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Zoé De Kerangat

Biographic Data

ID1457525
NAMEZoé De Kerangat
GIVEN NAMESZoé
FAMILY NAMEDe Kerangat
SIGNATUREDE KERANGAT Z
AFFILIATIONSUniversidad Nacional de Educación a Distancia
ORCID0000-0003-1379-9969
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS5
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Antes de ser pública. Memoria, historia y temporalidades de las exhumaciones populares de víctimas del franquismo

    Open Access•Zoé De Kerangat, Jesús Izquierdo Martín•ARTICLE•Aletheia•2025

    Difícil resulta establecer los orígenes de una actividad, como complejo es señalar sus delimitaciones. Es un reto, pero puede ser asumido con cautela. Este es el problema al que se enfrenta la Historia Pública en España, un país con escasa tradición a la hora de incorporar a los ciudadanos en la elaboración –junto a los profesionales de la historia– de relatos sobre su pasado. Contamos, sin embargo, con una experiencia única de activismo ciudadan…

  • Las fosas comunes durante el franquismo: Exhumaciones, Olvidos Y Resistencias

    Open Access•Miriam Saqqa Carazo, Diana Patricia González et al.•ARTICLE•El Futuro del Pasado•2025•References: 11

    Las fosas comunes son una de las consecuencias más gráficas del golpe de estado de 1936, la guerra y la represión de las retaguardias y tras el final de la guerra. Pese a que las fosas han tenido una especial visibilidad por encima de otras consecuencias materiales del conflicto y la dictadura, su existencia tiende a abstraerse como un lugar de violencia estandarizado y despolitizado, como una «cuneta» cuya historia comienza al ser exhumada tras …

  • The limits of remembrance during the Spanish Transition: Questioning the ‘Pact of Oblivion’ through the analysis of a censored film and a mass-grave exhumation

    Open Access•Lidia Mateo Leivas, Zoé De Kerangat•ARTICLE•Memory Studies•2018•Cited by: 3•References: 7

    The corpses of those who were defeated in the Spanish Civil War (1936–1939) first emerged in the public sphere during the country’s Transition to democracy (1973–1982). For many, the end of the dictatorship was an opportunity to come to terms with memories of the conflict through cultural and social practices. However, the memories of the defeated could not be retrieved. This state of amnesia became known as the ‘Pact of Oblivion’, a supposed tac…

  • Réhabiliter leur mémoire? Représentations des victimes de la Guerre Civile et du franquisme dans les musées d'Espagne

    Open Access•Zoé De Kerangat•ARTICLE•Nuevo mundo mundos nuevos•2015•References: 10

    Les musées d'histoire sont des lieux de médiation des discours de mémoire qu'ils présentent au public. Ces récits du passé correspondent aux différentes intentions, ouvertement déclarées ou plus implicites, de celles et ceux qui créent les expositions. De la même manière, les victimes du passé font l'objet de différentes interprétations et représentations dans les musées. En Espagne, dans un contexte où la mémoire publique de la Guerre Civile et …

  • Violence and the politics of memory in a global context: An overture

    Open Access•Marije Hristova, Lee Douglas et al.•ARTICLE•Culture & History Digital Journal•2014•Cited by: 2•References: 9

    Engaging with a growing body of literature regarding post-violence remembrance, this article considers how distinct disciplines approach the study of contemporary “memory cultures” and addresses the issues that arise when violent pasts are considered in a global, comparative perspective. The paper reflects on theoretical and conceptual debates that have emerged in the permanent seminar, Traces and Faces of Violence, an intellectual ILLACCHS- CSIC…

  • The limits of remembrance during the Spanish Transition: Questioning the ‘Pact of Oblivion’ through the analysis of a censored film and a mass-grave exhumation

    Open Access•Lidia Mateo Leivas, Zoé De Kerangat•ARTICLE•Memory Studies•2018•Cited by: 3•References: 7

    The corpses of those who were defeated in the Spanish Civil War (1936–1939) first emerged in the public sphere during the country’s Transition to democracy (1973–1982). For many, the end of the dictatorship was an opportunity to come to terms with memories of the conflict through cultural and social practices. However, the memories of the defeated could not be retrieved. This state of amnesia became known as the ‘Pact of Oblivion’, a supposed tac…

  • Violence and the politics of memory in a global context: An overture

    Open Access•Marije Hristova, Lee Douglas et al.•ARTICLE•Culture & History Digital Journal•2014•Cited by: 2•References: 9

    Engaging with a growing body of literature regarding post-violence remembrance, this article considers how distinct disciplines approach the study of contemporary “memory cultures” and addresses the issues that arise when violent pasts are considered in a global, comparative perspective. The paper reflects on theoretical and conceptual debates that have emerged in the permanent seminar, Traces and Faces of Violence, an intellectual ILLACCHS- CSIC…

  • Violence and the politics of memory in a global context: An overture

    Open Access•Marije Hristova, Lee Douglas et al.•ARTICLE•Culture & History Digital Journal•2014•Cited by: 2•References: 9

    Engaging with a growing body of literature regarding post-violence remembrance, this article considers how distinct disciplines approach the study of contemporary “memory cultures” and addresses the issues that arise when violent pasts are considered in a global, comparative perspective. The paper reflects on theoretical and conceptual debates that have emerged in the permanent seminar, Traces and Faces of Violence, an intellectual ILLACCHS- CSIC…

  • Réhabiliter leur mémoire? Représentations des victimes de la Guerre Civile et du franquisme dans les musées d'Espagne

    Open Access•Zoé De Kerangat•ARTICLE•Nuevo mundo mundos nuevos•2015•References: 10

    Les musées d'histoire sont des lieux de médiation des discours de mémoire qu'ils présentent au public. Ces récits du passé correspondent aux différentes intentions, ouvertement déclarées ou plus implicites, de celles et ceux qui créent les expositions. De la même manière, les victimes du passé font l'objet de différentes interprétations et représentations dans les musées. En Espagne, dans un contexte où la mémoire publique de la Guerre Civile et …

  • The limits of remembrance during the Spanish Transition: Questioning the ‘Pact of Oblivion’ through the analysis of a censored film and a mass-grave exhumation

    Open Access•Lidia Mateo Leivas, Zoé De Kerangat•ARTICLE•Memory Studies•2018•Cited by: 3•References: 7

    The corpses of those who were defeated in the Spanish Civil War (1936–1939) first emerged in the public sphere during the country’s Transition to democracy (1973–1982). For many, the end of the dictatorship was an opportunity to come to terms with memories of the conflict through cultural and social practices. However, the memories of the defeated could not be retrieved. This state of amnesia became known as the ‘Pact of Oblivion’, a supposed tac…

  • Antes de ser pública. Memoria, historia y temporalidades de las exhumaciones populares de víctimas del franquismo

    Open Access•Zoé De Kerangat, Jesús Izquierdo Martín•ARTICLE•Aletheia•2025

    Difícil resulta establecer los orígenes de una actividad, como complejo es señalar sus delimitaciones. Es un reto, pero puede ser asumido con cautela. Este es el problema al que se enfrenta la Historia Pública en España, un país con escasa tradición a la hora de incorporar a los ciudadanos en la elaboración –junto a los profesionales de la historia– de relatos sobre su pasado. Contamos, sin embargo, con una experiencia única de activismo ciudadan…

  • Las fosas comunes durante el franquismo: Exhumaciones, Olvidos Y Resistencias

    Open Access•Miriam Saqqa Carazo, Diana Patricia González et al.•ARTICLE•El Futuro del Pasado•2025•References: 11

    Las fosas comunes son una de las consecuencias más gráficas del golpe de estado de 1936, la guerra y la represión de las retaguardias y tras el final de la guerra. Pese a que las fosas han tenido una especial visibilidad por encima de otras consecuencias materiales del conflicto y la dictadura, su existencia tiende a abstraerse como un lugar de violencia estandarizado y despolitizado, como una «cuneta» cuya historia comienza al ser exhumada tras …

Political science (4 works) · Art (3 works) · Humanities (3 works) · Memory, Trauma, and Commemoration (3 works) · Spanish Culture and Identity (3 works) · Archaeology (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae