Ellen W Sapega
Biographic Data
| ID | 1463210 |
|---|---|
| NAME | Ellen W Sapega |
| GIVEN NAMES | Ellen W |
| FAMILY NAME | Sapega |
| SIGNATURE | SAPEGA E W |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 14 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Interview with Fernando Vendrell
Portuguese Studies vol. 34 no. 2 (2018), 221–36© Modern Humanities Research Association 2018 Interview with Fernando Vendrell1 Ellen W. Sapega University of Wisconsin–Madison Ellen W. Sapega: Directing and producing films might seem like the job of one’s dreams, but in reality it can be very risky and frustrating. Can you tell us how you first got started, what motivated you, and what sustains you in doing the work you do? Fernando Vendrell: It’s…
"Contingency and Loss in "Marido e Outros Contos
"Notes on the Historical Context of "Claridade
This essay takes its starting point from the premise that a single coherent project for the publication of Claridade never existed, either in terms of the reviews' contents or of its actual physical layout. After demonstrating that three very different incarnations of Claridade appeared at three distinct historical moments (1936-7; 1947-49; 1959-60), I set about examining each “series” in light of the specific date in which it appeared. Paying pa…
A Landscape Transformed
The Cambridge Companion to European Modernism
Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. T…
Consensus and Debate in Salazar's Portugal
Ellen Sapega's study documents artistic responses to images of the Portuguese nation promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar. Combining archival research with current theories informing the areas of memory studies, visual culture, women's autobiography, and postcolonial studies, the author follows the trajectory of three well-known cultural figures working in Portugal and its colonies during the 1930s a…
Image and Counter-Image
Neste artigo, siwo-me de teorias da cultura visual para exarninar a constnqb e a recep
Ficcoes Modernistas
Reversible Readings
Consensus and Debate in Salazar's Portugal
Ellen Sapega's study documents artistic responses to images of the Portuguese nation promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar. Combining archival research with current theories informing the areas of memory studies, visual culture, women's autobiography, and postcolonial studies, the author follows the trajectory of three well-known cultural figures working in Portugal and its colonies during the 1930s a…
Image and Counter-Image
Neste artigo, siwo-me de teorias da cultura visual para exarninar a constnqb e a recep
"Notes on the Historical Context of "Claridade
This essay takes its starting point from the premise that a single coherent project for the publication of Claridade never existed, either in terms of the reviews' contents or of its actual physical layout. After demonstrating that three very different incarnations of Claridade appeared at three distinct historical moments (1936-7; 1947-49; 1959-60), I set about examining each “series” in light of the specific date in which it appeared. Paying pa…
Reversible Readings
Ficcoes Modernistas
Image and Counter-Image
Neste artigo, siwo-me de teorias da cultura visual para exarninar a constnqb e a recep
Consensus and Debate in Salazar's Portugal
Ellen Sapega's study documents artistic responses to images of the Portuguese nation promoted by Portugal's Office of State Propaganda under António de Oliveira Salazar. Combining archival research with current theories informing the areas of memory studies, visual culture, women's autobiography, and postcolonial studies, the author follows the trajectory of three well-known cultural figures working in Portugal and its colonies during the 1930s a…
The Cambridge Companion to European Modernism
Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. T…
"Notes on the Historical Context of "Claridade
This essay takes its starting point from the premise that a single coherent project for the publication of Claridade never existed, either in terms of the reviews' contents or of its actual physical layout. After demonstrating that three very different incarnations of Claridade appeared at three distinct historical moments (1936-7; 1947-49; 1959-60), I set about examining each “series” in light of the specific date in which it appeared. Paying pa…
A Landscape Transformed
"Contingency and Loss in "Marido e Outros Contos
Interview with Fernando Vendrell
Portuguese Studies vol. 34 no. 2 (2018), 221–36© Modern Humanities Research Association 2018 Interview with Fernando Vendrell1 Ellen W. Sapega University of Wisconsin–Madison Ellen W. Sapega: Directing and producing films might seem like the job of one’s dreams, but in reality it can be very risky and frustrating. Can you tell us how you first got started, what motivated you, and what sustains you in doing the work you do? Fernando Vendrell: It’s…
Art (7 works) · History (4 works) · Humanities (4 works) · Literature (3 works) · Literature, Culture, and Criticism (3 works) · Philosophy (3 works) · Sociology (3 works) · 20th century (2 works) · Aesthetics (2 works) · Art history (2 works)