Zhou Yiqun
Biographic Data
| ID | 1447438 |
|---|---|
| NAME | Zhou Yiqun |
| GIVEN NAMES | Zhou |
| FAMILY NAME | Yiqun |
| SIGNATURE | YIQUN Z |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Place and Performance in Ancient Greece, Rome, and China
This book examines the construction of space and place in early China and the ancient Mediterranean through the lens of performances conducted in specific locations. It highlights conceptions of place and performance, seeing both as crucial to the production of cultural meaning and communal cohesion, and as heavily dependent on the prevailing political culture. Whether urban or rural, global or local, central or fringe, public or private, real or…
Foreigners, Spectacles, and Imperial Performance
Zhou Yiqun, in her chapter, draws attention to the performance of power by rulers who, having won military victories, bring the surrendered foreigners into their territories. Both Emperor Wu and Nero entertained foreign ruling groups with elaborate performances that included, in the case of Nero, the emperor himself taking the stage and, in the case of Emperor Wu, an attempt to show how his country was able to best foreigners at their own forms o…
Virtue and Talent
A study of two early historical records shows that women had a share in fushi (presenting the Odes), a social ritual and high art that is otherwise known as a preserve of the male elite. The paper retrieves the context of women's participation and analyzes the Confucian morality underlying the portrayals of the two female practitioners, both in light of the principle of sexual separation. The formulation of the relationship between female virtue …
Spirit and Self in Medieval China
No prominent works on this page.
Spirit and Self in Medieval China
Virtue and Talent
A study of two early historical records shows that women had a share in fushi (presenting the Odes), a social ritual and high art that is otherwise known as a preserve of the male elite. The paper retrieves the context of women's participation and analyzes the Confucian morality underlying the portrayals of the two female practitioners, both in light of the principle of sexual separation. The formulation of the relationship between female virtue …
Place and Performance in Ancient Greece, Rome, and China
This book examines the construction of space and place in early China and the ancient Mediterranean through the lens of performances conducted in specific locations. It highlights conceptions of place and performance, seeing both as crucial to the production of cultural meaning and communal cohesion, and as heavily dependent on the prevailing political culture. Whether urban or rural, global or local, central or fringe, public or private, real or…
Foreigners, Spectacles, and Imperial Performance
Zhou Yiqun, in her chapter, draws attention to the performance of power by rulers who, having won military victories, bring the surrendered foreigners into their territories. Both Emperor Wu and Nero entertained foreign ruling groups with elaborate performances that included, in the case of Nero, the emperor himself taking the stage and, in the case of Emperor Wu, an attempt to show how his country was able to best foreigners at their own forms o…
China (3 works) · Chinese history and philosophy (3 works) · History (3 works) · Art (2 works) · Japanese History and Culture (2 works) · Law (2 works) · Political science (2 works) · Ancient history (1 work) · Archaeology (1 work) · China's Socioeconomic Reforms and Governance (1 work)