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 16, Issue 1, 1993, Pages 25–33, https://doi.org/10.1093/oxartj/16.1.25 Published: 01 March 1993

  • The Portrayal of Love

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1994

  • Gesta Dipinte

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•Sixteenth Century Journal•1995

  • Cassone Painting, Humanism, and Gender in Early Modern Italy

    Lilian H Zirpolo, Cristelle L Baskins et al.•ARTICLE•Woman s Art Journal•2000

    Introduction Object lessons: a cassone in the Della Famiglia 1. Le Nozze di Emilia: Amazons, armed and beautiful 2. Dido: taking the gold out of Carthage 3. Camilla: Filialogy and the family romance 4. Hersilia and the sabine women: Piece-making 5. Lucretia: dangerous familiars 6. Virginia/Virginius: her body, himself

  • On Seventeenth-Century Dutch Art

    Cristelle L Baskins, Cristelle Baskins•ARTICLE•The European Legacy•2000

  • A storm of images

    Cristelle Baskins•ARTICLE•The Italianist•2011•References: 5

  • The Bride of Trebizond

    Cristelle Baskins•ARTICLE•Muqarnas Online•2012

    A Florentine cassone (wedding chest) painted circa 1460 by Apollonio di Giovanni and Marco del Buono shows a battle taking place in the vicinity of the Byzantine empire of Trebizond located on the Black Sea. In 1458, the Trapezuntine princess Theodora Komnena married the Turkmen leader Uzun Hasan. I argue that the imagery of the wedding chest refers to Uzun Hasan’s early military success against the Ottoman Turks in 1459–60. He appears on a trium…

  • Lost in Translation

    Cristelle Baskins•ARTICLE•Early Modern Women An Interdiscipli…•2012•Cited by: 1

  • Popes, patriarchs, and print

    Open Access•Cristelle Baskins•ARTICLE•Renaissance Studies•2014•Cited by: 1

    During the late Middle Ages and the Renaissance, representatives of the Chaldean community visited R ome seeking contact with the mother church. Abdisho IV of Gazarta, newly elected Patriarch of Mosul, made the journey in 1562. According to Pietro Strozzi, De dogmatibus chaldaeorum ( R oma: Zanetti, 1617), Abdisho's portrait was included in G iuseppe P orta's depiction of the Peace of Venice in 1177 in the Sala Regia of the V atican Palace, circa…

  • Writing the Dead

    Cristelle Baskins•ARTICLE•Muqarnas Online•2017

    This essay explores the impact of the Shirazi poets Saʿdi and Hafiz on the famous Baroque traveler, Pietro della Valle. Hitherto unexplained features of the magnificent funeral he designed for his Syrian Christian wife, Sitti Maʿani Gioerida, in Rome (1627) can be related to the poets’ tombs he had seen in Shiraz immediately following her untimely demise. In Safavid Iran, Della Valle was impressed by the production of commemorative poetry as well…

  • The Ethics of Ornament in Early Modern Naples

    Cristelle Baskins•ARTICLE•Sixteenth Century Journal•2018

  • Conflict and Sexual Violence in Early Modern Europe

    Open Access•Peter Bokody, Cristelle Baskins•ARTICLE•Renaissance and Reformation•2025

    Conflict and Sexual Violence in Early Modern Europe: An Introduction. Un article de la revue Renaissance and Reformation / Renaissance et Réforme (Special issue: Rethinking Conflict and Sexual Violence in Early Modern Europe) diffusée par la plateforme Érudit

  • Rape or Rapaciousness in Jan Cornelisz Vermeyen’s Tunis Tapestries

    Open Access•Cristelle Baskins•ARTICLE•Renaissance and Reformation•2025

    Court artist Jan Cornelisz Vermeyen produced a set of cartoons for the Tunis tapestries commissioned by Mary of Hungary and woven in Brussels in c. 1546–54. Throughout the ten extant cartoons, women are subjected to violence, but they are also presented as economically valuable captives and slaves. In the sole surviving preparatory drawing, Vermeyen recorded more extreme physical depredation, with the corpse of a young, obese woman lying on her s…

Art (16 works) · Art history (13 works) · History (7 works) · The Renaissance (6 works) · Renaissance and Early Modern Studies (5 works) · Visual arts (5 works) · History (4 works) · Philosophy (4 works) · Theology (4 works) · Ancient history (3 works)

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