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Peter J Bloom

Datos Biográficos

ID145906
NOMBREPeter J Bloom
NOMBRESPeter J
APELLIDOBloom
FIRMABLOOM P J
AFILIACIONESUniversity of California, Santa Barbara
ORCID0000-0003-1108-0379
VERIFICADOSí
TOTAL DE OBRAS13
TOTAL DE CITAS7
TOTAL COMO AUTOR13
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2003
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H1
  • Voicing the Malayan Emergency

    Peter J Bloom•ARTICLE•positions asia critique•2023•Referencias: 11

    British colonial film and radio broadcasting initiatives are described as a foundational context for shaping the Malayan Emergency (1948–60). The development and deployment of counterinsurgency techniques become a means by which to wage war against what came to be identified as the Communist insurgency, previously trained and allied with Anglo-American forces against the Japanese occupation from 1942 to 1945. Key British figures associated with p…

  • J ohn W arne M onroe . Metropolitan Fetish

    Open Access•Peter J Bloom•ARTICLE•The American Historical Review•2021

  • The Biopolitics of Media Currency

    Open Access•Peter J Bloom•ARTICLE•African Studies Review•2021•Citada por: 1•Referencias: 13

    This article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In particular, "cognitive assemblages" are elaborated upon to consider how a shifting understanding of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe's invocation of the "injunction to decolonize" is also discussed through in…

  • Pre-cinema as paradigm and collection at the Getty Research Institute

    Peter J Bloom•ARTICLE•Early Popular Visual Culture•2020•Referencias: 2

    Since the late 1990s I have developed an ongoing familiarity with the early media optical devices held at the Getty Research Institute (hereafter GRI) in Los Angeles.Most of these items are part of a significant collection acquired in 1993 by the Getty

  • Films for the Colonies

    Peter J Bloom•ARTICLE•Journal of Colonialism and…•2020

  • Modernization as Spectacle in Africa

    Peter J Bloom, Peter Bloom et al.•BOOK•Modernization As Spectacle in…•2014

    Read an excerpt

  • Archives of Post-Independence Africa and its Diaspora

    Open Access•Peter J Bloom, Peter J Bloom Peter J Bloom et al.•ARTICLE•CODESRIA Bulletin•2013

  • Modernity and Danger

    Peter J Bloom, Kate Skinner•ARTICLE•Ghana Studies•2011•Referencias: 13

    At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his predicament as an orphaned boy from an unnamed fishing village in the Gold Coast.[2][1] We learn that

  • Algeria cuts

    Peter J Bloom•ARTICLE•The Journal of North African…•2010

  • Modernity and Danger

    Peter J Bloom, Kate Skinner•ARTICLE•Ghana Studies•2009•Citada por: 5

    GHANA STUDIES / Volumes 12–13 ISSN 1536-5514 / E-ISSN 2333-7168© 2011 by the Board of Regents of the University of Wisconsin System 121 MODERNITY AND DANGER The Boy Kumasenu and the Work of the Gold Coast Film Unit1 PETER J. BLOOM KATE SKINNER Introduction At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his …

  • French Colonial Documentary

    Peter J Bloom•BOOK•French colonial documentary•2008

  • Trans-Saharan Automotive Cinema

    Open Access•Peter J Bloom•CHAPTER•Virtual Voyages•2006

  • Theorizing Senegalese migrant identities in the era of globalization

    Peter J Bloom•ARTICLE•Emergences Journal for the Study…•2003•Citada por: 1•Referencias: 12

  • Modernity and Danger

    Peter J Bloom, Kate Skinner•ARTICLE•Ghana Studies•2009•Citada por: 5

    GHANA STUDIES / Volumes 12–13 ISSN 1536-5514 / E-ISSN 2333-7168© 2011 by the Board of Regents of the University of Wisconsin System 121 MODERNITY AND DANGER The Boy Kumasenu and the Work of the Gold Coast Film Unit1 PETER J. BLOOM KATE SKINNER Introduction At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his …

  • The Biopolitics of Media Currency

    Open Access•Peter J Bloom•ARTICLE•African Studies Review•2021•Citada por: 1•Referencias: 13

    This article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In particular, "cognitive assemblages" are elaborated upon to consider how a shifting understanding of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe's invocation of the "injunction to decolonize" is also discussed through in…

  • Theorizing Senegalese migrant identities in the era of globalization

    Peter J Bloom•ARTICLE•Emergences Journal for the Study…•2003•Citada por: 1•Referencias: 12

  • Theorizing Senegalese migrant identities in the era of globalization

    Peter J Bloom•ARTICLE•Emergences Journal for the Study…•2003•Citada por: 1•Referencias: 12

  • Trans-Saharan Automotive Cinema

    Open Access•Peter J Bloom•CHAPTER•Virtual Voyages•2006

  • French Colonial Documentary

    Peter J Bloom•BOOK•French colonial documentary•2008

  • Modernity and Danger

    Peter J Bloom, Kate Skinner•ARTICLE•Ghana Studies•2009•Citada por: 5

    GHANA STUDIES / Volumes 12–13 ISSN 1536-5514 / E-ISSN 2333-7168© 2011 by the Board of Regents of the University of Wisconsin System 121 MODERNITY AND DANGER The Boy Kumasenu and the Work of the Gold Coast Film Unit1 PETER J. BLOOM KATE SKINNER Introduction At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his …

  • Algeria cuts

    Peter J Bloom•ARTICLE•The Journal of North African…•2010

  • Modernity and Danger

    Peter J Bloom, Kate Skinner•ARTICLE•Ghana Studies•2011•Referencias: 13

    At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his predicament as an orphaned boy from an unnamed fishing village in the Gold Coast.[2][1] We learn that

  • Archives of Post-Independence Africa and its Diaspora

    Open Access•Peter J Bloom, Peter J Bloom Peter J Bloom et al.•ARTICLE•CODESRIA Bulletin•2013

  • Modernization as Spectacle in Africa

    Peter J Bloom, Peter Bloom et al.•BOOK•Modernization As Spectacle in…•2014

    Read an excerpt

  • Pre-cinema as paradigm and collection at the Getty Research Institute

    Peter J Bloom•ARTICLE•Early Popular Visual Culture•2020•Referencias: 2

    Since the late 1990s I have developed an ongoing familiarity with the early media optical devices held at the Getty Research Institute (hereafter GRI) in Los Angeles.Most of these items are part of a significant collection acquired in 1993 by the Getty

  • Films for the Colonies

    Peter J Bloom•ARTICLE•Journal of Colonialism and…•2020

  • J ohn W arne M onroe . Metropolitan Fetish

    Open Access•Peter J Bloom•ARTICLE•The American Historical Review•2021

  • The Biopolitics of Media Currency

    Open Access•Peter J Bloom•ARTICLE•African Studies Review•2021•Citada por: 1•Referencias: 13

    This article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In particular, "cognitive assemblages" are elaborated upon to consider how a shifting understanding of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe's invocation of the "injunction to decolonize" is also discussed through in…

  • Voicing the Malayan Emergency

    Peter J Bloom•ARTICLE•positions asia critique•2023•Referencias: 11

    British colonial film and radio broadcasting initiatives are described as a foundational context for shaping the Malayan Emergency (1948–60). The development and deployment of counterinsurgency techniques become a means by which to wage war against what came to be identified as the Communist insurgency, previously trained and allied with Anglo-American forces against the Japanese occupation from 1942 to 1945. Key British figures associated with p…

African history and culture studies (9 obras) · History (8 obras) · Political science (8 obras) · Art (7 obras) · Law (7 obras) · Sociology (7 obras) · History (6 obras) · Gender Studies (5 obras) · Gender Studies (5 obras) · Law (5 obras)

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