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Luis O Arata

Biographic Data

ID1449989
NAMELuis O Arata
GIVEN NAMESLuis
FAMILY NAMEO Arata
SIGNATUREARATA L O
AFFILIATIONSQuinnipiac University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2014
H-INDEX1
  • Reflections on Modelling Across the Arts and Sciences

    Luis O Arata•ARTICLE•Interdisciplinary Science Reviews•2014•Cited by: 1•References: 3

    Relying on modelling protocols and examples of cross-border models, it is argued that an increasingly deliberate, self-aware use of modelling enhances constructive interactions from the arts to the sciences. Models are tailored from materials used in their environments of application in order to enable the performance of desired tasks, e.g. metaphorical constructions in poetry. They are suited for interdisciplinary interactions when their domain …

  • A Unified View of Models

    Luis O Arata•ARTICLE•Leonardo•2011

    This paper proposes a definition of models based on function, yielding a unified view of modeling as an art at work in any discipline

  • I am Ana”

    Luis O Arata•ARTICLE•Quarterly Review of Film Studies•1983

    (1983). “I am Ana”: The play of the imagination in the spirit of the beehive. Quarterly Review of Film Studies: Vol. 8, The New Spanish Cinema, pp. 27-33

  • Reflections on Modelling Across the Arts and Sciences

    Luis O Arata•ARTICLE•Interdisciplinary Science Reviews•2014•Cited by: 1•References: 3

    Relying on modelling protocols and examples of cross-border models, it is argued that an increasingly deliberate, self-aware use of modelling enhances constructive interactions from the arts to the sciences. Models are tailored from materials used in their environments of application in order to enable the performance of desired tasks, e.g. metaphorical constructions in poetry. They are suited for interdisciplinary interactions when their domain …

  • I am Ana”

    Luis O Arata•ARTICLE•Quarterly Review of Film Studies•1983

    (1983). “I am Ana”: The play of the imagination in the spirit of the beehive. Quarterly Review of Film Studies: Vol. 8, The New Spanish Cinema, pp. 27-33

  • A Unified View of Models

    Luis O Arata•ARTICLE•Leonardo•2011

    This paper proposes a definition of models based on function, yielding a unified view of modeling as an art at work in any discipline

  • Reflections on Modelling Across the Arts and Sciences

    Luis O Arata•ARTICLE•Interdisciplinary Science Reviews•2014•Cited by: 1•References: 3

    Relying on modelling protocols and examples of cross-border models, it is argued that an increasingly deliberate, self-aware use of modelling enhances constructive interactions from the arts to the sciences. Models are tailored from materials used in their environments of application in order to enable the performance of desired tasks, e.g. metaphorical constructions in poetry. They are suited for interdisciplinary interactions when their domain …

Art (2 works) · Computer Science (2 works) · Architecture and Computational Design (1 works) · Art history (1 works) · Beehive (1 works) · Biology (1 works) · Cognitive science (1 works) · Constructive (1 works) · Cross disciplinary (1 works) · Data science (1 works)

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