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Hakim Abderrezak

Biographic Data

ID1449206
NAMEHakim Abderrezak
GIVEN NAMESHakim
FAMILY NAMEAbderrezak
SIGNATUREABDERREZAK H
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS13
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2016
H-INDEX2
  • Ex-Centric Migrations

    Hakim Abderrezak•BOOK•Ex-Centric Migrations•2016

    Ex-Centric Migrations examines cinematic, literary, and musical representations of migrants and migratory trends in the western Mediterranean. Focusing primarily on clandestine sea-crossings, Hakim Abderrezak shows that despite labor and linguistic ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) no longer systematically target France as a destination, but instead aspire toward other European countries, notably S…

  • Ex-Centric Migrations

    Hakim Abderrezak•BOOK•Ex-Centric Migrations•2016

    Writing in the wake of the political and social uprisings known as the "Arab Spring" and the restrictive European immigration policies that followed, Hakim Abderrezak contests the common notion that emigrants from former European colonies migrate predominantly to the land of the ex-colonizer. Focusing particularly on clandestine migration practices, he shows that despite a linguistic affinity, a tradition of labor, and additional historical ties …

  • Entretien avec Boualem Sansal

    Hakim Abderrezak•ARTICLE•Contemporary French and…•2010•Cited by: 2•References: 1

  • Burning the Sea

    Hakim Abderrezak•ARTICLE•Contemporary French and…•2009•Cited by: 10•References: 2

  • The Modern Harem in Moknèche'sLe Harem de Mme OsmaneandViva Laldjérie

    Hakim Abderrezak•ARTICLE•The Journal of North African…•2007•Cited by: 1•References: 3

    This article examines the societal place of the Algerian woman since the outbreak of the civil war in the early 1990s. The first two feature films by Algerian director Nadir Moknèche, Le Harem de Mme Osmane (2000) and Viva Laldjérie (2004), trace the end of the traditional harem and the initiation of a new social structure, which the author calls the modern harem, that manifests itself through a redefinition of masculine and feminine gender roles…

  • Burning the Sea

    Hakim Abderrezak•ARTICLE•Contemporary French and…•2009•Cited by: 10•References: 2

  • Entretien avec Boualem Sansal

    Hakim Abderrezak•ARTICLE•Contemporary French and…•2010•Cited by: 2•References: 1

  • The Modern Harem in Moknèche'sLe Harem de Mme OsmaneandViva Laldjérie

    Hakim Abderrezak•ARTICLE•The Journal of North African…•2007•Cited by: 1•References: 3

    This article examines the societal place of the Algerian woman since the outbreak of the civil war in the early 1990s. The first two feature films by Algerian director Nadir Moknèche, Le Harem de Mme Osmane (2000) and Viva Laldjérie (2004), trace the end of the traditional harem and the initiation of a new social structure, which the author calls the modern harem, that manifests itself through a redefinition of masculine and feminine gender roles…

  • The Modern Harem in Moknèche'sLe Harem de Mme OsmaneandViva Laldjérie

    Hakim Abderrezak•ARTICLE•The Journal of North African…•2007•Cited by: 1•References: 3

    This article examines the societal place of the Algerian woman since the outbreak of the civil war in the early 1990s. The first two feature films by Algerian director Nadir Moknèche, Le Harem de Mme Osmane (2000) and Viva Laldjérie (2004), trace the end of the traditional harem and the initiation of a new social structure, which the author calls the modern harem, that manifests itself through a redefinition of masculine and feminine gender roles…

  • Burning the Sea

    Hakim Abderrezak•ARTICLE•Contemporary French and…•2009•Cited by: 10•References: 2

  • Entretien avec Boualem Sansal

    Hakim Abderrezak•ARTICLE•Contemporary French and…•2010•Cited by: 2•References: 1

  • Ex-Centric Migrations

    Hakim Abderrezak•BOOK•Ex-Centric Migrations•2016

    Ex-Centric Migrations examines cinematic, literary, and musical representations of migrants and migratory trends in the western Mediterranean. Focusing primarily on clandestine sea-crossings, Hakim Abderrezak shows that despite labor and linguistic ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) no longer systematically target France as a destination, but instead aspire toward other European countries, notably S…

  • Ex-Centric Migrations

    Hakim Abderrezak•BOOK•Ex-Centric Migrations•2016

    Writing in the wake of the political and social uprisings known as the "Arab Spring" and the restrictive European immigration policies that followed, Hakim Abderrezak contests the common notion that emigrants from former European colonies migrate predominantly to the land of the ex-colonizer. Focusing particularly on clandestine migration practices, he shows that despite a linguistic affinity, a tradition of labor, and additional historical ties …

Art (3 works) · Art history (3 works) · History (3 works) · North African History and Literature (3 works) · African history and culture studies (2 works) · Archaeology (2 works) · Computer Science (2 works) · Emigration and immigration in literature (2 works) · Emigration and immigration in motion pictures (2 works) · History (2 works)

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