Sammie Ann Wick
Biographic Data
| ID | 1449418 |
|---|---|
| NAME | Sammie Ann Wick |
| GIVEN NAMES | Sammie Ann |
| FAMILY NAME | Wick |
| SIGNATURE | WICK S A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 1989 |
| H-INDEX | 1 |
A belated salute to the 'old way' of 'snaking' the voice on its (ca) 345th birthday
When Joe S. James, a southern singing school teacher, brought out his edition of the long-lived shape-note hymnal The Sacred Harp in 1911, he stated rather forcefully that his readers would find 'but few of the twisted rills and trills of the unnatural snaking of the voice' which he had heard while in the company of those yet untutored in the art of singing by note - or 'regular singing', as it had been called (James 1911, p. iii). It was not the…
The Intersection of Music and Language in Kuna Discourse
Joel Sherzer, Sammie Ann Wicks, The Intersection of Music and Language in Kuna Discourse, Latin American Music Review / Revista de Música Latinoamericana, Vol. 3, No. 2 (Autumn - Winter, 1982), pp. 147-164
The Intersection of Music and Language in Kuna Discourse
Joel Sherzer, Sammie Ann Wicks, The Intersection of Music and Language in Kuna Discourse, Latin American Music Review / Revista de Música Latinoamericana, Vol. 3, No. 2 (Autumn - Winter, 1982), pp. 147-164
The Intersection of Music and Language in Kuna Discourse
Joel Sherzer, Sammie Ann Wicks, The Intersection of Music and Language in Kuna Discourse, Latin American Music Review / Revista de Música Latinoamericana, Vol. 3, No. 2 (Autumn - Winter, 1982), pp. 147-164
A belated salute to the 'old way' of 'snaking' the voice on its (ca) 345th birthday
When Joe S. James, a southern singing school teacher, brought out his edition of the long-lived shape-note hymnal The Sacred Harp in 1911, he stated rather forcefully that his readers would find 'but few of the twisted rills and trills of the unnatural snaking of the voice' which he had heard while in the company of those yet untutored in the art of singing by note - or 'regular singing', as it had been called (James 1911, p. iii). It was not the…
Art (2 works) · Diverse Musicological Studies (2 works) · Acoustics (1 works) · Cartography (1 works) · Geography (1 works) · History (1 works) · History (1 works) · Language, Linguistics, Cultural Analysis (1 works) · Linguistics (1 works) · Literature (1 works)