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María Jesús Martínez-Alfaro

Biographic Data

ID1445040
NAMEMaría Jesús Martínez-Alfaro
GIVEN NAMESMaría Jesús
FAMILY NAMEMartínez-Alfaro
SIGNATUREMARTÍNEZ-ALFARO M J
AFFILIATIONSUniversidad de Zaragoza
ORCID0000-0001-7335-7690
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Confronting the Joint Legacies of the Holocaust and Colonialism in Alex Miller'sLandscape of Farewell

    María Jesús Martínez-Alfaro•ARTICLE•The European Legacy•2021•References: 14

    The aim of this article is to apply the concept of synergy to the workings of memory in Alex Miller''s Landscape of Farewell (2007) by focusing on the relationship between its two main characters, Max Otto, a German professor of history, and Dougald Gnapun, an Aboriginal elder. It does so with a view to analysing the way in which fiction can weave connections between different histories of violence-in this case the Holocaust and the colonisation …

  • The Estrangement Effect in Three Holocaust Narratives

    Open Access•María Jesús Martínez-Alfaro•ARTICLE•Atlantis Journal of the Spanish…•2020

    Holocaust literature has often been described as producing disruption and estrangement. As the Holocaust challenges traditional forms of expression, writers have used alternative techniques, sometimes blurring genres and registers. This is the case with Holocaust narratives that rewrite fairy tales or use fairy-tale motifs and structures: they produce an estrangement effect in that their intertexts are defamiliarised as a strategy for opening up …

  • The Spectral Evidence of Photography in Rachel Seiffert’s The Dark Room

    Open Access•María Jesús Martínez-Alfaro, María Jesús Martínez Alfaro•ARTICLE•Revista Alicantina de Estudios…•2013

    This article focuses on Rachel Seiffert’s The Dark Room (2001), which I place in the context of what Froma I. Zeitlin (2006) regards as an emerging trend in Holocaust literature: fictional stories that move away from the victims and focus instead on the victimisers, as well as on the impact and legacy of the Nazi period on average Germans. The Dark Room consists of three independent but related stories, entitled after each German protagonist, and…

  • A Look into the Abyss

    María Jesús Martínez-Alfaro•ARTICLE•Journal of Narrative Theory•2010•Cited by: 1•References: 1

    Although its origins are traceable to the 1930s, the greatest surge of the metaphysical detective story and of the critical inclination to examine detective narratives within this framework coincides, to a remarkable extent, with the emergence of postmodern culture. The metaphysical detective story shares its heritage with the mainstream detective story-especially the influence of Poe-but it differs from the latter in many ways. Patricia Merivale…

  • Postmodernism and the ontological dominant

    Open Access•María Jesús Martínez-Alfaro, María Jesús Martínez Alfaro•ARTICLE•Revista Alicantina de Estudios…•1999

    This article proposes an analysis of Peter Ackroyd's The House of Doctor Dee (1993) in the light of two different dichotomies: Brian McHale's epistemological (cognitive) / ontological (postcognitive) dominant and John Vernon's garden / map dynamics. The House of Doctor Dee is constructed around a series of strategies closely related to the postcognitive worldview, strategies which have come to be associated with postmodernist aesthetics and which…

  • A Look into the Abyss

    María Jesús Martínez-Alfaro•ARTICLE•Journal of Narrative Theory•2010•Cited by: 1•References: 1

    Although its origins are traceable to the 1930s, the greatest surge of the metaphysical detective story and of the critical inclination to examine detective narratives within this framework coincides, to a remarkable extent, with the emergence of postmodern culture. The metaphysical detective story shares its heritage with the mainstream detective story-especially the influence of Poe-but it differs from the latter in many ways. Patricia Merivale…

  • Postmodernism and the ontological dominant

    Open Access•María Jesús Martínez-Alfaro, María Jesús Martínez Alfaro•ARTICLE•Revista Alicantina de Estudios…•1999

    This article proposes an analysis of Peter Ackroyd's The House of Doctor Dee (1993) in the light of two different dichotomies: Brian McHale's epistemological (cognitive) / ontological (postcognitive) dominant and John Vernon's garden / map dynamics. The House of Doctor Dee is constructed around a series of strategies closely related to the postcognitive worldview, strategies which have come to be associated with postmodernist aesthetics and which…

  • A Look into the Abyss

    María Jesús Martínez-Alfaro•ARTICLE•Journal of Narrative Theory•2010•Cited by: 1•References: 1

    Although its origins are traceable to the 1930s, the greatest surge of the metaphysical detective story and of the critical inclination to examine detective narratives within this framework coincides, to a remarkable extent, with the emergence of postmodern culture. The metaphysical detective story shares its heritage with the mainstream detective story-especially the influence of Poe-but it differs from the latter in many ways. Patricia Merivale…

  • The Spectral Evidence of Photography in Rachel Seiffert’s The Dark Room

    Open Access•María Jesús Martínez-Alfaro, María Jesús Martínez Alfaro•ARTICLE•Revista Alicantina de Estudios…•2013

    This article focuses on Rachel Seiffert’s The Dark Room (2001), which I place in the context of what Froma I. Zeitlin (2006) regards as an emerging trend in Holocaust literature: fictional stories that move away from the victims and focus instead on the victimisers, as well as on the impact and legacy of the Nazi period on average Germans. The Dark Room consists of three independent but related stories, entitled after each German protagonist, and…

  • The Estrangement Effect in Three Holocaust Narratives

    Open Access•María Jesús Martínez-Alfaro•ARTICLE•Atlantis Journal of the Spanish…•2020

    Holocaust literature has often been described as producing disruption and estrangement. As the Holocaust challenges traditional forms of expression, writers have used alternative techniques, sometimes blurring genres and registers. This is the case with Holocaust narratives that rewrite fairy tales or use fairy-tale motifs and structures: they produce an estrangement effect in that their intertexts are defamiliarised as a strategy for opening up …

  • Confronting the Joint Legacies of the Holocaust and Colonialism in Alex Miller'sLandscape of Farewell

    María Jesús Martínez-Alfaro•ARTICLE•The European Legacy•2021•References: 14

    The aim of this article is to apply the concept of synergy to the workings of memory in Alex Miller''s Landscape of Farewell (2007) by focusing on the relationship between its two main characters, Max Otto, a German professor of history, and Dougald Gnapun, an Aboriginal elder. It does so with a view to analysing the way in which fiction can weave connections between different histories of violence-in this case the Holocaust and the colonisation …

Philosophy (4 works) · Art (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Psychology (3 works) · The Holocaust (3 works) · Aesthetics (2 works) · Epistemology (2 works)

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