Janine Hauthal
Biographic Data
| ID | 145690 |
|---|---|
| NAME | Janine Hauthal |
| GIVEN NAMES | Janine |
| FAMILY NAME | Hauthal |
| SIGNATURE | HAUTHAL J |
| AFFILIATIONS | Vrije Universiteit Brussel |
| ORCID | 0000-0002-3917-859X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Black experience, bajan, and musico-literary intermediality in Austin Clarke’s They Never Told Me
This paper explores the use of Bajan, a spoken language of Barbados, and musico-literary intermediality in the depiction of black diasporic experiences in Austin Clarke’s short story collection They Never Told Me: And Other Stories , arguing that these strategies infuse English with localised, embodied and affective dimensions. Relying on Edward Kamau Brathwaite’s work on West Indian aesthetics and on Werner Wolf’s theorisation of musical interme…
Imagining the European periphery
Black British literature’s infrequent engagement with European peripheries has largely involved writing back to Europe as imperial centre. Aminatta Forna’s The Hired Man (2013) pushes beyond this postcolonial “burden of representation” by focusing on the religious and ethnic conflicts that have plagued one of the most traditionally peripheralized parts of the European continent, South-Eastern Europe or the generic “Balkans”. Forna depicts post-wa…
European peripheries in the postcolonial literary imagination
The idea of unbalanced power relations between (post)colonial centres and peripheries lies at the heart of postcolonial studies. In this pattern, Europe, through colonial discourses, has constructe
‘No Border Can Hold Him’Transnational Discourses in Contemporary British Spy Novels about Europe
Writing back or writing off? Europe as “tribe” and “traumascape” in works by Caryl Phillips and Christos Tsiolkas
This article takes its cue from Caryl Phillips's critique of Eurocentric "tribalism" in The European Tribe and compares it to the ghostly and highly dystopian "traumascape" of Dead Europe by the Australian writer Christos Tsiolkas. It argues that, in contrast to the predominantly black British frames of reference of Phillips's counter-travelogue, Tsiolkas's depiction of Europe is characterized by a transcultural shift. Scrutinizing this shift, th…
Metaisierung in Literatur und Anderen Medien
Imagining the European periphery
Black British literature’s infrequent engagement with European peripheries has largely involved writing back to Europe as imperial centre. Aminatta Forna’s The Hired Man (2013) pushes beyond this postcolonial “burden of representation” by focusing on the religious and ethnic conflicts that have plagued one of the most traditionally peripheralized parts of the European continent, South-Eastern Europe or the generic “Balkans”. Forna depicts post-wa…
European peripheries in the postcolonial literary imagination
The idea of unbalanced power relations between (post)colonial centres and peripheries lies at the heart of postcolonial studies. In this pattern, Europe, through colonial discourses, has constructe
Writing back or writing off? Europe as “tribe” and “traumascape” in works by Caryl Phillips and Christos Tsiolkas
This article takes its cue from Caryl Phillips's critique of Eurocentric "tribalism" in The European Tribe and compares it to the ghostly and highly dystopian "traumascape" of Dead Europe by the Australian writer Christos Tsiolkas. It argues that, in contrast to the predominantly black British frames of reference of Phillips's counter-travelogue, Tsiolkas's depiction of Europe is characterized by a transcultural shift. Scrutinizing this shift, th…
Metaisierung in Literatur und Anderen Medien
Writing back or writing off? Europe as “tribe” and “traumascape” in works by Caryl Phillips and Christos Tsiolkas
This article takes its cue from Caryl Phillips's critique of Eurocentric "tribalism" in The European Tribe and compares it to the ghostly and highly dystopian "traumascape" of Dead Europe by the Australian writer Christos Tsiolkas. It argues that, in contrast to the predominantly black British frames of reference of Phillips's counter-travelogue, Tsiolkas's depiction of Europe is characterized by a transcultural shift. Scrutinizing this shift, th…
‘No Border Can Hold Him’Transnational Discourses in Contemporary British Spy Novels about Europe
Imagining the European periphery
Black British literature’s infrequent engagement with European peripheries has largely involved writing back to Europe as imperial centre. Aminatta Forna’s The Hired Man (2013) pushes beyond this postcolonial “burden of representation” by focusing on the religious and ethnic conflicts that have plagued one of the most traditionally peripheralized parts of the European continent, South-Eastern Europe or the generic “Balkans”. Forna depicts post-wa…
European peripheries in the postcolonial literary imagination
The idea of unbalanced power relations between (post)colonial centres and peripheries lies at the heart of postcolonial studies. In this pattern, Europe, through colonial discourses, has constructe
Black experience, bajan, and musico-literary intermediality in Austin Clarke’s They Never Told Me
This paper explores the use of Bajan, a spoken language of Barbados, and musico-literary intermediality in the depiction of black diasporic experiences in Austin Clarke’s short story collection They Never Told Me: And Other Stories , arguing that these strategies infuse English with localised, embodied and affective dimensions. Relying on Edward Kamau Brathwaite’s work on West Indian aesthetics and on Werner Wolf’s theorisation of musical interme…
Political science (4 works) · Art (3 works) · History (3 works) · Postcolonial and Cultural Literary Studies (3 works) · Sociology (3 works) · Aesthetics (2 works) · Complicity (2 works) · Depiction (2 works) · Law (2 works) · Literature (2 works)