Christine Montalbetti
Biographic Data
| ID | 1461730 |
|---|---|
| NAME | Christine Montalbetti |
| GIVEN NAMES | Christine |
| FAMILY NAME | Montalbetti |
| SIGNATURE | MONTALBETTI C |
| AFFILIATIONS | A-R Editions |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Écrire quand même
The pandemic has abruptly suspended the writing of my novel in progress, Ce que c’est qu’une existence. Apart from worrying for my loved ones, which impaired my concentration, I felt like all my drafts belonged to a “world before.” How obsolete they had become. And I relate here the solutions I found to “write anyway:” Write a writing journal or rather non-writing journal (in which I pondered the pressure of the news, the necessity of not being d…
L’écriture et l’expérience du réel
Où j’explore mes réticences face à l’écriture autobiographique, et les moyens que j’ai trouvés de les dépasser
Le Pianiste
THE PIANISTChristine MontalbettiIt is a grand-hotel type of bar: you picture warm colors, sinking into a red-covered loveseat, chatting under glass-crystal chandeliers whose classicism limply reigns over several halogen lights which, ultra-modern and seemingly sprouting lanky stems from the ground, remind you of slender young poplars. Simon hasn't been in this bar for a long time. The last time, he thinks to himself—things are poorly organized in…
Dans le jardin de son voisin
L’Origine de l’homme and Petits déjeuners avec quelques écrivains célèbres (Excerpts)
Le spectacle de la lecture
Reading as Spectacle In reading, rather than staging, the actor returns to the centrality of the voice to the text - the fact that writing, essentially, is to be voiced
Fiction, réel, référence
Fiction, Reality, Reference Whether one sees fiction, consensually and commonsensically, as having links to reality (Searle), or, radically, as hermetically cut off from it (Genette), the point is the impossibility of formally discerning fictional from factual stories - a fact of greater consequence for factuality than for fiction, and which implies pragmatic typologies
Fiction, réel, référence
Fiction, Reality, Reference Whether one sees fiction, consensually and commonsensically, as having links to reality (Searle), or, radically, as hermetically cut off from it (Genette), the point is the impossibility of formally discerning fictional from factual stories - a fact of greater consequence for factuality than for fiction, and which implies pragmatic typologies
Fiction, réel, référence
Fiction, Reality, Reference Whether one sees fiction, consensually and commonsensically, as having links to reality (Searle), or, radically, as hermetically cut off from it (Genette), the point is the impossibility of formally discerning fictional from factual stories - a fact of greater consequence for factuality than for fiction, and which implies pragmatic typologies
Le spectacle de la lecture
Reading as Spectacle In reading, rather than staging, the actor returns to the centrality of the voice to the text - the fact that writing, essentially, is to be voiced
L’Origine de l’homme and Petits déjeuners avec quelques écrivains célèbres (Excerpts)
Le Pianiste
THE PIANISTChristine MontalbettiIt is a grand-hotel type of bar: you picture warm colors, sinking into a red-covered loveseat, chatting under glass-crystal chandeliers whose classicism limply reigns over several halogen lights which, ultra-modern and seemingly sprouting lanky stems from the ground, remind you of slender young poplars. Simon hasn't been in this bar for a long time. The last time, he thinks to himself—things are poorly organized in…
Dans le jardin de son voisin
L’écriture et l’expérience du réel
Où j’explore mes réticences face à l’écriture autobiographique, et les moyens que j’ai trouvés de les dépasser
Écrire quand même
The pandemic has abruptly suspended the writing of my novel in progress, Ce que c’est qu’une existence. Apart from worrying for my loved ones, which impaired my concentration, I felt like all my drafts belonged to a “world before.” How obsolete they had become. And I relate here the solutions I found to “write anyway:” Write a writing journal or rather non-writing journal (in which I pondered the pressure of the news, the necessity of not being d…
Art (6 works) · Humanities (3 works) · Linguistics and Discourse Analysis (3 works) · Philosophy (3 works) · Philosophy (3 works) · Psychoanalysis and Psychopathology Research (3 works) · Historical and Literary Analyses (2 works) · Historical and Literary Studies (2 works) · Law (2 works) · Law (2 works)