Jessica Nydia Pabón-Colón
Biographic Data
| ID | 144471 |
|---|---|
| NAME | Jessica Nydia Pabón-Colón |
| GIVEN NAMES | Jessica Nydia |
| FAMILY NAME | Pabón-Colón |
| SIGNATURE | PABÓN-COLÓN J N |
| AFFILIATIONS | SUNY New Paltz |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Graffiti Grrlz
Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists' anonymity, graffiti subculture is seen as a boys club, where the presence of the graffiti girl is almost unimaginable. Jessica Nydia Pabon-Colon interrupts this stereotype …
Writin’, Breakin’, Beatboxin’
Do spaces where women are the empowered majority stimulate sociocultural shifts in hip-hop culture? In this essay, I examine three hip-hop events ranging in size, genre, and frequency that were US-based but drew an international crowd: B-Girl Be: A Celebration of Women in Hip Hop, the Women of the 5th Element Beatboxing Festival, and the Few and Far graffiti crew at Art Basel Miami. I focus on hip-hop’s subcultural practices not to reaffirm a too…
No prominent works on this page.
Writin’, Breakin’, Beatboxin’
Do spaces where women are the empowered majority stimulate sociocultural shifts in hip-hop culture? In this essay, I examine three hip-hop events ranging in size, genre, and frequency that were US-based but drew an international crowd: B-Girl Be: A Celebration of Women in Hip Hop, the Women of the 5th Element Beatboxing Festival, and the Few and Far graffiti crew at Art Basel Miami. I focus on hip-hop’s subcultural practices not to reaffirm a too…
Graffiti Grrlz
Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists' anonymity, graffiti subculture is seen as a boys club, where the presence of the graffiti girl is almost unimaginable. Jessica Nydia Pabon-Colon interrupts this stereotype …
Gender Studies (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Public Spaces through Art (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art (1 work) · Citizen journalism (1 work)