Roberto Kolb-Neuhaus
Biographic Data
| ID | 1449467 |
|---|---|
| NAME | Roberto Kolb-Neuhaus |
| GIVEN NAMES | Roberto |
| FAMILY NAME | Kolb-Neuhaus |
| SIGNATURE | KOLB-NEUHAUS R |
| ORCID | 0000-0002-4520-5742 |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Silvestre Revueltas's Colorines vis-à-vis US Musical Modernisms
This article contrasts cultural hybridity in Colorines (1932), a musical collage by composer Silvestre Revueltas, with the exoticist or modernistic expectations implied or explicitly formulated in four articles about the Mexican composer by contemporary US composers Henry Cowell, Aaron Copland, Paul Bowles, and Virgil Thomson. Deeply ironic, Revueltas’s collage contests such expectations by musically embodying an ontological position of no-place …
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Silvestre Revueltas's Colorines vis-à-vis US Musical Modernisms
This article contrasts cultural hybridity in Colorines (1932), a musical collage by composer Silvestre Revueltas, with the exoticist or modernistic expectations implied or explicitly formulated in four articles about the Mexican composer by contemporary US composers Henry Cowell, Aaron Copland, Paul Bowles, and Virgil Thomson. Deeply ironic, Revueltas’s collage contests such expectations by musically embodying an ontological position of no-place …
Art (2 works) · Art history (2 works) · Diverse Musicological Studies (2 works) · Literature (2 works) · Modernity (2 works) · Musical (2 works) · 20th century (1 work) · Aesthetics (1 work) · biography (1 work) · Carlos Chávez (1899-1978) (1 work)