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Avron Kulak

Biographic Data

ID1444528
NAMEAvron Kulak
GIVEN NAMESAvron
FAMILY NAMEKulak
SIGNATUREKULAK A
AFFILIATIONSYork University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2022
H-INDEX1
  • What Do We Look At When We Look at Art? The Bible, Visual Art, and the Redemption of Existence

    Jason Hoult, Avron Kulak•ARTICLE•Journal of Aesthetic Education•2022

    This study is dedicated to examining how the principles and values that mark the difference between the ancient Greco-Roman and biblical traditions help us to think about what (and who) we look at when we look at art. We begin with the Bible's self-reflexive communication to its readers regarding the status of its own images and then consider works by Michelangelo, Tejo Remy, and Charles White—while also calling on Shakespeare, Hegel, and Kierkeg…

  • Introduction

    Mark Cauchi, Avron Kulak•ARTICLE•The European Legacy•2013

    Whatever one generation learns from another, no generation learns the essentially human from a previous one. In this respect, each generation... has no other task than what each previous generation h

  • Kierkegaard's HereticalMoment

    Avron Kulak•ARTICLE•The European Legacy•2013

    The extreme asceticism that Kierkegaard attributes to Christianity in The Moment and Late Writings is discussed in this essay as the challenge to the single individual in the present age. His polemic against Christendom is examined in terms of the interrelationship between the concept of neighbor, which he develops in Works of Love, and the concept of history, which he develops in both his pseudonymous and his acknowledged texts and which involve…

  • The Religious, the Secular, and the Natural Sciences

    Avron Kulak•ARTICLE•The European Legacy•2011

    When, in The Gay Science, Nietzsche poses the question of how the natural sciences are possible, he insists that they depend not on a principle that is natural but on the will to truth, the will not to deceive even oneself, with which, he holds, “we stand on moral ground.” Yet, that the natural sciences stand on ground that is moral also means, for Nietzsche, that their origin is to be located in “a faith that is thousands of years old,” a faith …

  • Derrida and Kierkegaard

    Avron Kulak•ARTICLE•The European Legacy•2001•Cited by: 1•References: 1

  • Derrida and Kierkegaard

    Avron Kulak•ARTICLE•The European Legacy•2001•Cited by: 1•References: 1

  • Derrida and Kierkegaard

    Avron Kulak•ARTICLE•The European Legacy•2001•Cited by: 1•References: 1

  • The Religious, the Secular, and the Natural Sciences

    Avron Kulak•ARTICLE•The European Legacy•2011

    When, in The Gay Science, Nietzsche poses the question of how the natural sciences are possible, he insists that they depend not on a principle that is natural but on the will to truth, the will not to deceive even oneself, with which, he holds, “we stand on moral ground.” Yet, that the natural sciences stand on ground that is moral also means, for Nietzsche, that their origin is to be located in “a faith that is thousands of years old,” a faith …

  • Introduction

    Mark Cauchi, Avron Kulak•ARTICLE•The European Legacy•2013

    Whatever one generation learns from another, no generation learns the essentially human from a previous one. In this respect, each generation... has no other task than what each previous generation h

  • Kierkegaard's HereticalMoment

    Avron Kulak•ARTICLE•The European Legacy•2013

    The extreme asceticism that Kierkegaard attributes to Christianity in The Moment and Late Writings is discussed in this essay as the challenge to the single individual in the present age. His polemic against Christendom is examined in terms of the interrelationship between the concept of neighbor, which he develops in Works of Love, and the concept of history, which he develops in both his pseudonymous and his acknowledged texts and which involve…

  • What Do We Look At When We Look at Art? The Bible, Visual Art, and the Redemption of Existence

    Jason Hoult, Avron Kulak•ARTICLE•Journal of Aesthetic Education•2022

    This study is dedicated to examining how the principles and values that mark the difference between the ancient Greco-Roman and biblical traditions help us to think about what (and who) we look at when we look at art. We begin with the Bible's self-reflexive communication to its readers regarding the status of its own images and then consider works by Michelangelo, Tejo Remy, and Charles White—while also calling on Shakespeare, Hegel, and Kierkeg…

Epistemology (5 works) · Philosophy (5 works) · Kierkegaardian Philosophy and Influence (3 works) · Philosophy, Ethics, and Existentialism (3 works) · Art (2 works) · Asceticism (2 works) · Christianity (2 works) · Literature (2 works) · Sociology (2 works) · Theology (2 works)

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