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Jaime O Bofill Calero

Biographic Data

ID1449504
NAMEJaime O Bofill Calero
GIVEN NAMESJaime O Bofill
FAMILY NAMECalero
SIGNATURECALERO J O B
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Reconstructing the Taíno Past: Music, Indigeneity, and Colonialism in Puerto Rico

    Jaime O Bofill Calero•ARTICLE•American Music•2024

    This article discusses the significant role that music has played in (re)constructing the Taíno trope in Puerto Rico's collective imaginary. The Taíno were the native people whom Columbus first encountered on his voyages to the New World. Dominant narratives recount that disease, slavery, and war following the Spanish Conquest and colonization of Puerto Rico during the early sixteenth century rapidly extinguished the “docile” Taíno of Borikén (th…

  • Bomba, danza, calipso y merengue: Creación del espacio social en las fiestas de Santiago Apóstol de Loíza

    Jaime O Bofill Calero•ARTICLE•Latin American Music Review•2014•References: 8

    Every year the people of Loíza reaffirm their religious devotion and Afro–Puerto Rican identity during the Fiesta de Santiago Apóstol (Feast of St. James). The celebration culminates in Carnavalesque processions in which masked characters and devotees parade the image of the saint to bomba, calypso, merengue, and calypso music. As with many folk Catholic rituals, devotion to Santiago (St. James) is expressed through both the religious and profane…

No prominent works on this page.

  • Bomba, danza, calipso y merengue: Creación del espacio social en las fiestas de Santiago Apóstol de Loíza

    Jaime O Bofill Calero•ARTICLE•Latin American Music Review•2014•References: 8

    Every year the people of Loíza reaffirm their religious devotion and Afro–Puerto Rican identity during the Fiesta de Santiago Apóstol (Feast of St. James). The celebration culminates in Carnavalesque processions in which masked characters and devotees parade the image of the saint to bomba, calypso, merengue, and calypso music. As with many folk Catholic rituals, devotion to Santiago (St. James) is expressed through both the religious and profane…

  • Reconstructing the Taíno Past: Music, Indigeneity, and Colonialism in Puerto Rico

    Jaime O Bofill Calero•ARTICLE•American Music•2024

    This article discusses the significant role that music has played in (re)constructing the Taíno trope in Puerto Rico's collective imaginary. The Taíno were the native people whom Columbus first encountered on his voyages to the New World. Dominant narratives recount that disease, slavery, and war following the Spanish Conquest and colonization of Puerto Rico during the early sixteenth century rapidly extinguished the “docile” Taíno of Borikén (th…

Caribbean history, culture, and politics (2 works) · Cuban History and Society (2 works) · Art (1 works) · Art history (1 works) · Colonialism (1 works) · CONQUEST (1 works) · Humanities (1 works) · Indigenous (1 works) · Latin American and Latino Studies (1 works) · Music History and Culture (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae