Saule Utegalieva
Biographic Data
| ID | 1458013 |
|---|---|
| NAME | Saule Utegalieva |
| GIVEN NAMES | Saule |
| FAMILY NAME | Utegalieva |
| SIGNATURE | UTEGALIEVA S |
| AFFILIATIONS | Kurmangazy Kazakh National Conservatory |
| ORCID | 0009-0003-6588-1179 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The musical creativity of Tattimbet and Toka in their kuis “Saryzhailau” and “Bozaigyr”
This study examines selected works by Tattimbet Kazangapuly (1815–1860), the founder of the Arka Shertpe dombra school in Central Kazakhstan, and Toka Shongmanuly (1830–1914), who developed a distinctive performance tradition within this school. It focuses on a comparative analysis of the kuis Saryzhailau, associated with representations of nature, and Bozaigyr, reflecting animal imagery. The composers’ creative contributions are outlined in the …
Kazakh prima-kobyz and Kyrgyz prima-kiyak
This work is devoted to the improved string-bow chordophones - Kazakh prima-kobyz and Kyrgyz prima-kiyak. They possess a nearly 90-year history and have been studied little to date. The both instruments are considered for the first time in a comparative plan. The similar instruments of the same type were widely used in many Turkic republics of Central Asia in connection with organizing orchestras of folk instruments. They became actively used in …
Advanced string instruments in the musical culture of Kazakhs, Kyrgyz, and UzbeksAdvanced string instruments in the musical culture of Kazakhs, Kyrgyz, and Uzbeks
The relevance of this study lies in the need to explore the significance, uniqueness, preservation, and popularisation of the unique art of interpretation on stringed instruments in Central Asia, including modified ones, in the modern world. The purpose of the study is to examine the features of using the "prima-kobyz" and advanced string instruments in the sphere of contemporary musical art in Kazakhstan and Turkic peoples (Kyrgyzstan, Uzbekista…
A Computer-Based Study of Scales on the Kazakh Dombra and Kyl-Kobyz
This article addresses the pitches, intervals, and scales of the dombra and kyl-kobyz, the most prominent two-stringed lutes of the Kazakh people (see figure 1). The dombra has tied-on frets and is plucked; in the past the strings were made from gut, but now they are made from artificial string (usually fishing line). The kyl-kobyz is a bowed, fretless lute with horsehair strings. Both instruments have an important place in the music culture of t…
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A Computer-Based Study of Scales on the Kazakh Dombra and Kyl-Kobyz
This article addresses the pitches, intervals, and scales of the dombra and kyl-kobyz, the most prominent two-stringed lutes of the Kazakh people (see figure 1). The dombra has tied-on frets and is plucked; in the past the strings were made from gut, but now they are made from artificial string (usually fishing line). The kyl-kobyz is a bowed, fretless lute with horsehair strings. Both instruments have an important place in the music culture of t…
Kazakh prima-kobyz and Kyrgyz prima-kiyak
This work is devoted to the improved string-bow chordophones - Kazakh prima-kobyz and Kyrgyz prima-kiyak. They possess a nearly 90-year history and have been studied little to date. The both instruments are considered for the first time in a comparative plan. The similar instruments of the same type were widely used in many Turkic republics of Central Asia in connection with organizing orchestras of folk instruments. They became actively used in …
Advanced string instruments in the musical culture of Kazakhs, Kyrgyz, and UzbeksAdvanced string instruments in the musical culture of Kazakhs, Kyrgyz, and Uzbeks
The relevance of this study lies in the need to explore the significance, uniqueness, preservation, and popularisation of the unique art of interpretation on stringed instruments in Central Asia, including modified ones, in the modern world. The purpose of the study is to examine the features of using the "prima-kobyz" and advanced string instruments in the sphere of contemporary musical art in Kazakhstan and Turkic peoples (Kyrgyzstan, Uzbekista…
The musical creativity of Tattimbet and Toka in their kuis “Saryzhailau” and “Bozaigyr”
This study examines selected works by Tattimbet Kazangapuly (1815–1860), the founder of the Arka Shertpe dombra school in Central Kazakhstan, and Toka Shongmanuly (1830–1914), who developed a distinctive performance tradition within this school. It focuses on a comparative analysis of the kuis Saryzhailau, associated with representations of nature, and Bozaigyr, reflecting animal imagery. The composers’ creative contributions are outlined in the …
Diverse Musicological Studies (4 works) · Art (3 works) · Kazakh (3 works) · Literature (3 works) · History (2 works) · Law (2 works) · Linguistics (2 works) · Musical (2 works) · Political science (2 works) · Ancient history (1 work)