Anna Klisińska-Kopacz
Biographic Data
| ID | 145132 |
|---|---|
| NAME | Anna Klisińska-Kopacz |
| GIVEN NAMES | Anna |
| FAMILY NAME | Klisińska-Kopacz |
| SIGNATURE | KLISIŃSKA-KOPACZ A |
| AFFILIATIONS | National Museum in Kraków |
| ORCID | 0000-0001-6637-7116 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Hatchett’s Brown (Van Dyck Red) in Oil Paintings—The Rediscovery of a Forgotten Pigment
Hatchett’s Brown, also known as Van Dyck Rose, was a unique pigment used in the 19th century, discovered and described by Charles Hatchett in 1803. This article presents the results of research on the identification of this pigment in the works of Henryk Siemiradzki and a 17th-century painting that was overpainted in the 19th century. Advanced analytical techniques, such as XRF, SEM-EDS, and Raman spectroscopy, were used to analyze pigments from …
Monitoring varnish removal on a late 19th-century Vincent van Gogh painting using optical coherence tomography and reflection infrared spectroscopy
The Kryspinów Type Staters
This article examines the type of Celtic coins known as Kryspinów type staters, represented by five known specimens. It provides an archaeological context, highlighting a complex cultural landscape of communities coexisting in the milieu of the La Tène tradition. The Kryspinów type is identified as a local issue, attributed to the Tyniec Group, yet primarily circulating among the population associated with the Przeworsk culture. The paper also pr…
Detection of Protective Coatings Applied on Baroque Amber Artworks
Amber has been used to create decorative items for centuries, but its degradation presents challenges for conservators. This study identifies substances historically used to protect amber objects, especially those from 17th and 18th century Gdansk workshops. Despite their historical value, information on amber conservation is scarce. Traditional substances are noted, but their exact compositions and effects on amber remain unclear. Synthetic resi…
Analysis of materials and artistic techniques in Vincent van Gogh's Country Huts Among Trees
Non-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy
The scientific examination and comparative investigation of pigments are fundamental for further understanding and analysis of historic and artistic works, and particularly useful for conservators. In fine art authentication, investigations are strongly focused on the identification of the painting materials used by the author. This study is focused on the use of non-invasive analytical techniques to increase the knowledge of the painting techniq…
An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder
Non-invasive spectroscopic methods for the identification of drawing materials used in XVIII century
A characterization of the palette of Rafał Hadziewicz (1803–1886) through the following techniques
Pore structure of historic and repair Roman cement mortars to establish their compatibility
An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder
Pore structure of historic and repair Roman cement mortars to establish their compatibility
Non-invasive spectroscopic methods for the identification of drawing materials used in XVIII century
A characterization of the palette of Rafał Hadziewicz (1803–1886) through the following techniques
Pore structure of historic and repair Roman cement mortars to establish their compatibility
A characterization of the palette of Rafał Hadziewicz (1803–1886) through the following techniques
Non-invasive spectroscopic methods for the identification of drawing materials used in XVIII century
An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder
Non-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy
The scientific examination and comparative investigation of pigments are fundamental for further understanding and analysis of historic and artistic works, and particularly useful for conservators. In fine art authentication, investigations are strongly focused on the identification of the painting materials used by the author. This study is focused on the use of non-invasive analytical techniques to increase the knowledge of the painting techniq…
Detection of Protective Coatings Applied on Baroque Amber Artworks
Amber has been used to create decorative items for centuries, but its degradation presents challenges for conservators. This study identifies substances historically used to protect amber objects, especially those from 17th and 18th century Gdansk workshops. Despite their historical value, information on amber conservation is scarce. Traditional substances are noted, but their exact compositions and effects on amber remain unclear. Synthetic resi…
Analysis of materials and artistic techniques in Vincent van Gogh's Country Huts Among Trees
Hatchett’s Brown (Van Dyck Red) in Oil Paintings—The Rediscovery of a Forgotten Pigment
Hatchett’s Brown, also known as Van Dyck Rose, was a unique pigment used in the 19th century, discovered and described by Charles Hatchett in 1803. This article presents the results of research on the identification of this pigment in the works of Henryk Siemiradzki and a 17th-century painting that was overpainted in the 19th century. Advanced analytical techniques, such as XRF, SEM-EDS, and Raman spectroscopy, were used to analyze pigments from …
Monitoring varnish removal on a late 19th-century Vincent van Gogh painting using optical coherence tomography and reflection infrared spectroscopy
The Kryspinów Type Staters
This article examines the type of Celtic coins known as Kryspinów type staters, represented by five known specimens. It provides an archaeological context, highlighting a complex cultural landscape of communities coexisting in the milieu of the La Tène tradition. The Kryspinów type is identified as a local issue, attributed to the Tyniec Group, yet primarily circulating among the population associated with the Przeworsk culture. The paper also pr…
Cultural Heritage Materials Analysis (9 works) · Art (7 works) · Conservation Techniques and Studies (7 works) · Building materials and conservation (6 works) · Painting (6 works) · Visual arts (6 works) · Archaeology (5 works) · Art history (5 works) · Materials Science (4 works) · History (3 works)