Barbara Sparti

Biographic Data

ID1457926
NAMEBarbara Sparti
GIVEN NAMESBarbara
FAMILY NAMESparti
SIGNATURESPARTI B
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS5
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2013
H-INDEX1

  • In Memoriam

    Barbara Sparti, Nona MonahinARTICLEDance Chronicle2013

  • "Artistic" Theory of Dance in Fifteenth-Century Italy

    Barbara SpartiARTICLEYearbook for Traditional Music2003

    Les premiers traites connus sur l'art de la danse ont ete produits dans l'Italie du quinzieme siecle. Ils contenaient les descriptions choregraphiques et la musique des danses pratiquees par la noblesse et la bourgeoisie. Ces traites contenaient egalement la premiere formulation connue d'une theorie de la danse et de ses principes esthetiques fondamentaux

  • Emilio De' Cavalieri, Composer and Choreographer

    Barbara SpartiARTICLEDance Chronicle2002

    Emilio de' Cavalieri “Gentiluomo Romano” By Warren Kirkendale. 552 pp. Illustrated. Florence: Leo S. Olschki, Editore, 2001. Euros 76,95. ISBN 88-222-4969-0. The late sixteenth-century composer Emi

  • Irene Alm

    Open AccessBarbara SpartiARTICLEDance Research Journal2001

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the 'Save PDF' action button

  • The Function and Status of Dance in the 15th-Century Italian Courts

    Open AccessBarbara SpartiARTICLEDance Research1996

    through volumes of contemporary documents, triumphantly extrapolating any scant mention of dance. This has resulted in losing sight of the context in which the dancing was set, much in the same way as art historians, 'by their excessive emphasis on questions of form and style [have] buried the why and hence the sociology' of the work of art.' This article attempts to redress some of the conclusions which have resulted from previous approaches

  • Dialogue

    Open AccessBarbara Sparti, Janet Adshead-Lansdale et al.ARTICLEDance Research Journal1996Cited by: 3References: 2

  • Breaking down barriers in the study of Renaissance and Baroque dance

    Barbara SpartiARTICLEDance Chronicle1996Cited by: 1References: 2

    Starting in the nineteenth century, the terms Renaissance and Baroque became used to indicate two distinct and distinguishable periods with characteristic artistic and cultural features.* The terms, however, have different connotations in different fields-art, literature, and music-and, obviously, different meanings in different countries. Because of these and other ambiguities, the designations Renaissance and

  • Dance Research in Italy

    Open AccessBarbara Sparti, Patrizia VeroliARTICLEDance Research Journal1995References: 3

  • Fourth Conference of the European Association of Dance Historians (Turin, Italy, 3-5 September 1993)

    Open AccessBarbara SpartiARTICLEDance Research Journal1994Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Steps Used in Court Dancing in Fifteenth-Century Italy D. R. Wilson Published by the Author, 1992

    Open AccessBarbara SpartiARTICLEDance Research1993

  • The Marriage of Music and Dance Papers from a Conference National Early Music Association, 1992

    Open AccessBarbara SpartiARTICLEDance Research1993

  • Antiquity as inspiration in the renaissance of dance

    Barbara SpartiARTICLEDance Chronicle1993References: 2

    (1993). Antiquity as inspiration in the renaissance of dance: The classical connection and fifteenth‐century Italian dance. Dance Chronicle: Vol. 16, No. 3, pp. 373-390

  • Th International Conference on Dance Research

    Open AccessBarbara SpartiARTICLEDance Research Journal1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content