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Kalliopi Panopoulou

Biographic Data

ID1458029
NAMEKalliopi Panopoulou
GIVEN NAMESKalliopi
FAMILY NAMEPanopoulou
SIGNATUREPANOPOULOU K
AFFILIATIONSAristotle University of Thessaloniki
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2009
H-INDEX1
  • The Dance Identity of the Vlachs of Lailias Village and ITS Transformations Over Three Generations

    Open Access•Kalliopi Panopoulou•ARTICLE•Yearbook for Traditional Music•2009•Cited by: 3•References: 5

    Dealing with the issue of identity-irrespective of any theoretical orientation-means dealing with the issue of difference in relation to the "other" and the social boundaries that define the "cultural stuff" within and between communities (Barth 1969:13; Gefou-Madianou 1999:192). "Cultural stuff can be described as referring, inter alia, to the collective memory, history, and origin of cultural groups (Smith 1991:32). However, social boundaries t…

  • The Panegyri and Formation of Vlach Cultural Identity

    Kalliopi Panopoulou•ARTICLE•Dance Chronicle•2008

    The panegyria are annual feasts of the Vlach-speaking community of Chionohori, a village in the prefecture of Serres. These feasts serve as a means of constituting, negotiating, and managing the community's cultural identity and history. Dances and songs play a major role in the panegyria, shaping the temporal-spatial framework of performance

  • "Those were difficult years…"

    Open Access•Kalliopi Panopoulou•ARTICLE•Glasnik Etnografskog instituta•2006

    Considering that the oral accounts of the people who experienced the events at a difficult period in time is the most important of all the other research material, I am attempting, with this article, to present a few phases of the captivity of the Vlachophones in Požarevac in 1916. The main objective is to depict the climate of the era throughout the time frame from 1916 -- the commencement of their captivity outside Greece - and their return in …

  • The Dance Identity of the Vlachs of Lailias Village and ITS Transformations Over Three Generations

    Open Access•Kalliopi Panopoulou•ARTICLE•Yearbook for Traditional Music•2009•Cited by: 3•References: 5

    Dealing with the issue of identity-irrespective of any theoretical orientation-means dealing with the issue of difference in relation to the "other" and the social boundaries that define the "cultural stuff" within and between communities (Barth 1969:13; Gefou-Madianou 1999:192). "Cultural stuff can be described as referring, inter alia, to the collective memory, history, and origin of cultural groups (Smith 1991:32). However, social boundaries t…

  • "Those were difficult years…"

    Open Access•Kalliopi Panopoulou•ARTICLE•Glasnik Etnografskog instituta•2006

    Considering that the oral accounts of the people who experienced the events at a difficult period in time is the most important of all the other research material, I am attempting, with this article, to present a few phases of the captivity of the Vlachophones in Požarevac in 1916. The main objective is to depict the climate of the era throughout the time frame from 1916 -- the commencement of their captivity outside Greece - and their return in …

  • The Panegyri and Formation of Vlach Cultural Identity

    Kalliopi Panopoulou•ARTICLE•Dance Chronicle•2008

    The panegyria are annual feasts of the Vlach-speaking community of Chionohori, a village in the prefecture of Serres. These feasts serve as a means of constituting, negotiating, and managing the community's cultural identity and history. Dances and songs play a major role in the panegyria, shaping the temporal-spatial framework of performance

  • The Dance Identity of the Vlachs of Lailias Village and ITS Transformations Over Three Generations

    Open Access•Kalliopi Panopoulou•ARTICLE•Yearbook for Traditional Music•2009•Cited by: 3•References: 5

    Dealing with the issue of identity-irrespective of any theoretical orientation-means dealing with the issue of difference in relation to the "other" and the social boundaries that define the "cultural stuff" within and between communities (Barth 1969:13; Gefou-Madianou 1999:192). "Cultural stuff can be described as referring, inter alia, to the collective memory, history, and origin of cultural groups (Smith 1991:32). However, social boundaries t…

Aesthetics (3 works) · Art (3 works) · Sociology (3 works) · Anthropology (2 works) · Balkans: History, Politics, Society (2 works) · Cultural identity (2 works) · Gender Studies (2 works) · History (2 works) · Psychology (2 works) · Social science (2 works)

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