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Jolanta T Pekacz

Biographic Data

ID1444492
NAMEJolanta T Pekacz
GIVEN NAMESJolanta T
FAMILY NAMEPekacz
SIGNATUREPEKACZ J T
AFFILIATIONSUniversity of Saskatchewan
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS7
AUTHOR COUNT16
EDITOR COUNT1
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Making New Music in Cold War Poland. The Warsaw Autumn Festival, 1956–1968

    Jolanta T Pekacz•ARTICLE•The Polish Review•2019

    Book Review| April 01 2019 Making New Music in Cold War Poland. The Warsaw Autumn Festival, 1956–1968 Lisa Jakelski, Making New Music in Cold War Poland. The Warsaw Autumn Festival, 1956–1968, (Berkeley: University of California University Press, 2017), 245 pp., illustrations, bibliography, index. ISBN 978–05-202-9254-3. Jolanta T. Pekacz Jolanta T. Pekacz Dalhousie University Search for other works by this author on: This Site Google The Polish …

  • Musical Biography

    Jolanta T Pekacz•BOOK•Musical Biography•2017

    Contents: Introduction, Jolanta T. Pekacz 'Renovating' Bach and Handel: new musical biographies in the German Democratic Republic, Toby Thacker The nation's property: Chopin's biography as a cultural discourse, Jolanta T. Pekacz Maurice Ravel: private life, public works, Steven Huebner Lingering legends: Liszt after Walker, Michael Saffle Fanny in Italy: the female composer as travel writer, Marian Wilson Kimber This is (y)our life: (re)writing w…

  • Susan Boynton. Silent Music

    Jolanta T Pekacz•ARTICLE•The American Historical Review•2013

    Historians usually agree that the Bourbon dynasty's accession to the Spanish throne at the beginning of the eighteenth century began a distinctive period in the construction of Spain's national identity. While foundational legends grounded in fictitious accounts of the past remained largely uncontested, the impact of the Enlightenment concept of truth, as well as the influence of French and Italian historiography, led some Spanish intellectuals t…

  • The Idea of Galicia

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Journal of History•2012

  • Music in the Culture of Polish Galicia

    Halina Goldberg, Jolanta T Pekacz•ARTICLE•The Slavic and East European…•2006

    This book explores the role of music in developing the culture of Galicia - a part of the Polish Commonwealth which belonged to the Habsburg Monarchy from the first partition of Poland in 1772 until the end of World War I. It gives a central place to the relation the people had with shared musical objects, knowledge and practices - both domestic and imported from cultural centers such as Vienna - and the ways in which music emphasized social clea…

  • On the Enlightenment

    Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•The European Legacy•2003

  • Constitution and Reform in Eighteenth-Century Poland

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2002

  • The Furies

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2002

  • Twentieth-Century Communism — The Rise and Fall of an Illusion

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2001

  • The Culture of Opera Buffa in Mozart’s Vienna

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2000

  • The Salonnieres and the Philosophies in Old Regime France

    Jolanta T Pekacz•ARTICLE•Journal of the History of Ideas•1999

    Journal of the History of Ideas - Volume 60, Number 2, April 1999

  • The Salonnieres and the Philosophes in Old Regime France

    Jolanta T Pekacz•ARTICLE•Journal of the History of Ideas•1999

    L'A. mesure le glissement de l'autorite des genres en matiere de jugement esthetique, a travers l'exemple des Salonnieres parisiennes et des philosophes francais du XVIII e siecle, qui se sont distingues lors de deux celebres querelles sur l'opera francais et l'opera italien: la querelle des Bouffons dans les annees 1750 et la controverse des Gluckistes et des Piccinistes dans les annees 1770. Observant un changement de paradigme entre la societe…

  • Gender as a Political Orientation

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•1997

    Surprising as it may be, the eighteenth-century quarrels over the French and the Italian opera have attracted more cultural historians than musicologists.(2) The latter, typically preoccupied with tracing the stylistic developments taking place in instrumental music of the time, have considered these quarrels a tempest in a teapot and failed to notice the relationship between their musical aspects and the broader social, political, and cultural i…

  • Salon women and the quarrels about opera in eighteenth-century Paris

    Jolanta T Pekacz•ARTICLE•The European Legacy•1996•References: 1

  • Antemurale’ of Europe; from the history of national megalomania in Poland

    Jolanta T Pekacz•ARTICLE•History of European Ideas•1995•Cited by: 1•References: 1

  • Did rock smash the wall? The role of rock in political transition

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Popular Music•1994•Cited by: 5•References: 12

    A conviction that rock is the central manifestation of the post-War mass culture and the most common form of mass cultural activity, seems undoubted for rock analysts. The question as to whether rock music is able to play any significant role in a process of political change evokes, however, scepticism rather than endorsement (Rosselson 1979; Hibbard and Kaleialoha 1983; Orman 1984; Pattison 1987; Grossberg 1991

  • On some dilemmas of Polish post-communist rock culture

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Popular Music•1992•Cited by: 1

    Until the late 1970s rock music in Poland was hidden behind many different labels, such as 'music of a young generation', 'youth music' or 'big beat', usually meaning something, if not pejorative, at least suspicious. Having the flavour of a forbidden fruit, genuine rock functioned quite successfully, mostly through independent circulation, not only as a specific form of art, but, first of all, as a symbol of protest against an existing political…

  • Did rock smash the wall? The role of rock in political transition

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Popular Music•1994•Cited by: 5•References: 12

    A conviction that rock is the central manifestation of the post-War mass culture and the most common form of mass cultural activity, seems undoubted for rock analysts. The question as to whether rock music is able to play any significant role in a process of political change evokes, however, scepticism rather than endorsement (Rosselson 1979; Hibbard and Kaleialoha 1983; Orman 1984; Pattison 1987; Grossberg 1991

  • Antemurale’ of Europe; from the history of national megalomania in Poland

    Jolanta T Pekacz•ARTICLE•History of European Ideas•1995•Cited by: 1•References: 1

  • On some dilemmas of Polish post-communist rock culture

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Popular Music•1992•Cited by: 1

    Until the late 1970s rock music in Poland was hidden behind many different labels, such as 'music of a young generation', 'youth music' or 'big beat', usually meaning something, if not pejorative, at least suspicious. Having the flavour of a forbidden fruit, genuine rock functioned quite successfully, mostly through independent circulation, not only as a specific form of art, but, first of all, as a symbol of protest against an existing political…

  • On some dilemmas of Polish post-communist rock culture

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Popular Music•1992•Cited by: 1

    Until the late 1970s rock music in Poland was hidden behind many different labels, such as 'music of a young generation', 'youth music' or 'big beat', usually meaning something, if not pejorative, at least suspicious. Having the flavour of a forbidden fruit, genuine rock functioned quite successfully, mostly through independent circulation, not only as a specific form of art, but, first of all, as a symbol of protest against an existing political…

  • Did rock smash the wall? The role of rock in political transition

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Popular Music•1994•Cited by: 5•References: 12

    A conviction that rock is the central manifestation of the post-War mass culture and the most common form of mass cultural activity, seems undoubted for rock analysts. The question as to whether rock music is able to play any significant role in a process of political change evokes, however, scepticism rather than endorsement (Rosselson 1979; Hibbard and Kaleialoha 1983; Orman 1984; Pattison 1987; Grossberg 1991

  • Antemurale’ of Europe; from the history of national megalomania in Poland

    Jolanta T Pekacz•ARTICLE•History of European Ideas•1995•Cited by: 1•References: 1

  • Salon women and the quarrels about opera in eighteenth-century Paris

    Jolanta T Pekacz•ARTICLE•The European Legacy•1996•References: 1

  • Gender as a Political Orientation

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•1997

    Surprising as it may be, the eighteenth-century quarrels over the French and the Italian opera have attracted more cultural historians than musicologists.(2) The latter, typically preoccupied with tracing the stylistic developments taking place in instrumental music of the time, have considered these quarrels a tempest in a teapot and failed to notice the relationship between their musical aspects and the broader social, political, and cultural i…

  • The Salonnieres and the Philosophies in Old Regime France

    Jolanta T Pekacz•ARTICLE•Journal of the History of Ideas•1999

    Journal of the History of Ideas - Volume 60, Number 2, April 1999

  • The Salonnieres and the Philosophes in Old Regime France

    Jolanta T Pekacz•ARTICLE•Journal of the History of Ideas•1999

    L'A. mesure le glissement de l'autorite des genres en matiere de jugement esthetique, a travers l'exemple des Salonnieres parisiennes et des philosophes francais du XVIII e siecle, qui se sont distingues lors de deux celebres querelles sur l'opera francais et l'opera italien: la querelle des Bouffons dans les annees 1750 et la controverse des Gluckistes et des Piccinistes dans les annees 1770. Observant un changement de paradigme entre la societe…

  • The Culture of Opera Buffa in Mozart’s Vienna

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2000

  • Twentieth-Century Communism — The Rise and Fall of an Illusion

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2001

  • Constitution and Reform in Eighteenth-Century Poland

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2002

  • The Furies

    Open Access•Jolanta T Pekacz•ARTICLE•Journal of History•2002

  • On the Enlightenment

    Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•The European Legacy•2003

  • Music in the Culture of Polish Galicia

    Halina Goldberg, Jolanta T Pekacz•ARTICLE•The Slavic and East European…•2006

    This book explores the role of music in developing the culture of Galicia - a part of the Polish Commonwealth which belonged to the Habsburg Monarchy from the first partition of Poland in 1772 until the end of World War I. It gives a central place to the relation the people had with shared musical objects, knowledge and practices - both domestic and imported from cultural centers such as Vienna - and the ways in which music emphasized social clea…

  • The Idea of Galicia

    Open Access•Jolanta Pekacz, Jolanta T Pekacz•ARTICLE•Journal of History•2012

  • Susan Boynton. Silent Music

    Jolanta T Pekacz•ARTICLE•The American Historical Review•2013

    Historians usually agree that the Bourbon dynasty's accession to the Spanish throne at the beginning of the eighteenth century began a distinctive period in the construction of Spain's national identity. While foundational legends grounded in fictitious accounts of the past remained largely uncontested, the impact of the Enlightenment concept of truth, as well as the influence of French and Italian historiography, led some Spanish intellectuals t…

  • Musical Biography

    Jolanta T Pekacz•BOOK•Musical Biography•2017

    Contents: Introduction, Jolanta T. Pekacz 'Renovating' Bach and Handel: new musical biographies in the German Democratic Republic, Toby Thacker The nation's property: Chopin's biography as a cultural discourse, Jolanta T. Pekacz Maurice Ravel: private life, public works, Steven Huebner Lingering legends: Liszt after Walker, Michael Saffle Fanny in Italy: the female composer as travel writer, Marian Wilson Kimber This is (y)our life: (re)writing w…

  • Making New Music in Cold War Poland. The Warsaw Autumn Festival, 1956–1968

    Jolanta T Pekacz•ARTICLE•The Polish Review•2019

    Book Review| April 01 2019 Making New Music in Cold War Poland. The Warsaw Autumn Festival, 1956–1968 Lisa Jakelski, Making New Music in Cold War Poland. The Warsaw Autumn Festival, 1956–1968, (Berkeley: University of California University Press, 2017), 245 pp., illustrations, bibliography, index. ISBN 978–05-202-9254-3. Jolanta T. Pekacz Jolanta T. Pekacz Dalhousie University Search for other works by this author on: This Site Google The Polish …

Art (11 works) · History (10 works) · Political science (10 works) · Law (9 works) · Politics (7 works) · Sociology (7 works) · Literature (6 works) · Philosophy (6 works) · Historical and Literary Studies (4 works) · History (4 works)

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