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Leah Buechley

Biographic Data

ID1449949
NAMELeah Buechley
GIVEN NAMESLeah
FAMILY NAMEBuechley
SIGNATUREBUECHLEY L
AFFILIATIONSLeah Buechley (associate professor), MIT Media Lab, 75 Amherst Street, Cambridge, MA 02142, U.S.A..
ORCID0000-0003-2661-2761
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Hybrid Craft

    Amit Zoran, Seppo O Valjakka et al.•ARTICLE•Leonardo•2015

    This article introduces the Hybrid Craft exhibition, positioning 15 hybrid projects in the context of today’s Maker culture. Each project demonstrates a unique integration of contemporary making practice with traditional craft. The presenters in the show represent a wide range of professional backgrounds: independent makers, students and teachers, designers associated with research institutes, and commercial organizations. The background of Hybri…

  • Open Source Architecture

    Theodora Vardouli, Leah Buechley•ARTICLE•Leonardo•2014•References: 2

    The term open source is increasingly applied to architecture, yet there is little consensus about what it means in this context. This paper explores how different literal and metaphoric interpretations of the “access to source code” principle, set by the founders of the Free and Open Source Software movements, are being applied to architecture. The authors explore several challenges that have arisen in the translation of open source rhetoric from…

  • Hybrid Reassemblage

    Amit Zoran, Leah Buechley•ARTICLE•Leonardo•2013•Cited by: 2

    Digital fabrication, and especially 3D printing, is an emerging field that is opening up new possibilities for craft, art and design. The process, however, has important limitations; in particular, digitally designed artifacts are intrinsically reproducible. In stark contrast, traditional craft artifacts are individually produced by hand. The authors combine digital fabrication and craft in their work involving object destruction and restoration:…

  • Demo hour

    Open Access•Loove Broms, Marcelo Coelho et al.•ARTICLE•interactions•2011

    No abstract available

  • Hybrid Reassemblage

    Amit Zoran, Leah Buechley•ARTICLE•Leonardo•2013•Cited by: 2

    Digital fabrication, and especially 3D printing, is an emerging field that is opening up new possibilities for craft, art and design. The process, however, has important limitations; in particular, digitally designed artifacts are intrinsically reproducible. In stark contrast, traditional craft artifacts are individually produced by hand. The authors combine digital fabrication and craft in their work involving object destruction and restoration:…

  • Demo hour

    Open Access•Loove Broms, Marcelo Coelho et al.•ARTICLE•interactions•2011

    No abstract available

  • Hybrid Reassemblage

    Amit Zoran, Leah Buechley•ARTICLE•Leonardo•2013•Cited by: 2

    Digital fabrication, and especially 3D printing, is an emerging field that is opening up new possibilities for craft, art and design. The process, however, has important limitations; in particular, digitally designed artifacts are intrinsically reproducible. In stark contrast, traditional craft artifacts are individually produced by hand. The authors combine digital fabrication and craft in their work involving object destruction and restoration:…

  • Open Source Architecture

    Theodora Vardouli, Leah Buechley•ARTICLE•Leonardo•2014•References: 2

    The term open source is increasingly applied to architecture, yet there is little consensus about what it means in this context. This paper explores how different literal and metaphoric interpretations of the “access to source code” principle, set by the founders of the Free and Open Source Software movements, are being applied to architecture. The authors explore several challenges that have arisen in the translation of open source rhetoric from…

  • Hybrid Craft

    Amit Zoran, Seppo O Valjakka et al.•ARTICLE•Leonardo•2015

    This article introduces the Hybrid Craft exhibition, positioning 15 hybrid projects in the context of today’s Maker culture. Each project demonstrates a unique integration of contemporary making practice with traditional craft. The presenters in the show represent a wide range of professional backgrounds: independent makers, students and teachers, designers associated with research institutes, and commercial organizations. The background of Hybri…

Computer Science (4 works) · Art (3 works) · Visual arts (3 works) · Additive Manufacturing and 3D Printing Technologies (2 works) · Context (archaeology) (2 works) · Craft (2 works) · Process (computing) (2 works) · 3D Surveying and Cultural Heritage (1 works) · Architecture (1 works) · Architecture (1 works)

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