Christina Taylor Gibson
Biographic Data
| ID | 1449396 |
|---|---|
| NAME | Christina Taylor Gibson |
| GIVEN NAMES | Christina Taylor |
| FAMILY NAME | Gibson |
| SIGNATURE | GIBSON C T |
| ORCID | 0000-0003-3010-4532 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Identity and the Neoclassical Ideal in Martha Graham and Carlos Chávez's Dark Meadow
If the ideal artistic collaboration is one of shared vision, open communication, and exquisite professionalism then Martha Graham and Carlos Chávez strayed far from it in the making of Dark Meadow (1946). As this article documents, their relationship was full of antagonism, misunderstanding, disdainful gossip, and regret on both sides. Three sources of conflict are examined: 1) a misunderstanding between the two collaborators on the meaning and u…
"Carlos Chávez in Mabel Dodge Luhan's "Whirling around Mexico
For a brief time during the early 1930s, art patroness Mabel Dodge Luhan and composer-conductor Carlos Chávez formed a transnational alliance. They sought to foreground Native American music in modernist artistic expression, and each found in the other useful talents and resources. Chávez showed Luhan a musical equivalent to the Rivera murals she so admired and proffered a potential pathway to elevate her husband, the Pueblo musician Tony Luhan, …
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
The Reception of Carlos Chávez’s Horsepower
Research Article| July 01 2012 The Reception of Carlos Chávez’s Horsepower: A Pan-American Communication Failure Christina Taylor Gibson Christina Taylor Gibson Search for other works by this author on: This Site Google American Music (2012) 30 (2): 157–193. https://doi.org/10.5406/americanmusic.30.2.0157 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email …
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
The Reception of Carlos Chávez’s Horsepower
Research Article| July 01 2012 The Reception of Carlos Chávez’s Horsepower: A Pan-American Communication Failure Christina Taylor Gibson Christina Taylor Gibson Search for other works by this author on: This Site Google American Music (2012) 30 (2): 157–193. https://doi.org/10.5406/americanmusic.30.2.0157 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email …
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Identity and the Neoclassical Ideal in Martha Graham and Carlos Chávez's Dark Meadow
If the ideal artistic collaboration is one of shared vision, open communication, and exquisite professionalism then Martha Graham and Carlos Chávez strayed far from it in the making of Dark Meadow (1946). As this article documents, their relationship was full of antagonism, misunderstanding, disdainful gossip, and regret on both sides. Three sources of conflict are examined: 1) a misunderstanding between the two collaborators on the meaning and u…
"Carlos Chávez in Mabel Dodge Luhan's "Whirling around Mexico
For a brief time during the early 1930s, art patroness Mabel Dodge Luhan and composer-conductor Carlos Chávez formed a transnational alliance. They sought to foreground Native American music in modernist artistic expression, and each found in the other useful talents and resources. Chávez showed Luhan a musical equivalent to the Rivera murals she so admired and proffered a potential pathway to elevate her husband, the Pueblo musician Tony Luhan, …
Art (4 works) · Art history (3 works) · Performance art (3 works) · Diverse Musicological Studies (2 works) · Humanities (2 works) · Latin American and Latino Studies (2 works) · Literature (2 works) · Music History and Culture (2 works) · Musical (2 works) · Political science (2 works)