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Kathleen A Spanos

Biographic Data

ID1457680
NAMEKathleen A Spanos
GIVEN NAMESKathleen A
FAMILY NAMESpanos
SIGNATURESPANOS K A
ORCID0000-0002-3036-7028
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Dancing between Pedagogy and Performance

    Kathleen A Spanos, Amilcar Almeida Bezerra•ARTICLE•Dance Chronicle•2020

    Frevo dance comes from the cities of Recife and Olinda in the northeastern Brazilian state of Pernambuco. We expand on previous research by Valéria Vicente to apply Homi Bhabha’s concepts of pedagogy and performativity to a study of how frevo dancers fight for multiplicity and individuality. We explore how the group Guerreiros do Passo (Frevo Dance Warriors) preserves and disseminates frevo through distinct teaching methods and performance projec…

  • A Dance of Resistance from Recife, Brazil

    Open Access•Kathleen A Spanos•ARTICLE•Dance Research Journal•2019•Cited by: 3•References: 15

    Frevo is an energetic dance from Recife, the capital of Brazil's northeastern state of Pernambuco. Frevo is a dance of resistance because it narrates complex notions of identity that contribute to social empowerment through strategic processes of liberation for marginalized groups. The dance originates from the Brazilian martial art of capoeira and it is carnivalesque because it is performed in crowded, often violent streets during carnival, when…

  • Dancing the Archive

    Open Access•Kathleen A Spanos•ARTICLE•Yearbook for Traditional Music•2017•References: 8

    On 17 March, the last day of Montserrat's annual St. Patrick's Festival, locals and tourists gather at the culminating Slave Feast event to commemorate the island's attempted slave rebellion on that same day in 1768. At the Slave Feast, festivalgoers enjoy local foods, buy handmade crafts, and watch artists perform music, dance, and poetry. Masquerade dancers form a circle among the crowds; the young performers wear grinning masks that dangle in …

  • A Dance of Resistance from Recife, Brazil

    Open Access•Kathleen A Spanos•ARTICLE•Dance Research Journal•2019•Cited by: 3•References: 15

    Frevo is an energetic dance from Recife, the capital of Brazil's northeastern state of Pernambuco. Frevo is a dance of resistance because it narrates complex notions of identity that contribute to social empowerment through strategic processes of liberation for marginalized groups. The dance originates from the Brazilian martial art of capoeira and it is carnivalesque because it is performed in crowded, often violent streets during carnival, when…

  • Dancing the Archive

    Open Access•Kathleen A Spanos•ARTICLE•Yearbook for Traditional Music•2017•References: 8

    On 17 March, the last day of Montserrat's annual St. Patrick's Festival, locals and tourists gather at the culminating Slave Feast event to commemorate the island's attempted slave rebellion on that same day in 1768. At the Slave Feast, festivalgoers enjoy local foods, buy handmade crafts, and watch artists perform music, dance, and poetry. Masquerade dancers form a circle among the crowds; the young performers wear grinning masks that dangle in …

  • A Dance of Resistance from Recife, Brazil

    Open Access•Kathleen A Spanos•ARTICLE•Dance Research Journal•2019•Cited by: 3•References: 15

    Frevo is an energetic dance from Recife, the capital of Brazil's northeastern state of Pernambuco. Frevo is a dance of resistance because it narrates complex notions of identity that contribute to social empowerment through strategic processes of liberation for marginalized groups. The dance originates from the Brazilian martial art of capoeira and it is carnivalesque because it is performed in crowded, often violent streets during carnival, when…

  • Dancing between Pedagogy and Performance

    Kathleen A Spanos, Amilcar Almeida Bezerra•ARTICLE•Dance Chronicle•2020

    Frevo dance comes from the cities of Recife and Olinda in the northeastern Brazilian state of Pernambuco. We expand on previous research by Valéria Vicente to apply Homi Bhabha’s concepts of pedagogy and performativity to a study of how frevo dancers fight for multiplicity and individuality. We explore how the group Guerreiros do Passo (Frevo Dance Warriors) preserves and disseminates frevo through distinct teaching methods and performance projec…

Aesthetics (3 works) · Art (3 works) · Dance (3 works) · Visual arts (3 works) · Anthropology (2 works) · Diversity and Impact of Dance (2 works) · Gender Studies (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works)

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