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David Grundy

Biographic Data

ID146769
NAMEDavid Grundy
GIVEN NAMESDavid
FAMILY NAMEGrundy
SIGNATUREGRUNDY D
AFFILIATIONSNorthumbria University
ORCID0000-0003-3974-7390
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS2
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Never By Itself Alone

    David Grundy•BOOK•Queer Poetry Queer Communities in…•2024

    Never By Itself Alone changes our sense of both the American literary and political landscapes from the postwar period through to the present day. Presenting the first comprehensive history of postwar queer writing in Boston and San Francisco, the book begins with Robert Duncan’s courageous 1944 essay, ‘The Homosexual in Society’, one of the first significant public defences of homosexuality in the United States and ends with the War on Terror. A…

  • ‘We cannot live without our lives’

    David Grundy•CHAPTER•Queer Poetry Queer Communities in…•2024

    Emerging from a movement of Boston-area activism, the Combahee River Collective Statement of 1977 was formative for the much-misunderstood conception of ‘identity politics’. This chapter provides a new context for Combahee by emphasizing the role of poetry in their work, focusing on Audre Lorde’s poem ‘Need’, written in the context of a 1979 campaign sparked by a series of murders of Black women in the Boston area. At the turn of the decade, writ…

  • Forming / Else Where

    David Grundy•ARTICLE•African American Review•2024

    In 1967, Wilmer Lucas wrote that N. H. Pritchard’s poems “decompose the reader by sight and sound.” This essay follows Lucas’s prompt in several ways. It examines Pritchard’s early poetry in the context of the New York art scene and the Umbra Poets Workshop, outlining his development of the concept of “transrealism” and the subsequent visual reorganization of his work, before focusing on the sonic dimensions of his poetry, and suggesting that his…

  • “The Arc of Struggle”

    David Grundy•ARTICLE•Études anglaises•2023

  • “The Arc of Struggle”

    David Grundy•ARTICLE•Études anglaises•2023

    Cet article se penche sur l’œuvre de Sean Bonney de 2010 à 2019 afin de réfléchir à certaines des façons dont les poètes britanniques contemporains ont figuré la défaite politique à une époque de gouvernements de droite, tant au niveau national qu’international. Bonney était une figure clé d’une scène restreinte mais florissante de poètes expérimentaux contemporains basés au Royaume-Uni qui, dans leurs œuvres, se sont souvent intéressés à cet env…

  • The man who blew up America

    Open Access•David Grundy•ARTICLE•Index on Censorship•2021

  • New Narratives in Gabrielle Daniels and Ishmael Houston-Jones

    David Grundy•ARTICLE•Journal of Narrative Theory•2021

    New Narratives in Gabrielle Daniels and Ishmael Houston-Jones1 David Grundy (bio) Introduction: New Narrative and Race Originating as a private joke between Robert Glück and Bruce Boone (Jackson 26), the term 'New Narrative' is as capacious as it is specific: as concerned with coterie poetics as with movement-building, with gossip as with political discourse, with sex as with death. For Dodie Bellamy and Kevin Killian, New Narrative is more "sens…

  • Suicide or Dynamite”

    David Grundy•ARTICLE•Contemporary Women s Writing•2015•References: 3

    Most readers are likely to have come across the out-of-print and untranslated work of the Belgian author Sophie Podolski primarily through her brief appearances in pieces by Robert Bolaño and thus to perceive her as a gifted but tragic artist-victim, a poétesse maudite whose associative flow, graphic style, and often tortured self-awareness is of a piece with her suicide at the age of twenty-one. Podolski becomes a martyr to the sexual and collec…

  • The Presence of Stigma Among Users of the MMORPG RMT

    Open Access•David Grundy•ARTICLE•Games and Culture•2008•Cited by: 2•References: 35

    In those massive multiplayer online role-play games in which the real money trade (RMT) is specifically prohibited by the end user license agreement and terms of service, researchers should be aware of the impact of their work into potentially sensitive topic areas. If these users of the RMT secondary market feel they are a stigmatized community, this will potentially directly affect access to data, data integrity, data bias, and the ability to d…

  • The Presence of Stigma Among Users of the MMORPG RMT

    Open Access•David Grundy•ARTICLE•Games and Culture•2008•Cited by: 2•References: 35

    In those massive multiplayer online role-play games in which the real money trade (RMT) is specifically prohibited by the end user license agreement and terms of service, researchers should be aware of the impact of their work into potentially sensitive topic areas. If these users of the RMT secondary market feel they are a stigmatized community, this will potentially directly affect access to data, data integrity, data bias, and the ability to d…

  • The Presence of Stigma Among Users of the MMORPG RMT

    Open Access•David Grundy•ARTICLE•Games and Culture•2008•Cited by: 2•References: 35

    In those massive multiplayer online role-play games in which the real money trade (RMT) is specifically prohibited by the end user license agreement and terms of service, researchers should be aware of the impact of their work into potentially sensitive topic areas. If these users of the RMT secondary market feel they are a stigmatized community, this will potentially directly affect access to data, data integrity, data bias, and the ability to d…

  • Suicide or Dynamite”

    David Grundy•ARTICLE•Contemporary Women s Writing•2015•References: 3

    Most readers are likely to have come across the out-of-print and untranslated work of the Belgian author Sophie Podolski primarily through her brief appearances in pieces by Robert Bolaño and thus to perceive her as a gifted but tragic artist-victim, a poétesse maudite whose associative flow, graphic style, and often tortured self-awareness is of a piece with her suicide at the age of twenty-one. Podolski becomes a martyr to the sexual and collec…

  • The man who blew up America

    Open Access•David Grundy•ARTICLE•Index on Censorship•2021

  • New Narratives in Gabrielle Daniels and Ishmael Houston-Jones

    David Grundy•ARTICLE•Journal of Narrative Theory•2021

    New Narratives in Gabrielle Daniels and Ishmael Houston-Jones1 David Grundy (bio) Introduction: New Narrative and Race Originating as a private joke between Robert Glück and Bruce Boone (Jackson 26), the term 'New Narrative' is as capacious as it is specific: as concerned with coterie poetics as with movement-building, with gossip as with political discourse, with sex as with death. For Dodie Bellamy and Kevin Killian, New Narrative is more "sens…

  • “The Arc of Struggle”

    David Grundy•ARTICLE•Études anglaises•2023

  • “The Arc of Struggle”

    David Grundy•ARTICLE•Études anglaises•2023

    Cet article se penche sur l’œuvre de Sean Bonney de 2010 à 2019 afin de réfléchir à certaines des façons dont les poètes britanniques contemporains ont figuré la défaite politique à une époque de gouvernements de droite, tant au niveau national qu’international. Bonney était une figure clé d’une scène restreinte mais florissante de poètes expérimentaux contemporains basés au Royaume-Uni qui, dans leurs œuvres, se sont souvent intéressés à cet env…

  • Never By Itself Alone

    David Grundy•BOOK•Queer Poetry Queer Communities in…•2024

    Never By Itself Alone changes our sense of both the American literary and political landscapes from the postwar period through to the present day. Presenting the first comprehensive history of postwar queer writing in Boston and San Francisco, the book begins with Robert Duncan’s courageous 1944 essay, ‘The Homosexual in Society’, one of the first significant public defences of homosexuality in the United States and ends with the War on Terror. A…

  • ‘We cannot live without our lives’

    David Grundy•CHAPTER•Queer Poetry Queer Communities in…•2024

    Emerging from a movement of Boston-area activism, the Combahee River Collective Statement of 1977 was formative for the much-misunderstood conception of ‘identity politics’. This chapter provides a new context for Combahee by emphasizing the role of poetry in their work, focusing on Audre Lorde’s poem ‘Need’, written in the context of a 1979 campaign sparked by a series of murders of Black women in the Boston area. At the turn of the decade, writ…

  • Forming / Else Where

    David Grundy•ARTICLE•African American Review•2024

    In 1967, Wilmer Lucas wrote that N. H. Pritchard’s poems “decompose the reader by sight and sound.” This essay follows Lucas’s prompt in several ways. It examines Pritchard’s early poetry in the context of the New York art scene and the Umbra Poets Workshop, outlining his development of the concept of “transrealism” and the subsequent visual reorganization of his work, before focusing on the sonic dimensions of his poetry, and suggesting that his…

Art (4 works) · Poetry Analysis and Criticism (4 works) · History (3 works) · Literature (3 works) · Poetry (3 works) · Political science (3 works) · Psychology (3 works) · Race, History, and American Society (3 works) · Sociology (3 works) · Aesthetics (2 works)

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