Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Daniela Fugellie

Biographic Data

ID1449571
NAMEDaniela Fugellie
GIVEN NAMESDaniela
FAMILY NAMEFugellie
SIGNATUREFUGELLIE D
AFFILIATIONSAlberto Hurtado University
ORCID0000-0002-7401-980X
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Cabezas Espinoza, Estela

    Daniela Fugellie•CHAPTER•The new Grove dictionary of music…•2026

  • Soublette Asmussen, Sylvia

    Daniela Fugellie•CHAPTER•The new Grove dictionary of music…•2026

  • «Del máximo rigor a la máxima libertad». El serialismo en la enseñanza y creación del Centro Latinoamericano de Altos Estudios Musicales (CLAEM) en Buenos Aires

    Open Access•Daniela Fugellie•ARTICLE•Anuario Musical•2025

    Entre 1963 y 1971, en el Centro Latinoamericano de Altos Estudios Musicales (CLAEM) del Instituto Di Tella en Buenos Aires constituyó un relevante punto de encuentro para los compositores de América Latina. El plan de estudios diseñado por su director, Alberto Ginastera, procuró ofrecer una paleta amplia de enfoques y técnicas contemporáneas, lo que se refleja también en los docentes internacionales invitados. Este artículo aborda la presencia de…

  • Practice and policies of classical music in Chile and the challenges of cultural democracy

    Open Access•Eileen Karmy, Daniela Fugellie et al.•ARTICLE•Cultural Trends•2025•References: 3

  • Biografías de intérpretes de música docta en Chile – Una muestra representativa y muchas tareas pendientes

    Open Access•Daniela Fugellie, Sergio Araya et al.•ARTICLE•Revista musical chilena•2023•References: 2

    El presente documento sintetiza los objetivos, metodologa y resultados del proyecto de investigacin "Biografas de interpretes chilenos de musica docta

  • Hans-Joachim Koellreutter y la música sudamericana en los Cursos Internacionales de Verano de Darmstadt (1949-1951)

    Open Access•Daniela Fugellie•ARTICLE•Per Musi•2021

    Los Cursos Internacionales de Verano de Darmstadt constituyeron uno de los centros más importantes de la música contemporánea internacional tras la Segunda Guerra Mundial. Desde sus inicios en 1946, algunos compositores latinoamericanos han participado de ellos. Este artículo explora la presencia de la música sudamericana entre 1949 y 1951, a través de la participación del compositor y flautista alemán Hans-Joachim Koellreutter. Radicado desde 19…

  • Introduction to the Special Issue on Musical Trajectories between Latin America and Europe, 1970–2000

    Open Access•Daniela Fugellie•ARTICLE•twentieth-century music•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Ausentes presentes

    Open Access•Daniela Fugellie•ARTICLE•twentieth-century music•2020

    Created in 1984, the Anacrusa Music Association organized concerts, workshops, and festivals of contemporary music in Chile during the last years of Pinochet's military dictatorship. Crucial for these events was the collaboration with the Goethe-Institute Santiago, which enabled a space for free expression within the repressive context of the dictatorship. This article explores the circulation and reception of musical works by Chilean composers l…

  • Nueva música, música viva, tonus e os caminhos da dodecafonia na América do Sul (1930-1960)

    Open Access•Daniela Fugellie•ARTICLE•Música Hodie•2018

    Este artigo tem por objetivo explorar aspectos essenciais da dodecafonia sulamericana desde seus princípios na década de 30 até o final da década de 50. Assumindo que não exista 'A Dodecafonia' ou 'O Dodecafonismo', em letras maiúsculas, mas que seu significado tenha de ser entendido dentro de cada contexto particular, este artigo explora a história dos primeiros centros de recepção criativa da dodecafonia na América do Sul: o projeto da Nueva Mú…

  • El "embajador de Schoenberg" en Sudamérica? Francisco Curt Lange como promotor de la música de vanguardia (1933-1953)

    Daniela Fugellie•ARTICLE•Latin American Music Review•2018

    Internationally recognized as a pioneer of Latin-American musicology, the role of Francisco Curt Lange as an active promoter of the musical avant-garde has been nearly ignored by musical research. The article studies the function that contemporary music plays within the main projects of his campaign Americanismo musical: the Boletín latino-americano de música and the Editorial Cooperativa Interamericana de Compositores. The conception of musical …

  • León Schidlowsky, Premio Nacional de Artes Musicales 2014

    Open Access•Daniela Fugellie•ARTICLE•Revista musical chilena•2015

    It considers the different periods of his life in Chile, Israel and Germany, as well as the most representative works of each of these periods, i.e. chamber, orchestral and graphic music. It focuses on features hitherto not well known in Chile, such as the role of his teaching career and his creative work in Tel Aviv, Israel, as well as his personal contacts with different personalities of the international music scene. Besides, the article prese…

  • Latinoamérica y el Canon. Primera conferencia de la Asociación Regional de la Sociedad Internacional de Musicología para América Latina y el Caribe (Arlac/IMS). La Habana, 17 al 21 de marzo de 2014

    Open Access•Daniela Fugellie, Cristina Urchueguía•ARTICLE•Revista musical chilena•2014

No prominent works on this page.

  • Latinoamérica y el Canon. Primera conferencia de la Asociación Regional de la Sociedad Internacional de Musicología para América Latina y el Caribe (Arlac/IMS). La Habana, 17 al 21 de marzo de 2014

    Open Access•Daniela Fugellie, Cristina Urchueguía•ARTICLE•Revista musical chilena•2014

  • León Schidlowsky, Premio Nacional de Artes Musicales 2014

    Open Access•Daniela Fugellie•ARTICLE•Revista musical chilena•2015

    It considers the different periods of his life in Chile, Israel and Germany, as well as the most representative works of each of these periods, i.e. chamber, orchestral and graphic music. It focuses on features hitherto not well known in Chile, such as the role of his teaching career and his creative work in Tel Aviv, Israel, as well as his personal contacts with different personalities of the international music scene. Besides, the article prese…

  • Nueva música, música viva, tonus e os caminhos da dodecafonia na América do Sul (1930-1960)

    Open Access•Daniela Fugellie•ARTICLE•Música Hodie•2018

    Este artigo tem por objetivo explorar aspectos essenciais da dodecafonia sulamericana desde seus princípios na década de 30 até o final da década de 50. Assumindo que não exista 'A Dodecafonia' ou 'O Dodecafonismo', em letras maiúsculas, mas que seu significado tenha de ser entendido dentro de cada contexto particular, este artigo explora a história dos primeiros centros de recepção criativa da dodecafonia na América do Sul: o projeto da Nueva Mú…

  • El "embajador de Schoenberg" en Sudamérica? Francisco Curt Lange como promotor de la música de vanguardia (1933-1953)

    Daniela Fugellie•ARTICLE•Latin American Music Review•2018

    Internationally recognized as a pioneer of Latin-American musicology, the role of Francisco Curt Lange as an active promoter of the musical avant-garde has been nearly ignored by musical research. The article studies the function that contemporary music plays within the main projects of his campaign Americanismo musical: the Boletín latino-americano de música and the Editorial Cooperativa Interamericana de Compositores. The conception of musical …

  • Introduction to the Special Issue on Musical Trajectories between Latin America and Europe, 1970–2000

    Open Access•Daniela Fugellie•ARTICLE•twentieth-century music•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Ausentes presentes

    Open Access•Daniela Fugellie•ARTICLE•twentieth-century music•2020

    Created in 1984, the Anacrusa Music Association organized concerts, workshops, and festivals of contemporary music in Chile during the last years of Pinochet's military dictatorship. Crucial for these events was the collaboration with the Goethe-Institute Santiago, which enabled a space for free expression within the repressive context of the dictatorship. This article explores the circulation and reception of musical works by Chilean composers l…

  • Hans-Joachim Koellreutter y la música sudamericana en los Cursos Internacionales de Verano de Darmstadt (1949-1951)

    Open Access•Daniela Fugellie•ARTICLE•Per Musi•2021

    Los Cursos Internacionales de Verano de Darmstadt constituyeron uno de los centros más importantes de la música contemporánea internacional tras la Segunda Guerra Mundial. Desde sus inicios en 1946, algunos compositores latinoamericanos han participado de ellos. Este artículo explora la presencia de la música sudamericana entre 1949 y 1951, a través de la participación del compositor y flautista alemán Hans-Joachim Koellreutter. Radicado desde 19…

  • Biografías de intérpretes de música docta en Chile – Una muestra representativa y muchas tareas pendientes

    Open Access•Daniela Fugellie, Sergio Araya et al.•ARTICLE•Revista musical chilena•2023•References: 2

    El presente documento sintetiza los objetivos, metodologa y resultados del proyecto de investigacin "Biografas de interpretes chilenos de musica docta

  • «Del máximo rigor a la máxima libertad». El serialismo en la enseñanza y creación del Centro Latinoamericano de Altos Estudios Musicales (CLAEM) en Buenos Aires

    Open Access•Daniela Fugellie•ARTICLE•Anuario Musical•2025

    Entre 1963 y 1971, en el Centro Latinoamericano de Altos Estudios Musicales (CLAEM) del Instituto Di Tella en Buenos Aires constituyó un relevante punto de encuentro para los compositores de América Latina. El plan de estudios diseñado por su director, Alberto Ginastera, procuró ofrecer una paleta amplia de enfoques y técnicas contemporáneas, lo que se refleja también en los docentes internacionales invitados. Este artículo aborda la presencia de…

  • Practice and policies of classical music in Chile and the challenges of cultural democracy

    Open Access•Eileen Karmy, Daniela Fugellie et al.•ARTICLE•Cultural Trends•2025•References: 3

  • Cabezas Espinoza, Estela

    Daniela Fugellie•CHAPTER•The new Grove dictionary of music…•2026

  • Soublette Asmussen, Sylvia

    Daniela Fugellie•CHAPTER•The new Grove dictionary of music…•2026

Art (8 works) · Humanities (7 works) · Musical (4 works) · Art history (3 works) · Education, Politics, and Culture Studies (3 works) · Latin Americans (3 works) · Musicology and Musical Analysis (3 works) · Political and Social Dynamics in Chile and Latin America (3 works) · Visual arts (3 works) · Archaeology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae