Marianna Ki
Biographic Data
| ID | 144581 |
|---|---|
| NAME | Marianna Ki |
| GIVEN NAMES | Marianna |
| FAMILY NAME | Ki |
| SIGNATURE | KI M |
| AFFILIATIONS | University of Groningen |
| ORCID | 0000-0002-9136-8200 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Making Sense of Complex Cinema
Mainstream complex films like Pulp Fiction and Memento have captivated audiences while challenging classical norms through narrational complexity. David Bordwell's seminal work mapped these formal strategies, emphasizing they are not qualitatively different from classical ones. However, there is growing recognition that these films offer a unique experience, where coherence is built through effortful and variable processes. Building on this, we i…
Attention, memory, and narrative interpretation of Michel Gondry’s The Green Hornet
Historically 3D effect in film has been used as a relatively superficial aesthetic attraction. Here we consider and test the idea that 3D can be used to guide viewer attention and narrative interpretation in film. The current study used self-report measures in conjunction with eye-tracking technology to record attention, memory and narrative interpretation of 32 participants (25 female). Eye-gaze behaviour was recorded while half of the participa…
Autopoiesis through agency in virtual reality nonfiction
Documentary filmmakers are gradually embracing immersive media to create novel Virtual Reality Nonfiction (VRNF) content. Over the past twenty years initial experimentation in this new medium has brought forward numerous linearly structured 360° documentaries that maintain a close link to traditional documentary modes. More recently, we have observed a shift from the relatively passive 360° cinema towards more open-world, non-linear, game-like in…
Keeping Track of Time
What allows an audience to make sense of stories with complex nonlinear time structures that are radically different from everyday experience? To address this question, we distinguish between two types of narrative nonlinearity: nonlinear storytelling (a non-chronological presentation of events in the narration) and nonlinear storyworlds (nonlinearity as a feature of the narrated world, for instance by way of time-travel or temporal loops). With …
Stories
Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priorit…
No prominent works on this page.
Stories
Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priorit…
Keeping Track of Time
What allows an audience to make sense of stories with complex nonlinear time structures that are radically different from everyday experience? To address this question, we distinguish between two types of narrative nonlinearity: nonlinear storytelling (a non-chronological presentation of events in the narration) and nonlinear storyworlds (nonlinearity as a feature of the narrated world, for instance by way of time-travel or temporal loops). With …
Autopoiesis through agency in virtual reality nonfiction
Documentary filmmakers are gradually embracing immersive media to create novel Virtual Reality Nonfiction (VRNF) content. Over the past twenty years initial experimentation in this new medium has brought forward numerous linearly structured 360° documentaries that maintain a close link to traditional documentary modes. More recently, we have observed a shift from the relatively passive 360° cinema towards more open-world, non-linear, game-like in…
Making Sense of Complex Cinema
Mainstream complex films like Pulp Fiction and Memento have captivated audiences while challenging classical norms through narrational complexity. David Bordwell's seminal work mapped these formal strategies, emphasizing they are not qualitatively different from classical ones. However, there is growing recognition that these films offer a unique experience, where coherence is built through effortful and variable processes. Building on this, we i…
Attention, memory, and narrative interpretation of Michel Gondry’s The Green Hornet
Historically 3D effect in film has been used as a relatively superficial aesthetic attraction. Here we consider and test the idea that 3D can be used to guide viewer attention and narrative interpretation in film. The current study used self-report measures in conjunction with eye-tracking technology to record attention, memory and narrative interpretation of 32 participants (25 female). Eye-gaze behaviour was recorded while half of the participa…
Computer Science (3 works) · Narrative (3 works) · Aesthetics (2 works) · Art (2 works) · Artificial Intelligence (2 works) · Cognition (2 works) · Cognitive psychology (2 works) · Digital Games and Media (2 works) · History (2 works) · Linguistics (2 works)