Peter J Bloom
Datos Biográficos
| ID | 145906 |
|---|---|
| NOMBRE | Peter J Bloom |
| NOMBRES | Peter J |
| APELLIDO | Bloom |
| FIRMA | BLOOM P J |
| AFILIACIONES | University of California, Santa Barbara |
| ORCID | 0000-0003-1108-0379 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAS | 7 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2003 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 1 |
Voicing the Malayan Emergency
British colonial film and radio broadcasting initiatives are described as a foundational context for shaping the Malayan Emergency (1948–60). The development and deployment of counterinsurgency techniques become a means by which to wage war against what came to be identified as the Communist insurgency, previously trained and allied with Anglo-American forces against the Japanese occupation from 1942 to 1945. Key British figures associated with p…
J ohn W arne M onroe . Metropolitan Fetish
The Biopolitics of Media Currency
This article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In particular, "cognitive assemblages" are elaborated upon to consider how a shifting understanding of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe's invocation of the "injunction to decolonize" is also discussed through in…
Pre-cinema as paradigm and collection at the Getty Research Institute
Since the late 1990s I have developed an ongoing familiarity with the early media optical devices held at the Getty Research Institute (hereafter GRI) in Los Angeles.Most of these items are part of a significant collection acquired in 1993 by the Getty
Films for the Colonies
Modernization as Spectacle in Africa
Read an excerpt
Archives of Post-Independence Africa and its Diaspora
Modernity and Danger
At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his predicament as an orphaned boy from an unnamed fishing village in the Gold Coast.[2][1] We learn that
Algeria cuts
Modernity and Danger
GHANA STUDIES / Volumes 12–13 ISSN 1536-5514 / E-ISSN 2333-7168© 2011 by the Board of Regents of the University of Wisconsin System 121 MODERNITY AND DANGER The Boy Kumasenu and the Work of the Gold Coast Film Unit1 PETER J. BLOOM KATE SKINNER Introduction At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his …
French Colonial Documentary
Trans-Saharan Automotive Cinema
Theorizing Senegalese migrant identities in the era of globalization
Modernity and Danger
GHANA STUDIES / Volumes 12–13 ISSN 1536-5514 / E-ISSN 2333-7168© 2011 by the Board of Regents of the University of Wisconsin System 121 MODERNITY AND DANGER The Boy Kumasenu and the Work of the Gold Coast Film Unit1 PETER J. BLOOM KATE SKINNER Introduction At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his …
The Biopolitics of Media Currency
This article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In particular, "cognitive assemblages" are elaborated upon to consider how a shifting understanding of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe's invocation of the "injunction to decolonize" is also discussed through in…
Theorizing Senegalese migrant identities in the era of globalization
Theorizing Senegalese migrant identities in the era of globalization
Trans-Saharan Automotive Cinema
French Colonial Documentary
Modernity and Danger
GHANA STUDIES / Volumes 12–13 ISSN 1536-5514 / E-ISSN 2333-7168© 2011 by the Board of Regents of the University of Wisconsin System 121 MODERNITY AND DANGER The Boy Kumasenu and the Work of the Gold Coast Film Unit1 PETER J. BLOOM KATE SKINNER Introduction At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his …
Algeria cuts
Modernity and Danger
At the beginning of The Boy Kumasenu (dir. Sean Graham, 1952) the teenage protagonist, Kumasenu (Nortey Engmann), is introduced and aurally shadowed by a voice-over narration that explains his predicament as an orphaned boy from an unnamed fishing village in the Gold Coast.[2][1] We learn that
Archives of Post-Independence Africa and its Diaspora
Modernization as Spectacle in Africa
Read an excerpt
Pre-cinema as paradigm and collection at the Getty Research Institute
Since the late 1990s I have developed an ongoing familiarity with the early media optical devices held at the Getty Research Institute (hereafter GRI) in Los Angeles.Most of these items are part of a significant collection acquired in 1993 by the Getty
Films for the Colonies
J ohn W arne M onroe . Metropolitan Fetish
The Biopolitics of Media Currency
This article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In particular, "cognitive assemblages" are elaborated upon to consider how a shifting understanding of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe's invocation of the "injunction to decolonize" is also discussed through in…
Voicing the Malayan Emergency
British colonial film and radio broadcasting initiatives are described as a foundational context for shaping the Malayan Emergency (1948–60). The development and deployment of counterinsurgency techniques become a means by which to wage war against what came to be identified as the Communist insurgency, previously trained and allied with Anglo-American forces against the Japanese occupation from 1942 to 1945. Key British figures associated with p…
African history and culture studies (9 obras) · History (8 obras) · Political science (8 obras) · Art (7 obras) · Law (7 obras) · Sociology (7 obras) · History (6 obras) · Gender Studies (5 obras) · Gender Studies (5 obras) · Law (5 obras)