Motti Regev
Biographic Data
| ID | 145047 |
|---|---|
| NAME | Motti Regev |
| GIVEN NAMES | Motti |
| FAMILY NAME | Regev |
| SIGNATURE | REGEV M |
| AFFILIATIONS | Open University of Israel |
| ORCID | 0000-0002-3829-6869 |
| VERIFIED | Yes |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 218 |
| AUTHOR COUNT | 22 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 8 |
Pop-rock, cosmopolitisme musical i coneixement musical corporeïtzat
Aquest article suggereix que després de més de mig segle en què les generacions successives de fans de països de tot el món han abraçat múltiples gèneres i estils locals i globals de música pop-rock, persones de nombrosos països s’han dotat a poc a poc de coneixements sonors i musicals que permeten desxifrar de manera immediata, espontània i intuïtiva sonoritats musicals amplificades, elèctriques, electròniques i manipulades. El fet de disposar d…
Cultural Cosmopolitanism as Habits in Everyday Life
Current cultural cosmopolitanism is portrayed in this paper as residing in the bodies of individuals around the world in the form of nondeclarative personal culture, stored as types of internalized embodied knowledge acquired through engagements with globally circulating products, artefacts, devices and gadgets. These types of knowledge exist as mental schemata, motor skills, sensory knowledge and informative data, and are habitually and routinel…
Musical Cosmopolitanism, Bodies and Aesthetic Cultures
Pop-Rock, Cultural Cosmopolitanism and the Global Cultural Market of Youth Identities
This article offers a sociological framework for understanding the functioning of pop-rock music, in its plentiful genres, styles and related phenomena through the years, as an agent in thrusting cosmopolitan youth identities, and thereby cultural cosmopolitanism in general. The article develops the notion of a global cultural market of youth identities, created by the structural emergence of ‘youth’ as an age based social category in modern soci…
Postlude: World culture after cultural globalization
Made in Korea: Studies in Popular Music
A fine addition to the highly recommended series Global Popular Music (edited by Franco Fabbri and Goffredo Plastino), this volume on popular music in Korea (short for South Korea) is as comprehens
Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music
Expressive isomorphism is characterized as the process through which national uniqueness is standardized so that expressive culture of various nations, or of social sectors within them, comes to consist of similar expressive forms and stylistic elements. Expanding on Meyer, the presence of pop-rock music in world culture is discussed as a major manifestation of expressive isomorphism. This is done by looking at these aspects of pop-rock music: el…
Ethno-National Pop-Rock Music: Aesthetic Cosmopolitanism Made from Within
Pop-rock music is portrayed as a major embodiment of the transformation of national cultural uniqueness from purist essentialism into aesthetic cosmopolitanism. Examining the local production of ethno-national pop-rock, and its public reception and legitimation through half a century, the article demonstrates how forces within the national context greatly contribute to cultural globalization. The article looks at three aspects of the rise of ethn…
Cultural Uniqueness and Aesthetic Cosmopolitanism
Aesthetic cosmopolitanism is conceptualized here as a cultural condition in which late modern ethno-national cultural uniqueness is associated with contemporary cultural forms like film and pop-rock music, and as such it is produced from within the national framework. The social production of aesthetic cosmopolitanism is analyzed through elaborations on Bourdieu's field theory, as an outcome of the intersection of and interplay between global fie…
Popular Music and National Culture in Israel
A unique Israeli national culture—indeed, the very nature of "Israeliness"—remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills. Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the …
Alles Rock«: Vielfalt und Ähnlichkeit im Bereich der globalen Popmusik
The Invention and Decline of Israeliness: State, Society, and the Military
To have a culture of our own: On Israeliness and its variants
Hebrewism, Globalized Israeliness and Mizrakhiut are examined as three major variants of Israeliness that struggle between them over dominance in the Israeli field of national culture. By discussing typical styles of literature and popular music associated with each variant, it is demonstrated how each is committed, albeit in a different way, to the belief in the idea of 'one nation - one culture', and to the construction of one, unique 'Israeli …
Who does what with music videos in Israel
Rock Aesthetics and Musics of the World
L'A. etudie le rapport entre l'esthetique de la musique rock et les musiques du monde. Il montre une certaine interaction entre communautes reflexives et esthetique du rock. Il souligne que les musiciens et les formes musicales tendent a etre influences par l'identite locale et l'identite nationale d'une region. Il analyse l'influence de la musique populaire sur l'esthetique rock. Il distingue plusieurs styles de musique rock dans le monde et sou…
Musica mizrakhit, Israeli rock and national culture in Israel
It has become an annual ritual on Israeli television that, near Independence Day, several intellectuals are gathered in the studio in order to discuss the question whether there is an authentic Israeli culture and what exactly is its nature. Soon enough, popular music turns up as a major subject. It seems that popular music has become one of the few areas in Israel in which a vivid scene of cultural activity takes place, without public funding, a…
Present Absentee: Arab Music in Israeli Culture
Research Article| May 01 1995 Present Absentee: Arab Music in Israeli Culture Motti Regev Motti Regev Search for other works by this author on: This Site Google Public Culture (1995) 7 (2): 433–445. https://doi.org/10.1215/08992363-7-2-433 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Mo…
Producing Artistic Value: The Case of Rock Music
Cultural forms gain artistic recognition when their producers of meaning “prove” that they (a) contain “serious” meanings and aesthetic genuineness; (b) they are produced by a definable creative entity and (c) the creative entity is autonomous, producing its works for their own sake. Since the 1960's, critics have claimed artistic recognition for rock music. They have done so by stressing the “subversive” meaning of rock, by identifying the rock-…
Music at the Margins: Popular Music and Global Cultural Diversity. By Deanna Campbell Robinson, Elizabeth B. Buck, Marlene Cuthbert and The International Communication and Youth Consortium. Newbury Pa…
Music at the Margins: Popular Music and Global Cultural Diversity. By Deanna Campbell Robinson, Elizabeth B. Buck, Marlene Cuthbert and The International Communication and Youth Consortium. Newbury Park: Sage Publications, 1991. 312 pages. - Volume 12 Issue 1
Popular Music Studies: The Issue of Musical Value
Israeli rock, or a study in the politics of 'local authenticity
In recent years, pop/rock has ceased being an exclusive Anglo-American phenomenon. Local styles of rock might be found today in many countries, styles which merge local traditions with the rock aesthetic. Some products of these styles are distributed successfully in the USA and Britain under the large title of 'ethnic pop' (sometimes 'world music'). The work on the emergence of these local styles tends to stress their 'authenticity' in one way or…
The musical soundscape as a contest area: `Oriental music' and Israeli popular music
Producing Artistic Value: The Case of Rock Music
Cultural forms gain artistic recognition when their producers of meaning “prove” that they (a) contain “serious” meanings and aesthetic genuineness; (b) they are produced by a definable creative entity and (c) the creative entity is autonomous, producing its works for their own sake. Since the 1960's, critics have claimed artistic recognition for rock music. They have done so by stressing the “subversive” meaning of rock, by identifying the rock-…
Cultural Uniqueness and Aesthetic Cosmopolitanism
Aesthetic cosmopolitanism is conceptualized here as a cultural condition in which late modern ethno-national cultural uniqueness is associated with contemporary cultural forms like film and pop-rock music, and as such it is produced from within the national framework. The social production of aesthetic cosmopolitanism is analyzed through elaborations on Bourdieu's field theory, as an outcome of the intersection of and interplay between global fie…
Rock Aesthetics and Musics of the World
L'A. etudie le rapport entre l'esthetique de la musique rock et les musiques du monde. Il montre une certaine interaction entre communautes reflexives et esthetique du rock. Il souligne que les musiciens et les formes musicales tendent a etre influences par l'identite locale et l'identite nationale d'une region. Il analyse l'influence de la musique populaire sur l'esthetique rock. Il distingue plusieurs styles de musique rock dans le monde et sou…
To have a culture of our own: On Israeliness and its variants
Hebrewism, Globalized Israeliness and Mizrakhiut are examined as three major variants of Israeliness that struggle between them over dominance in the Israeli field of national culture. By discussing typical styles of literature and popular music associated with each variant, it is demonstrated how each is committed, albeit in a different way, to the belief in the idea of 'one nation - one culture', and to the construction of one, unique 'Israeli …
Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music
Expressive isomorphism is characterized as the process through which national uniqueness is standardized so that expressive culture of various nations, or of social sectors within them, comes to consist of similar expressive forms and stylistic elements. Expanding on Meyer, the presence of pop-rock music in world culture is discussed as a major manifestation of expressive isomorphism. This is done by looking at these aspects of pop-rock music: el…
Musica mizrakhit, Israeli rock and national culture in Israel
It has become an annual ritual on Israeli television that, near Independence Day, several intellectuals are gathered in the studio in order to discuss the question whether there is an authentic Israeli culture and what exactly is its nature. Soon enough, popular music turns up as a major subject. It seems that popular music has become one of the few areas in Israel in which a vivid scene of cultural activity takes place, without public funding, a…
Ethno-National Pop-Rock Music: Aesthetic Cosmopolitanism Made from Within
Pop-rock music is portrayed as a major embodiment of the transformation of national cultural uniqueness from purist essentialism into aesthetic cosmopolitanism. Examining the local production of ethno-national pop-rock, and its public reception and legitimation through half a century, the article demonstrates how forces within the national context greatly contribute to cultural globalization. The article looks at three aspects of the rise of ethn…
Israeli rock, or a study in the politics of 'local authenticity
In recent years, pop/rock has ceased being an exclusive Anglo-American phenomenon. Local styles of rock might be found today in many countries, styles which merge local traditions with the rock aesthetic. Some products of these styles are distributed successfully in the USA and Britain under the large title of 'ethnic pop' (sometimes 'world music'). The work on the emergence of these local styles tends to stress their 'authenticity' in one way or…
Who does what with music videos in Israel
The musical soundscape as a contest area: `Oriental music' and Israeli popular music
Made in Korea: Studies in Popular Music
A fine addition to the highly recommended series Global Popular Music (edited by Franco Fabbri and Goffredo Plastino), this volume on popular music in Korea (short for South Korea) is as comprehens
Postlude: World culture after cultural globalization
Present Absentee: Arab Music in Israeli Culture
Research Article| May 01 1995 Present Absentee: Arab Music in Israeli Culture Motti Regev Motti Regev Search for other works by this author on: This Site Google Public Culture (1995) 7 (2): 433–445. https://doi.org/10.1215/08992363-7-2-433 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Mo…
Cultural Cosmopolitanism as Habits in Everyday Life
Current cultural cosmopolitanism is portrayed in this paper as residing in the bodies of individuals around the world in the form of nondeclarative personal culture, stored as types of internalized embodied knowledge acquired through engagements with globally circulating products, artefacts, devices and gadgets. These types of knowledge exist as mental schemata, motor skills, sensory knowledge and informative data, and are habitually and routinel…
The musical soundscape as a contest area: `Oriental music' and Israeli popular music
Popular Music Studies: The Issue of Musical Value
Israeli rock, or a study in the politics of 'local authenticity
In recent years, pop/rock has ceased being an exclusive Anglo-American phenomenon. Local styles of rock might be found today in many countries, styles which merge local traditions with the rock aesthetic. Some products of these styles are distributed successfully in the USA and Britain under the large title of 'ethnic pop' (sometimes 'world music'). The work on the emergence of these local styles tends to stress their 'authenticity' in one way or…
Music at the Margins: Popular Music and Global Cultural Diversity. By Deanna Campbell Robinson, Elizabeth B. Buck, Marlene Cuthbert and The International Communication and Youth Consortium. Newbury Pa…
Music at the Margins: Popular Music and Global Cultural Diversity. By Deanna Campbell Robinson, Elizabeth B. Buck, Marlene Cuthbert and The International Communication and Youth Consortium. Newbury Park: Sage Publications, 1991. 312 pages. - Volume 12 Issue 1
Producing Artistic Value: The Case of Rock Music
Cultural forms gain artistic recognition when their producers of meaning “prove” that they (a) contain “serious” meanings and aesthetic genuineness; (b) they are produced by a definable creative entity and (c) the creative entity is autonomous, producing its works for their own sake. Since the 1960's, critics have claimed artistic recognition for rock music. They have done so by stressing the “subversive” meaning of rock, by identifying the rock-…
Present Absentee: Arab Music in Israeli Culture
Research Article| May 01 1995 Present Absentee: Arab Music in Israeli Culture Motti Regev Motti Regev Search for other works by this author on: This Site Google Public Culture (1995) 7 (2): 433–445. https://doi.org/10.1215/08992363-7-2-433 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Mo…
Musica mizrakhit, Israeli rock and national culture in Israel
It has become an annual ritual on Israeli television that, near Independence Day, several intellectuals are gathered in the studio in order to discuss the question whether there is an authentic Israeli culture and what exactly is its nature. Soon enough, popular music turns up as a major subject. It seems that popular music has become one of the few areas in Israel in which a vivid scene of cultural activity takes place, without public funding, a…
Who does what with music videos in Israel
Rock Aesthetics and Musics of the World
L'A. etudie le rapport entre l'esthetique de la musique rock et les musiques du monde. Il montre une certaine interaction entre communautes reflexives et esthetique du rock. Il souligne que les musiciens et les formes musicales tendent a etre influences par l'identite locale et l'identite nationale d'une region. Il analyse l'influence de la musique populaire sur l'esthetique rock. Il distingue plusieurs styles de musique rock dans le monde et sou…
To have a culture of our own: On Israeliness and its variants
Hebrewism, Globalized Israeliness and Mizrakhiut are examined as three major variants of Israeliness that struggle between them over dominance in the Israeli field of national culture. By discussing typical styles of literature and popular music associated with each variant, it is demonstrated how each is committed, albeit in a different way, to the belief in the idea of 'one nation - one culture', and to the construction of one, unique 'Israeli …
Alles Rock«: Vielfalt und Ähnlichkeit im Bereich der globalen Popmusik
The Invention and Decline of Israeliness: State, Society, and the Military
Popular Music and National Culture in Israel
A unique Israeli national culture—indeed, the very nature of "Israeliness"—remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills. Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the …
Ethno-National Pop-Rock Music: Aesthetic Cosmopolitanism Made from Within
Pop-rock music is portrayed as a major embodiment of the transformation of national cultural uniqueness from purist essentialism into aesthetic cosmopolitanism. Examining the local production of ethno-national pop-rock, and its public reception and legitimation through half a century, the article demonstrates how forces within the national context greatly contribute to cultural globalization. The article looks at three aspects of the rise of ethn…
Cultural Uniqueness and Aesthetic Cosmopolitanism
Aesthetic cosmopolitanism is conceptualized here as a cultural condition in which late modern ethno-national cultural uniqueness is associated with contemporary cultural forms like film and pop-rock music, and as such it is produced from within the national framework. The social production of aesthetic cosmopolitanism is analyzed through elaborations on Bourdieu's field theory, as an outcome of the intersection of and interplay between global fie…
Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music
Expressive isomorphism is characterized as the process through which national uniqueness is standardized so that expressive culture of various nations, or of social sectors within them, comes to consist of similar expressive forms and stylistic elements. Expanding on Meyer, the presence of pop-rock music in world culture is discussed as a major manifestation of expressive isomorphism. This is done by looking at these aspects of pop-rock music: el…
Made in Korea: Studies in Popular Music
A fine addition to the highly recommended series Global Popular Music (edited by Franco Fabbri and Goffredo Plastino), this volume on popular music in Korea (short for South Korea) is as comprehens
Musical Cosmopolitanism, Bodies and Aesthetic Cultures
Pop-Rock, Cultural Cosmopolitanism and the Global Cultural Market of Youth Identities
This article offers a sociological framework for understanding the functioning of pop-rock music, in its plentiful genres, styles and related phenomena through the years, as an agent in thrusting cosmopolitan youth identities, and thereby cultural cosmopolitanism in general. The article develops the notion of a global cultural market of youth identities, created by the structural emergence of ‘youth’ as an age based social category in modern soci…
Postlude: World culture after cultural globalization
Pop-rock, cosmopolitisme musical i coneixement musical corporeïtzat
Aquest article suggereix que després de més de mig segle en què les generacions successives de fans de països de tot el món han abraçat múltiples gèneres i estils locals i globals de música pop-rock, persones de nombrosos països s’han dotat a poc a poc de coneixements sonors i musicals que permeten desxifrar de manera immediata, espontània i intuïtiva sonoritats musicals amplificades, elèctriques, electròniques i manipulades. El fet de disposar d…
Cultural Cosmopolitanism as Habits in Everyday Life
Current cultural cosmopolitanism is portrayed in this paper as residing in the bodies of individuals around the world in the form of nondeclarative personal culture, stored as types of internalized embodied knowledge acquired through engagements with globally circulating products, artefacts, devices and gadgets. These types of knowledge exist as mental schemata, motor skills, sensory knowledge and informative data, and are habitually and routinel…
Art (17 works) · Music History and Culture (14 works) · Political science (14 works) · Sociology (13 works) · Aesthetics (12 works) · Popular music (10 works) · Visual arts (10 works) · Law (9 works) · History (8 works) · Social and Cultural Dynamics (8 works)