Silvia Martínez-Falquina
Biographic Data
| ID | 1444955 |
|---|---|
| NAME | Silvia Martínez-Falquina |
| GIVEN NAMES | Silvia |
| FAMILY NAME | Martínez-Falquina |
| SIGNATURE | MARTÍNEZ-FALQUINA S |
| AFFILIATIONS | Universidad de Zaragoza |
| ORCID | 0000-0002-8054-095X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Indigenizing the Normal, Normalizing the Indigenous: Native American Literature, Art, and Activism
“We Were Always More than Things”: Intergenerational Trauma, Indigenous Relationality, and Decolonial Storytelling in Mona Susan Power’s A Council of Dolls
A Council of Dolls (2023), the latest novel by Mona Susan Power (Standing Rock Sioux Tribe), is an important contribution to the third wave of Indigenous writing that attests to its vitality and diversity. This article aims to refine and expand the characterization of this recent creative movement through an analysis of Power’s novel from the perspective of Indigenous trauma theory and Dakota history and onto-epistemology. It examines how, throug…
Indigenizing the YA Canon: The Heroine's Journey in Angeline Boulley's Firekeeper's Daughter
Angeline Boulley’s stated intention when writing her debut novel Firekeeper’s Daughter (2021) was to indigenize the YA canon and offer positive role models for Native American young women, not properly represented in literature. The novel—about an eighteen-year-old Anishinaabe girl who sets out on a mission to help her community—creatively integrates traditional Indigenous stories like the Seventh Fire Prophecy with western detective fiction and …
Beneath the Waves: Feminisms in the Transmodern Era - Introduction
The winds of change sweeping across our globalised world have inspired a wide range of studies, new research paradigms, and new concepts that seek to characterise their nature and effects, the chal
Feminist Dystopia and Reality in Louise Erdrich's Future Home of the Living God and Leni Zumas's Red Clocks
This article examines two recent examples of feminist dystopias: Louise Erdrich’s Future Home of the Living God (2017) and Leni Zumas’s Red Clocks (2018). True to their genre, these novels act as warnings, denouncing the patriarchal control over women’s bodies and the capitalistic over-exploitation of nature. Strategically positioned between dystopia and realism, they recover and revise generic and thematic conventions and propose relationality a…
Grieving Places, Sovereign Places: Storied Space in Louise Erdrich’s The Round House
Przestrzenie żałoby, przestrzenie autonomii: przestrzeń opowieści w The Round House Louise Erdrich Artykuł jest przyczynkiem do debaty na temat odrodzenia rdzennych Amerykanów w kontekście kolonialnego wywłaszczenia i wykorzenienia. Jest odpowiedzią na potrzebę wyjścia poza uproszczone reprezentacje rdzennych Amerykanów i ich ziemi. Sposobem na to może być uznanie powiązania pomiędzy tożsamością rozumianą jako bycie-w-ziemi a zakorzenioną normaty…
Postcolonial Trauma Theory in the Contact Zone: The Strategic Representation of Grief in Edwidge Danticat’s Claire of the Sea Light
This article starts by engaging in a dialogue with the most relevant postcolonial emendations to trauma theory, addressed to both its aporetic and its therapeutic trends, and it goes on to reflect on the state of the decolonizing trauma theory project, critically examining the motivations behind it as well as some of the problems it still encounters, like the risk of objectification and revictimization of postcolonial peoples, the blurring of the…
Beneath the Waves: Feminisms in the Transmodern Era - Introduction
The winds of change sweeping across our globalised world have inspired a wide range of studies, new research paradigms, and new concepts that seek to characterise their nature and effects, the chal
Postcolonial Trauma Theory in the Contact Zone: The Strategic Representation of Grief in Edwidge Danticat’s Claire of the Sea Light
This article starts by engaging in a dialogue with the most relevant postcolonial emendations to trauma theory, addressed to both its aporetic and its therapeutic trends, and it goes on to reflect on the state of the decolonizing trauma theory project, critically examining the motivations behind it as well as some of the problems it still encounters, like the risk of objectification and revictimization of postcolonial peoples, the blurring of the…
Grieving Places, Sovereign Places: Storied Space in Louise Erdrich’s The Round House
Przestrzenie żałoby, przestrzenie autonomii: przestrzeń opowieści w The Round House Louise Erdrich Artykuł jest przyczynkiem do debaty na temat odrodzenia rdzennych Amerykanów w kontekście kolonialnego wywłaszczenia i wykorzenienia. Jest odpowiedzią na potrzebę wyjścia poza uproszczone reprezentacje rdzennych Amerykanów i ich ziemi. Sposobem na to może być uznanie powiązania pomiędzy tożsamością rozumianą jako bycie-w-ziemi a zakorzenioną normaty…
Beneath the Waves: Feminisms in the Transmodern Era - Introduction
The winds of change sweeping across our globalised world have inspired a wide range of studies, new research paradigms, and new concepts that seek to characterise their nature and effects, the chal
Feminist Dystopia and Reality in Louise Erdrich's Future Home of the Living God and Leni Zumas's Red Clocks
This article examines two recent examples of feminist dystopias: Louise Erdrich’s Future Home of the Living God (2017) and Leni Zumas’s Red Clocks (2018). True to their genre, these novels act as warnings, denouncing the patriarchal control over women’s bodies and the capitalistic over-exploitation of nature. Strategically positioned between dystopia and realism, they recover and revise generic and thematic conventions and propose relationality a…
Indigenizing the YA Canon: The Heroine's Journey in Angeline Boulley's Firekeeper's Daughter
Angeline Boulley’s stated intention when writing her debut novel Firekeeper’s Daughter (2021) was to indigenize the YA canon and offer positive role models for Native American young women, not properly represented in literature. The novel—about an eighteen-year-old Anishinaabe girl who sets out on a mission to help her community—creatively integrates traditional Indigenous stories like the Seventh Fire Prophecy with western detective fiction and …
Indigenizing the Normal, Normalizing the Indigenous: Native American Literature, Art, and Activism
“We Were Always More than Things”: Intergenerational Trauma, Indigenous Relationality, and Decolonial Storytelling in Mona Susan Power’s A Council of Dolls
A Council of Dolls (2023), the latest novel by Mona Susan Power (Standing Rock Sioux Tribe), is an important contribution to the third wave of Indigenous writing that attests to its vitality and diversity. This article aims to refine and expand the characterization of this recent creative movement through an analysis of Power’s novel from the perspective of Indigenous trauma theory and Dakota history and onto-epistemology. It examines how, throug…
Philosophy (4 works) · Ecocriticism and Environmental Literature (3 works) · Indigenous (3 works) · Indigenous Health, Education, and Rights (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Environmental ethics (2 works) · History (2 works) · Law (2 works)