Bjorn Aksdal
Biographic Data
| ID | 1457534 |
|---|---|
| NAME | Bjorn Aksdal |
| GIVEN NAMES | Bjorn |
| FAMILY NAME | Aksdal |
| SIGNATURE | AKSDAL B |
| AFFILIATIONS | Kohler (New Zealand) |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Bukkehornet – en gjennomgang og analyse av trompethorn og tungehorn
Instruments made from animal horns have apparently been used as far back as the Stone Age, mainly as part of the shepherd’s necessary equipment. The animal horn was too short to be overblown. Therefore, people started to put two or three finger holes, probably at the end of the Bronze Age, so that it was possible to play simple melodies or signals. In popular terminology, the fingerhole horn was often called “prillarhorn” (fingering horn) or “buk…
Felemakeren Anders Heldal: Hans virksomhet og plass i hardingfelas historie
Anders Heldal (1811–1897) has been regarded as the foremost fiddle maker in Western Norway in the 19th century. He had a large production of Hardanger fiddles and has been considered a continuator of the fiddles made by Isak Botnen (1669–1759). In addition, he repaired and rigged fiddles for many of the leading musicians and violinists of the time. In connection with repairs, he often assembled parts from various instruments, used parts from olde…
Norsk Folkemusikk, Serie II/Norwegian Folk Music, Series II. Slatter for Vanlig Fele/Slatter for the Normal Fiddle
Fanitullen. Innforing i norsk og samisk folkemusikk
Med Piber og Basuner, Skalmeye og Viol: Musikkinstrumenter i Norge ca. 1600-1800
No prominent works on this page.
Med Piber og Basuner, Skalmeye og Viol: Musikkinstrumenter i Norge ca. 1600-1800
Norsk Folkemusikk, Serie II/Norwegian Folk Music, Series II. Slatter for Vanlig Fele/Slatter for the Normal Fiddle
Fanitullen. Innforing i norsk og samisk folkemusikk
Felemakeren Anders Heldal: Hans virksomhet og plass i hardingfelas historie
Anders Heldal (1811–1897) has been regarded as the foremost fiddle maker in Western Norway in the 19th century. He had a large production of Hardanger fiddles and has been considered a continuator of the fiddles made by Isak Botnen (1669–1759). In addition, he repaired and rigged fiddles for many of the leading musicians and violinists of the time. In connection with repairs, he often assembled parts from various instruments, used parts from olde…
Bukkehornet – en gjennomgang og analyse av trompethorn og tungehorn
Instruments made from animal horns have apparently been used as far back as the Stone Age, mainly as part of the shepherd’s necessary equipment. The animal horn was too short to be overblown. Therefore, people started to put two or three finger holes, probably at the end of the Bronze Age, so that it was possible to play simple melodies or signals. In popular terminology, the fingerhole horn was often called “prillarhorn” (fingering horn) or “buk…
Art (4 works) · History (4 works) · Diverse Musicological Studies (3 works) · Linguistics (2 works) · Philosophy (2 works) · Acoustics (1 works) · Art history (1 works) · Computer Science (1 works) · Diverse Music Education Insights (1 works) · Folk music (1 works)