Bennet Schaber
Biographic Data
| ID | 1448867 |
|---|---|
| NAME | Bennet Schaber |
| GIVEN NAMES | Bennet |
| FAMILY NAME | Schaber |
| SIGNATURE | SCHABER B |
| AFFILIATIONS | Cinema and Screen Studies, State University of New York, Oswego, NY, USA |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Fabrics of Dislocation
This photo essay is an attempt to register the complex political valences of certain shared formal preoccupations in the cinematic, photographic, videographic, and new media works/interventions of Shirin Neshat, Lalla Essaydi, Mona Hatoum, Ana Lily Amirpour, Amina Sboui, and Nadia El Fani. What is contested here is the so-called readability of images, especially those by Middle Eastern women, as these coalesced during the late colonial and postco…
Missing children
In José Emilio Burucúa and Nicolás Kwiatkowski's ‘The Absent Double: Representations of the Disappeared,’ the authors, writing about the ‘systematic and clandestine murders’ of thousands of Argentine citizens between 1976 and 1983, introduce the notion of ‘representational formulas,’ devices that bind together ‘fact, truth and narration’ in the various attempts of artists to confront a past of and present haunted by political violence. In particu…
Postmodern Ethics
No prominent works on this page.
Postmodern Ethics
Fabrics of Dislocation
This photo essay is an attempt to register the complex political valences of certain shared formal preoccupations in the cinematic, photographic, videographic, and new media works/interventions of Shirin Neshat, Lalla Essaydi, Mona Hatoum, Ana Lily Amirpour, Amina Sboui, and Nadia El Fani. What is contested here is the so-called readability of images, especially those by Middle Eastern women, as these coalesced during the late colonial and postco…
Missing children
In José Emilio Burucúa and Nicolás Kwiatkowski's ‘The Absent Double: Representations of the Disappeared,’ the authors, writing about the ‘systematic and clandestine murders’ of thousands of Argentine citizens between 1976 and 1983, introduce the notion of ‘representational formulas,’ devices that bind together ‘fact, truth and narration’ in the various attempts of artists to confront a past of and present haunted by political violence. In particu…
Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 work) · African history and culture studies (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Art (1 work) · Art history (1 work) · Condensed Matter Physics (1 work) · Contemporary Literature and Criticism (1 work) · Dislocation (1 work)