David Ian Rabey
Biographic Data
| ID | 1445293 |
|---|---|
| NAME | David Ian Rabey |
| GIVEN NAMES | David Ian |
| FAMILY NAME | Rabey |
| SIGNATURE | RABEY D I |
| ORCID | 0000-0001-5450-0500 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Alistair McDowall's Pomona
‘It’s all real. All of it. Everything bad is real’ - Moe Alistair McDowall’s Pomona was first staged in 2014 and won properly startling, and startled, acclaim. Its edgeland setting permits a surrealistic disengagement of linear forms of time, which is both dreamlike and wildly funny; nightmarish and ominously enveloping. The play has as its imaginative springboard a landscape which is both real and surreal. It offers an unforgettable journey into…
Voice and New Writing, 1997-2007: Articulating the Demos by Maggie Inchley
Reviewed by: Voice and New Writing, 1997–2007: Articulating the Demos by Maggie Inchley David Ian Rabey Voice and New Writing, 1997–2007: Articulating the Demos. By Maggie Inchley. Basingstoke, UK: Palgrave Macmillan, 2015; pp. 204. Maggie Inchley’s monograph has an ambitious dual remit: first, “to demonstrate the ways that the inclusion of marginalised, diverse or rarely heard voices” in British theatre during the period 1997 to 2007 could be cl…
‘The idea of hidden life’: With David Ian Rabey
Howard Barker: Politics and Desire
British and Irish Political Drama in the Twentieth Century: Implicating the Audience
Audience engagement and reflexive history in the plays of David Edgar
No prominent works on this page.
Audience engagement and reflexive history in the plays of David Edgar
British and Irish Political Drama in the Twentieth Century: Implicating the Audience
Howard Barker: Politics and Desire
‘The idea of hidden life’: With David Ian Rabey
Voice and New Writing, 1997-2007: Articulating the Demos by Maggie Inchley
Reviewed by: Voice and New Writing, 1997–2007: Articulating the Demos by Maggie Inchley David Ian Rabey Voice and New Writing, 1997–2007: Articulating the Demos. By Maggie Inchley. Basingstoke, UK: Palgrave Macmillan, 2015; pp. 204. Maggie Inchley’s monograph has an ambitious dual remit: first, “to demonstrate the ways that the inclusion of marginalised, diverse or rarely heard voices” in British theatre during the period 1997 to 2007 could be cl…
Alistair McDowall's Pomona
‘It’s all real. All of it. Everything bad is real’ - Moe Alistair McDowall’s Pomona was first staged in 2014 and won properly startling, and startled, acclaim. Its edgeland setting permits a surrealistic disengagement of linear forms of time, which is both dreamlike and wildly funny; nightmarish and ominously enveloping. The play has as its imaginative springboard a landscape which is both real and surreal. It offers an unforgettable journey into…
Art (4 works) · Computer Science (3 works) · History (3 works) · Irish and British Studies (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Theatre and Performance Studies (3 works) · Aesthetics (2 works)