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Thomas Honegger

Biographic Data

ID1444753
NAMEThomas Honegger
GIVEN NAMESThomas
FAMILY NAMEHonegger
SIGNATUREHONEGGER T
AFFILIATIONSFriedrich Schiller University Jena
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS5
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Besprechung von Die Literatur des Mittelalters im Fantasyroman. Herausgegeben von Nathanael Busch and Hans Rudolf Velten

    Open Access•Thomas Honegger•ARTICLE•Zeitschrift für Fantastikforschung•2020

    Review of Die Literatur des Mittelalters im Fantasyroman edited by Nathanael Busch and Hans Rudolf Velten.Publisher's note: This article was originally published as part of issue 8.1. This has been updated to note that this article is part of issue 7.2

  • Introducing the Medieval Dragon

    Thomas Honegger•BOOK•Introducing the Medieval Dragon•2019•Cited by: 1

  • Tolkien the Medievalist

    Thomas Honegger•ARTICLE•The European Legacy•2013

    Edited by Jane Chance. Routledge Studies in Medieval Religion and Culture (London: Routledge, 2008), xv + 295 pp. £26.99 paper.The backbone of this collection, originally published in 2003, consist

  • Wouldst thou withdraw love’s faithful vow?’

    Thomas Honegger•ARTICLE•Journal of Historical Pragmatics•2006

    The joint sonnet of the two lovers-to-be at the Capulet feast towards the end of the first act is rightly regarded as the dramatic and poetic climax of the first part of the play. Yet it constitutes, from an interactional point of view, merely a first move and the declarations of love proper occur only later in the orchard scene of the second act. This article explores the complex negotiations that precede the actual confessions of love and inves…

  • But-þat þou louye me, Sertes y dye fore loue of þe’

    Thomas Honegger•ARTICLE•Journal of Historical Pragmatics•2000•Cited by: 1

    In this paper, I look at how medieval and early modern poets present and exploit the potential inherent in opening moves in (love) relationships for the purpose of plot motivation and protagonist characterisation. The depiction of the opening moves depends on three interrelated pairs of variables: 1) legalistic tradition (marriage as the reason for initiating a relationship) vs emotional tradition (focus is on the beloved person’s affection), 2) …

  • Form and function

    Thomas Honegger•ARTICLE•English Studies•1998•Cited by: 3

    1998). Form and function: The beasts of battle revisited. English Studies: Vol. 79, No. 4, pp. 289-298

  • Form and function

    Thomas Honegger•ARTICLE•English Studies•1998•Cited by: 3

    1998). Form and function: The beasts of battle revisited. English Studies: Vol. 79, No. 4, pp. 289-298

  • Introducing the Medieval Dragon

    Thomas Honegger•BOOK•Introducing the Medieval Dragon•2019•Cited by: 1

  • But-þat þou louye me, Sertes y dye fore loue of þe’

    Thomas Honegger•ARTICLE•Journal of Historical Pragmatics•2000•Cited by: 1

    In this paper, I look at how medieval and early modern poets present and exploit the potential inherent in opening moves in (love) relationships for the purpose of plot motivation and protagonist characterisation. The depiction of the opening moves depends on three interrelated pairs of variables: 1) legalistic tradition (marriage as the reason for initiating a relationship) vs emotional tradition (focus is on the beloved person’s affection), 2) …

  • Form and function

    Thomas Honegger•ARTICLE•English Studies•1998•Cited by: 3

    1998). Form and function: The beasts of battle revisited. English Studies: Vol. 79, No. 4, pp. 289-298

  • But-þat þou louye me, Sertes y dye fore loue of þe’

    Thomas Honegger•ARTICLE•Journal of Historical Pragmatics•2000•Cited by: 1

    In this paper, I look at how medieval and early modern poets present and exploit the potential inherent in opening moves in (love) relationships for the purpose of plot motivation and protagonist characterisation. The depiction of the opening moves depends on three interrelated pairs of variables: 1) legalistic tradition (marriage as the reason for initiating a relationship) vs emotional tradition (focus is on the beloved person’s affection), 2) …

  • Wouldst thou withdraw love’s faithful vow?’

    Thomas Honegger•ARTICLE•Journal of Historical Pragmatics•2006

    The joint sonnet of the two lovers-to-be at the Capulet feast towards the end of the first act is rightly regarded as the dramatic and poetic climax of the first part of the play. Yet it constitutes, from an interactional point of view, merely a first move and the declarations of love proper occur only later in the orchard scene of the second act. This article explores the complex negotiations that precede the actual confessions of love and inves…

  • Tolkien the Medievalist

    Thomas Honegger•ARTICLE•The European Legacy•2013

    Edited by Jane Chance. Routledge Studies in Medieval Religion and Culture (London: Routledge, 2008), xv + 295 pp. £26.99 paper.The backbone of this collection, originally published in 2003, consist

  • Introducing the Medieval Dragon

    Thomas Honegger•BOOK•Introducing the Medieval Dragon•2019•Cited by: 1

  • Besprechung von Die Literatur des Mittelalters im Fantasyroman. Herausgegeben von Nathanael Busch and Hans Rudolf Velten

    Open Access•Thomas Honegger•ARTICLE•Zeitschrift für Fantastikforschung•2020

    Review of Die Literatur des Mittelalters im Fantasyroman edited by Nathanael Busch and Hans Rudolf Velten.Publisher's note: This article was originally published as part of issue 8.1. This has been updated to note that this article is part of issue 7.2

Art (5 works) · Philosophy (4 works) · Philosophy (3 works) · Ancient history (2 works) · Folklore, Mythology, and Literature Studies (2 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Psychology (2 works)

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