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Stefano Bragato

Biographic Data

ID1444841
NAMEStefano Bragato
GIVEN NAMESStefano
FAMILY NAMEBragato
SIGNATUREBRAGATO S
AFFILIATIONSUniversity of Zurich
ORCID0000-0003-1021-8989
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Da Tripoli al Triveneto

    Stefano Bragato•ARTICLE•The Italianist•2020

    La rappresentazione dei paesaggi di guerra nel futurismo, e in particolari negli scritti di Filippo Tommaso Marinetti, segue lungo tutto gli anni Dieci una precisa linea evolutiva estetica e formale. Con le forme cambiano anche i significati veicolati dal paesaggio, significati che riflettono lo sviluppo del movimento e in particolare la sua crescente politicizzazione a partire dal 1918. Dopo una sezione teorica sul paesaggio nel futurismo, l’art…

  • Futurism

    Stefano Bragato•ARTICLE•Italian Studies•2019

  • Italian Futurism and the First World War

    Stefano Bragato•ARTICLE•Italian Studies•2018

  • Italian Futurism and the First World War

    Stefano Bragato•ARTICLE•Italian Studies•2018

    This book is the first comprehensive study of the relationship between Italian Futurism and the Great War from the interventionist period (1914–1915) to the post-war years (1918–1920). Drawing from

  • Rome Awards

    Open Access•Stefano Bragato•ARTICLE•Papers of the British School at…•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Of attention

    Open Access•Stefano Bragato•ARTICLE•Forum Italicum A Journal of…•2017•References: 2

    This article examines the concept of attention in Gabriele D’Annunzio’s oeuvre, arguing for its central position in the development of his aesthetic thought and of his creative activity. In one of his Faville del maglio ( Sparks from the Hammer) entitled ‘Dell’attenzione’ (‘Of attention’, 1911), D’Annunzio referred to attention as his ability to exceptionally stretch his senses in order to perceive every detail of things, people and events surrou…

  • Filippo Tommaso Marinetti

    Stefano Bragato•ARTICLE•The European Legacy•2017

    Filippo Tommaso Marinetti (1876–1944) was the founder and leader of Futurism, the first European avant-garde movement. This book is a thorough examination of his political activity from the foundat

No prominent works on this page.

  • Rome Awards

    Open Access•Stefano Bragato•ARTICLE•Papers of the British School at…•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Of attention

    Open Access•Stefano Bragato•ARTICLE•Forum Italicum A Journal of…•2017•References: 2

    This article examines the concept of attention in Gabriele D’Annunzio’s oeuvre, arguing for its central position in the development of his aesthetic thought and of his creative activity. In one of his Faville del maglio ( Sparks from the Hammer) entitled ‘Dell’attenzione’ (‘Of attention’, 1911), D’Annunzio referred to attention as his ability to exceptionally stretch his senses in order to perceive every detail of things, people and events surrou…

  • Filippo Tommaso Marinetti

    Stefano Bragato•ARTICLE•The European Legacy•2017

    Filippo Tommaso Marinetti (1876–1944) was the founder and leader of Futurism, the first European avant-garde movement. This book is a thorough examination of his political activity from the foundat

  • Italian Futurism and the First World War

    Stefano Bragato•ARTICLE•Italian Studies•2018

  • Italian Futurism and the First World War

    Stefano Bragato•ARTICLE•Italian Studies•2018

    This book is the first comprehensive study of the relationship between Italian Futurism and the Great War from the interventionist period (1914–1915) to the post-war years (1918–1920). Drawing from

  • Futurism

    Stefano Bragato•ARTICLE•Italian Studies•2019

  • Da Tripoli al Triveneto

    Stefano Bragato•ARTICLE•The Italianist•2020

    La rappresentazione dei paesaggi di guerra nel futurismo, e in particolari negli scritti di Filippo Tommaso Marinetti, segue lungo tutto gli anni Dieci una precisa linea evolutiva estetica e formale. Con le forme cambiano anche i significati veicolati dal paesaggio, significati che riflettono lo sviluppo del movimento e in particolare la sua crescente politicizzazione a partire dal 1918. Dopo una sezione teorica sul paesaggio nel futurismo, l’art…

Art (7 works) · Italian Fascism and Post-war Society (4 works) · Art history (3 works) · Aesthetics (2 works) · Ancient history (2 works) · Art, Politics, and Modernism (2 works) · Art, Technology, and Culture (2 works) · First world war (2 works) · History (2 works) · History (2 works)

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